Last May in Theaters
Jakarta and Gwangju are two significant cities that sparked the birth of democracy in Indonesia and South Korea, toppling dictators through people's power in May 1998 and 1980. This work tells the story of the daily lives of two ticketing cinema staff during those May incidents. They never experienced it directly or went onto the streets to face the soldiers, yet the stories they heard and the voices that reached them felt like an endless war film replaying in their minds. This film is also woven from fragments of memories of people living around Jakarta and Gwangju and represented through found footage, film clips, and significant cinematic events that occurred in the same month.
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Arief BudimanDirector
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Arief BudimanWriter
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Rugun SiraitProducer
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Eunha LeeProducer
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Irwan DiansyahKey Cast
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Chan KookKey Cast
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Project Type:Documentary, Experimental, Short
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Genres:History, documentary, experimental, fiction, narrative
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Runtime:22 minutes 50 seconds
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Completion Date:June 13, 2025
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Production Budget:1,000 USD
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Country of Origin:Indonesia, South Korea
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Country of Filming:Indonesia, South Korea
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Language:Indonesian, Korean
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Shooting Format:Digital
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Aspect Ratio:4:3
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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Visions du ReelNyon
Switzerland
April 21, 2026
Europe premiere
Short & Mid International Competition -
Images FestivalToronto
Canada
April 21, 2026
North American Premiere
Unstill Image -
DMZ International Film FestivalPaju & Goyang
South Korea
September 12, 2025
World Premiere
Grand Prize Korean Competition Shorts -
DOXA Documentary Film FestivalVancouver
Canada
May 1, 2026 -
Wuhan bailin Film FestivalWuhan
China
November 10, 2025
International Premiere -
Seoul Independent Film FestivalSeoul
South Korea
November 29, 2025 -
Jogja-NETPAC Asian Film FestivalYogyakarta
Indonesia
December 3, 2025
Transcendence -
Festival Film DokumenterYogyakarta
Indonesia
November 29, 2025
Indonesian Premiere
Spektrum -
Syncro Film FestBuenos Aires
Argentina
June 26, 2026
Argentina Premiere
International Competition -
+RAIN Film FestivalBarcelona
Spain
June 17, 2026
Spain Premiere
International Competition -
Minikino Film WeekDenpasar
Indonesia
September 18, 2026
Arief Budiman is an artist-filmmaker based in Yogyakarta, working with sonic traces, distorted histories, fabricated realities, desktop cinema, collage film, and media installations.
His practice engages with speculative histories, public archives, and collective memory to uncover hidden and erased narratives. Using archives and technology as tools, he opens up alternative ways of reading the past, blending fiction and non-fiction to construct multi-layered narratives that function as alternative histories. His works often draw from personal memories, oral histories, and popular culture—such as novels, music, and film. More recently, he has developed methods involving non-human elements to trace histories of violence in Indonesia and across Asia.
His works have received several awards, including the Grand Prize for Short Competition at DMZ International Documentary Film Festival (2025), Best Short Documentary at the Indonesian Film Festival (2023), and the Julius Baer – Next Generation Art Prize in the Moving Image category (2021). He is a recipient of the SGIFF SEA-Shorts Grant (2025), and his short documentary received the Sharjah Art Foundation – Short Film Production Grant (2023). He is currently a member of two collectives in Yogyakarta, MES 56 and Piring Tirbing.
Selected screenings and exhibitions include International Film Festival Rotterdam, Images Festival (Toronto), DMZ Docs (Gyeonggi), Visions du Reel (Nyon), European Media Art Festival (Osnabruck), Museum of Contemporary Art and Design (Manila), Taipei Fine Arts Museum, Gwangju Media Art Platform, Transmediale (Berlin), Jogja-NETPAC Asian Film Festival, Sharjah Film Platform, Jogja Biennale XVI, ISCP (New York), Gerobak Cinema at Dhaka Art Summit, Arkipel (Jakarta), Kasseler Dokfest, Festival Video NodoCCS (Caracas), etc.
Selected residencies include Treasure Hill Artist Village (Taipei), G.MAP Project Lab Global Residency Program (Gwangju), Koganecho Area Management Center (Yokohama), Art Center Ongoing (Tokyo), MIRO Center (Gwangju), Pekan Kebudayaan Nasional (Kepulauan Seribu), and Jogja Biennale.
https://ariefbudiman.art/
May 1980 in Gwangju and May 1998 in Jakarta illustrate how military brutality can destroy a society’s freedom. Citizens have the right to criticize government decisions, especially when their leader acts as a dictator. However, what happened instead was violence and repressive actions by the government.
I was not part of these historical events—May 1998 and May 1980 are events I never personally experienced—but their impact still lingers today. Then what about the stories of those in the same place but lacked the chance or ability to join the fight? Are they also considered part of that struggle and that historic moment?
This film is an effort to gather personal memories from those who felt the impact of these events as part of a transnational solidarity between May 1980 and May 1998. The people of Gwangju and Jakarta have proven that through collective strength and solidarity, they could overthrow a corrupt state system and transform it into a democracy. This film serves as a reminder that every person, including workers in the film industry, must take a role in protecting democracy.