Last Hoorah at G-Baby's
Last Hoorah at G-Baby’s is a coming-of-age dark comedy short film that centers an apathetic Naja who is grieving the death of her grandmother, with whom she was the caretaker for. After blowing through her cash inheritance, Naja owes five months of back rent on her grandmother’s rent controlled apartment in a gentrifying New York City. Facing eviction, Naja devises a plan with the help of her best friend, Val, to make enough money to make rent by the end of the week. When selling everything doesn’t work, she results in throwing the party of the year as a last ditch effort.
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DeeDee CasimirDirector
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DeeDee CasimirWriter
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Jordan ShanksProduced ByThe Distinguished, Negro League Nights, Seven, Never Again
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Armani GreerKey Cast"Naja"The Waterboyz, If It Isn't Love, Through a Glass, Dimly
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Cecelia MondayKey Cast"Val"Snowfall, All American: Homecoming, S.W.A.T.
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Chaine "CJ Fly" DownerKey Cast"Sosa"Many Saints of Newark, Pro Era (musical artist)
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BeeBe SmithKey Cast"Ms. Pauletta "American Crime Story, NCIS, Glee, Jane the Virgin
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Thomas Copeland JRKey CastAll American
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Melanie WainwrightAssociate ProducersQueen & Slim, Insecure
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Camille ChambersAssociate ProducersHomegirls, Hot Water Brew
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Joi PierreAssociate ProducersHomegirls, Hot Water Brew
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Melanie WainwrightPhotographerDior
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Brenton OeschsleDirector of PhotographySafe Place
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Sam ZarrinEditor
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Jordan Vertison-HardySound Recordist
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Yao WenProduction Designer
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William Antonio DryArt Director
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Yety AkinolaCostume DesignerRest Stop, One Night Stay, 40-Year-Old Version, Raising Kanan
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Abby AustriaSound Designer
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Hann McEwenIntimacy Coordinator
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Tyrone D. DixonLine ProducerRoll Bounce, The Company We Keep, Tupac: Ressurection
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Alexia SalingarosColourist
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Jeremy JardineComposerCtrl+Alt+Desire
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Adia Z. MayCo-ProducerLife Below Zero, Welcome to Klyde's Kitchen,
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Christina IngraldiCo-ProducerNegro League Nights
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Kim ColemanExecutive ProducerBlacKkKlansman, Zola, Snowfall, Dear White People, Love Craft Country
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DeeDee CasimirExecutive Producer
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Kim ColemanCasting DirectorBlacKkKlansman, Zola, Snowfall, Dear White People, Love Craft Country
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Project Type:Short, Student
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Genres:Dramedy, Comedy, Drama, Coming of Age
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Runtime:14 minutes 55 seconds
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Completion Date:April 29, 2024
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Production Budget:33,344 USD
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Country of Origin:United States
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Country of Filming:United States, United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:2.39:1
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:Yes - Loyola Marymount University
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Micheaux Film FestivalLos Angeles
United States
None
Official Selection -
Urbanworld Film FestivalNew York City
United States
November 16, 2024
New York City Premiere
Official Selection -
Pan African Film Festival
February 15, 2025
Official Selection
DeeDee Casimir is a Haitian-American filmmaker whose comedic storytelling celebrates the vibrant lives of Black women. Born in New York to immigrant parents, she grew up the youngest of seven children in a lively family.
With a keen eye for style, DeeDee infuses her work with a distinct aesthetic influenced by her visual arts background in fashion. Her stories highlight Black women coming of age, which she believes can happen at any stage of life, and defy the constraints of respectability politics and societal expectations.
DeeDee has worked with renowned organizations such as 3Arts and Showtime, and has been recognized for her talent through programs such as the Academy Gold Rising initiative and Ryan Reynolds and Blake Lively’s Group Effort initiative.
She holds a B.A. from Howard University and an MFA from Loyola Marymount University.
Since I was six years old, I’ve had an intimate relationship with death. After losing my mother to cancer, the death machine hasn’t let up. As a result, I was raised in community; surrounded by loved ones who took an invested interest in my development. My maternal grandmother, Liliane, was integral to that.
My sisters and I grew up spending extended periods of time with her at her multi family building in Flatbush, Brooklyn. When she was diagnosed with terminal cancer during my junior year of college, it was a no brainer to move in as her caretaker. Simple things like the jingle from the Mister Softee truck brought back memories. My sisters and I would beg my grandma for cash then sprint after the truck following the sound. We'd feel so satisfied when we finally caught up. As an adult, that same path I ran would become my route to the pharmacy for my grandma's medication.
Four weeks after returning to school, she passed.
I inherited a modest lump sum of money and a minority stake in her building. My severe underemployment compromised my ability to use the inheritance as a foundation for my future. It instead became a crutch. As for the building, it was later sold; which made me evaluate the idea of home, community, legacy, and transition. For this project, I have reimagined my circumstances and channeled that into our protagonist, Naja. She is used as a vessel to show how a young person may handle their newfound responsibility in the face of loss as they experience the whiplash of adulthood.