Last House on CCTV
Kidnapped by a sadistic real estate agent, Kim must escape her captor's basement – and warn her husband before he becomes the next victim.
Young homeowners have no luck with the merciless housing market of today. Kim has found the perfect new home, except for one detail: the basement – and the psychotic real estate agent who wants to keep her locked in it. Worse still, her husband is blissfully unaware of the evils that lurk in that house, and he's due to arrive at any minute now. Can Kim save their skins and live to attend other viewings? Watch your step when you enter the Last House on CCTV. It will change the way you feel about renting.
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Craig Andrew RobertsonDirectorInto the Bleak, The Return of the Crispy Ladies, Sam, How to Read Lips, Boiling Point
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C.J. LazarettiWriter
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Jasmine LindemannProducer
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Yasmine RenaudProducer
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Muireann Ni RailaighKey Cast"Kim"
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Leonora CookeKey Cast"Olivia"
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Gleb DanielsKey Cast"William"
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Project Type:Short
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Genres:Horror, drama, thriller
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Runtime:11 minutes 56 seconds
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Completion Date:March 5, 2020
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Country of Origin:United Kingdom
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Country of Filming:United Kingdom
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Language:English
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Shooting Format:Digital
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Aspect Ratio:2.35:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Scottish Short Film FestivalEdinburgh
United Kingdom
April 4, 2021
UK Premiere
Audience Choice Award -
Corpus Christi, Texas
United States
February 7, 2021
World Premiere
Official Selection
Craig Andrew Robertson is a Glasgow-based Writer, Director and Editor with a Filmmaking M.A. from University of the West of Scotland.
His most recent directorial work include the shorts “Last House on CCTV” & “Into the Bleak” (2020).
His most recent edited films are the short “Asylum” & the feature “Solstice” (2020).
He has made several shorts, some playing in festivals around the world. His film “Sam” won the 2019 Award for Best Live Action Film by 16-19 Year Olds at the Scottish Youth Film Festival.
He has a Bachelor’s degree in Computing for Graphics & Animation.
With access to an extraordinary basement underneath a real Bishop's house, how could I not shoot a horror film?