Experiencing Interruptions?

Last Seen

Nothing bad happens in small towns, eh? Detective Robert Murano had a lonely job watching over rural Québec until he didn’t: Sleepless nights, shaking hands, blood he can’t explain. When a young woman vanishes without a trace, her desperate sister begs Robert for help. But as he searches empty fields, abandoned shops, and forgotten roads, the case begins to twist, eventually leading back to places he wishes he’d never seen and memories he’s tried to bury beneath pills and nightmares. Phones die in the woods. Voices echo in the dark. Every clue drags Robert deeper into a truth far more chilling than a simple disappearance. Because something happened out there. Robert may not be the hunter… but the hunted.

  • Enrico Saack
    Writer
    Make It Stop (2022), The Most Beautiful Place On Earth (2023), Grey Lies (2024)
  • Enrico Saack
    Producer
    Make It Stop (2022), The Most Beautiful Place On Earth (2023), Grey Lies (2024)
  • Marvin Saack
    Producer
    Make It Stop (2022), The Most Beautiful Place On Earth (2023), Grey Lies (2024)
  • John Helmut Busse
    Producer
  • Lilli Dezius
    Assistant Director
    Grey Lies (2024)
  • Enrico Saack
    Director
    Make It Stop (2022), The Most Beautiful Place On Earth (2023), Grey Lies (2024)
  • Martha Gelies
    Assistant Camera
  • Marvin Saack
    Camera
    Make It Stop (2022), The Most Beautiful Place On Earth (2023), Grey Lies (2024)
  • Sophia Douvier
    Assistant Producer
  • Moritz Meyer
    Lighting
    The Most Beautiful Place On Earth (2023), Grey Lies (2024)
  • Benjamin Douvier
    Sound
    The Most Beautiful Place On Earth (2023), Grey Lies (2024)
  • Lennie Gottberg
    Key Cast
    "Robert Murano"
    Measuring The World (2012), The Most Beautiful Place On Earth (2023), Grey Lies (2024)
  • Claudia Korneev
    Key Cast
    "Lilja Borg"
    The Most Beautiful Place On Earth (2023)
  • Esther Hilsemer
    Key Cast
    "Cecilia Tessaro"
    MARIA (Short) (2020), Grey Lies (2024)
  • Marvin Saack
    Editor
    Make It Stop (2022), The Most Beautiful Place On Earth (2023), Grey Lies (2024)
  • Marvin Saack
    Composer
    Make It Stop (2022), The Most Beautiful Place On Earth (2023), Grey Lies (2024)
  • Martha Gelies
    Composer
  • MARTHA
    Featured Musical Artist
  • Project Type:
    Short
  • Genres:
    Mystery, Thriller, Drama
  • Runtime:
    33 minutes 23 seconds
  • Completion Date:
    January 5, 2026
  • Production Budget:
    10,000 EUR
  • Country of Origin:
    Germany
  • Language:
    English, French
  • Shooting Format:
    Digital
  • Aspect Ratio:
    2.39:1
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
  • New York Film & Cinematography Awards 2026
    New York, NY
    United States
    Official Selection
  • San Diego International Film Awards 2026
    San Diego, CA
    United States
    Semi-Finalist
  • Sacramento Independent Film Festival, March 2026
    Sacramento, CA
    United States
    Semi-Finalist
  • Denver Movie Awards, March 2026
    Denver, CO
    United States
    Semi-Finalist
  • Dubai Independent Film Festival, March 2026
    Dubai
    United Arab Emirates
    Semi-Finalist
  • Rome International Short Festival, Spring 2026
    Rome
    Italy
    Semi-Finalist
  • 17th Underground Cinema Film Awards, 2026
    Dublin
    Ireland
    Official Selection
  • San Francisco Arthouse Short Festival, March 2026
    San Francisco, CA
    United States
    Award Winner - Best Original Score
  • Cork Indie Film Awards, April 2026
    Cork
    Ireland
    Semi-Finalist
  • LA Indie Shorts, 2026
    Los Angeles, CA
    United States
    Award Winner - Best Composer
Director Biography - Enrico Saack

Enrico Saack is a director, screenwriter, and producer whose roots in theatre continue to shape his cinematic vision. Across his films, he has forged a voice that lingers in the space between mystery and psychological drama, probing the delicate threshold where reality meets imagination. His work unfolds with a quiet, immersive intensity: light, sound, and silence are orchestrated to pull audiences into the intimate, often fragile inner worlds of his characters, where betrayal simmers, power is wielded and abused, and the mind teeters on the edge of fear, obsession, and fractured perception. Saack is less interested in neat resolutions but rather the reverberations of a story: the entangled emotions, moral tremors, and fleeting ambiguities that haunt the mind long after the screen goes dark, leaving shadows and echoes of manipulation, vulnerability, and fractured psyche that continue to stir thought and feeling.

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