Laughing Through the Dark
What remains of a friendship when everything unspoken starts to rot beneath the surface?
Esther and Louise navigate the fragile threshold of adulthood, bound by a deep yet fragile bond. As ambition, frustration, and inner turmoil quietly take hold, their relationship begins to fracture, driven less by what is said than by what is left unsaid.
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Alex YuDirectorFragments, Élégie, Everlasting
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Alex YuWriterFragments, Élégie, Everlasting
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Azzedine WahbiProducerLe Dernier Acte
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Emma MouginKey Cast"Esther"
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Monica Abi-KhalilKey Cast"Louise"
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Steeven BarbinProduction Manager
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Ugo DelabarreFirst Assistant Director
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Ugo DelabarreCasting Director
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Élise MathelierScript supervisor
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Ben BaDirector of Photography
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Gerardo Gonzalez BelmonteCamera Operator
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Paul PequignotGaffer
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Augustin CicchelliElectricians
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Delphine LapousElectricians
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Théo BerresiElectricians
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Jordray KalengaUnit Production Manager
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Augustin CrétinonSound Mixer
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Nicolas Monny-HelwigBoom operator
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Mariana Diaz AlbaProduction Designer
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Mariana Diaz AlbaProps Master
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Salomé LeroyMakeup Artist
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Badreddine HarzliFilm Editor
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Alex YuFilm Editor
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Azzedine WahbiColorist
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Augustin CrétinonSound Editor
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Augustin CrétinonSound Mixing
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Steeve FidolSound Mixing
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Maxime JeanComposer
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Project Title (Original Language):On peut rire dans le noir
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Project Type:Short
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Runtime:11 minutes 25 seconds
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Completion Date:December 1, 2025
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Production Budget:20,000 EUR
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Country of Origin:France
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Country of Filming:France
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Language:French
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Shooting Format:RED
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Aspect Ratio:2:40
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Film Color:Black & White and Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
Alex Yu develops an intimate, contemporary cinema that explores the fractures of youth, inner wandering, and the inability to communicate in a world saturated with noise. His films portray solitary characters confronted with doubt. His writing favors silence, everyday rituals and interiority, through pared-down formal devices combining voice-over, recurring visual and sound motifs, and subtle shifts into the uncanny. The act of creation often becomes a narrative stake.
In 2025, he was selected for the Cinécubateur residency to develop a short fiction film based on his Hmong culture.
Laughing Through the Dark was born from a personal need to explore the silences we carry and the emotions we struggle to share, even with those closest to us. I was interested in the quiet moments, where nothing seems to happen, yet everything slowly begins to fracture.
Through Esther and Louise, I wanted to portray depression, loneliness and the fragile nature of friendship. Their relationship does not collapse through dramatic conflict, but through what remains unspoken. The film is shaped by absence.
For me, this film is less about despair than about vulnerability and the human need to be seen.