Laura Splan is multimedia artist and researcher working at the intersections of Science, Technology, and Culture. Her transdisciplinary practice reframes artifacts of the posthuman landscape to unravel entanglements of natural and built systems. Her internationally recognized artworks and exhibitions have been presented at the Brooklyn Museum, Musea Brugge (Bruges), Museum of Arts & Design (NYC), Centre d’Art Santa Mònica (Barcelona), San Francisco Museum of Modern Art, Pioneer Works (NYC), and The Nobel Prize Museum at Liljevalchs (Stockholm). Film and media art festivals featuring her work have included Currents (Santa Fe, NM), CLIMAX (Madrid), and Seoul International Short Film Festival where she was awarded Best Experimental Film in the special prize categories. Her work is represented in the collections of Thoma Art Foundation and Chan Zuckerberg Initiative and has been commissioned by the CDC Museum in association with The Smithsonian Institution (Washington DC), the Vanderbilt Museum Planetarium (Centerport, NY), and Bruges Triennial. Her research has been supported by the Simons Foundation, NEW INC at the New Museum, Jerome Foundation, Knight Foundation, Electronic Arts, Harvestworks, and Pollock-Krasner Foundation. Reviews and articles including her work have appeared in The New York Times, Wired, Discover, designboom, and Frieze. She has been featured in artist profiles and interviews on Science Friday and Voice of America. Publications featuring her artwork include "Life Eternal" published by The Nobel Prize Museum. As a speaker and educator, she has been a National Endowment for the Arts Digital Arts Fellow and a lecturer as Stanford University. She is currently an Artist in Residence at the Beall Center for Art + Technology for the 2024 Getty Pacific Standard Time exhibition Future Tense: Art, Complexity, & Predictability.