LAMPEDUSA
A woman, a man. The island of Lampedusa, where their escape
routes intersect. Zakaria, in his late twenties, from Somalia, who has risked his life coming to the island on a small boat when fleeing civil war in his country. Giulia, in her mid-fifties, a tourist from Northern Italy, on the run from deep personal crises. Both have returned to the island. Giulia, recovered but facing a life-threatening illness, and Zakaria, as a journalist now living in Rome.
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Peter SchreinerDirector
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Peter SchreinerWriter
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Peter SchreinerProducer
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Peter SchreinerCinematography
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Johannes Schmelzer-ZiringerSound recording, -mixing, Sounddesign
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Peter SchreinerEditing
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Maria SchreinerCrew
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Isabella SchreinerCrew
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Awad ElkishCrew
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Giuliana PachnerKey Cast
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Zakaria Mohamed AliKey Cast
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Pasquale De RubeisKey Cast
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Anna MatinaKey Cast
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Awad ElkishKey Cast
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Project Type:Documentary, Experimental, Feature, Other
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Runtime:2 hours 10 minutes 52 seconds
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Completion Date:March 15, 2015
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Country of Origin:Austria
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Country of Filming:Italy
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Language:Arabic, German, Italian
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Shooting Format:HD XDCAMEX
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Aspect Ratio:16:9
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Film Color:Black & White
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First-time Filmmaker:No
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Student Project:No
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DIAGONALE - Festival of Austrian Film, AustriaGraz
Austria
March 18, 2015
World Premiere -
IFFR - International Filmfestival Rotterdam, The NetherlandsRotterdam, The Netherlands
February 3, 2016
International Premiere -
IFFI - International Filmfestival Innsbruck, AustriaInnsbruck
Austria
May 26, 2016
IFFI-Award for Best Documentary, Prize of the Town of Innsbruck -
Cinema Isola - International Filmfestival, SloveniaIzola
Slovenia
June 3, 2016 -
Karlovy Vary International Filmfestival, Czech RepublicKarlovy Vary
Czech Republic
July 1, 2016 -
Human District International Filmfestival, SerbiaBeograd
Serbia
June 21, 2016
Human Time Award for Best Featurefilm -
Mirabile Dictu - International Catholic Filmfestival, ItalyRome, Vatican City
Italy
June 23, 2016
Mirabile Dictu - Award, "The Silver Fish" for Best Director -
A Film for Peace - International Filmfestival, ItalyUdine
Italy
September 20, 2016 -
Indie International Film Festival Belo Horizonte, BrazilBelo Horizonte
Brazil
September 1, 2016 -
Cinemigrante International Filmfestival, ArgentinaBuenos Aires
Argentina
October 11, 2016
as part of FOCUS PETER SCHREINER -
Sose International Filmfestival, ArmeniaYerevan
Armenia
October 15, 2016 -
Festival Int. du Nouveau Cinéma, CanadaMontreal
Canada
October 5, 2016 -
International Filmfestival Carthago, TunisiaTunis
Tunisia
November 1, 2016
as part of CINEMA OF THE WORLD -
Scandinavian International Filmfestival, FinlandHelsinki
Finland -
European Filmfestival - Mainstream & Underground, Russian FederationMoscow
Russian Federation -
Wolves Independent International Film Awards, LithuaniaVilnius
Lithuania
Finalist -
Festival Internacional de Cine de Autor, MexicoGuadalajara
Mexico -
El Ojo Cojo International Film Fest, SpainMadrid
Spain
November 20, 2016
Guino Award for Best Feature Fiction Film -
Eindhoven Film Festival, The NetherlandsEindhoven
Netherlands
December 10, 2016 -
This Human World International Film Festival, AustriaVienna
Austria
December 3, 2016 -
Stadtkino im Künstlerhaus 2017, AustriaVienna
Austria -
7th Philosophical Film Festival 2017, MacedoniaSkopje
Macedonia, the former Yugoslav Republic of
February 26, 2017 -
Festival Festival Internacional de Cine por los Derechos Humanos 2017, ColombiaBogota
Colombia
August 1, 2017
Best Feature Film -
Cinemigrante International Filmfestival 2017, SpainBarcelona
Spain
October 3, 2017 -
Festival Internacional de Cine de Autor 2017, MexicoGuadalajara
Mexico
Distribution Information
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echtzeitfilm - Peter Schreiner FilmproduktionCountry: WorldwideRights: All Rights
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sixpackfilmCountry: WorldwideRights: Theatrical
born 1957 in Vienna
studies at University of Music and Performing Arts,
Department Film and Television, Vienna
films since
1982
1982 Glaring Light (16mm, bw, 120 min., sc, dir, cam, ed)
1983 First Love (16mm, bw, 100 min., sc, dir, cam, ed)
1985 Children Film (16mm, bw, 110 min., sc, dir, cam, ed)
1986-88 On The Way (16mm, bw/col, 120 min., sc, dir, cam, ed)
1988-91 The Cimbers (16mm, bw, 116 min., sc, dir, cam, ed)
1993-95 Blue Distance (16mm, bw, 95 min., sc, dir, ed)
2004-06 Bellavista (DV-35mm, bw, 117 min., sc, dir, cam, ed)
2007-09 Totó (DV-35mm, bw, 128 min., sc, dir, cam, ed)
2010-12 Fata Morgana (HD-DCP, bw, 140 min., sc, dir, cam, ed)
2013-15 Lampedusa (HD-DCP, bw, 130 min., sc, dir, cam, ed)
Awards:
Main Diagonale Award (Best Austrian Documentary 2006/07)
Advancement Award for Cinematic Art 2009
Diagonale Award (Best Cinematography, Documentary Film 2009/10)
"Big Stamp" for the best regional film 2010, Int. Filmfestival ZagrebDOX, Croatia 2009
IFFI-Award 2016 for Best Documentary, Prize of the Town of Innsbruck, Austria 2016
Mirabile Dictu ICFF - Award, "The Silver Fish" for best director, Rome 2016
Guino-Award for best feature fiction film, IFF El Ojo Cojo, Madrid 2016
Human Time - Award for Best Featurefilm, Human District IFF, Belgrade 2016
Winner of the "Critical Eye-‐screening", Lume Int. Filmfestival, Brazil 2011
best cinematography, 4. Int. Documentary Drama Filmfestival, Saratov, Russia 2007
'Personale' (retrospective),
Diagonale 2010
festivals and screenings:
Int. Forum des Jungen Films - Berlin, Mostra Int. d'Arte Cinematografica - Venezia , Karlovy Vary Int. Filmfestival, Int. Filmfestival Rotterdam, São Paulo Int. Filmfestival, Buenos Aires Int. Filmfestival, DocLisboa Filmfestival, Denver Film Festival, Bradford Int. Filmfestival, Diagonale - Festival of Austrian Films, Documenta-Madrid, Era New Horizons - Wroclaw, Split Int. Festival of New Film, Duisburger Filmwoche, Saratov Sufferings Int. Filmfestival, DocPoint Helsinki, Full Length Festival Lublin, Austrian Cultural Forum - New York, Mediterranean Experience - Reggio/Calabria, ZagrebDox Int. Documentary Film Festival, Jeonju Int. Filmfestival - South Korea, European Film Week Tehran, Transilvania Int. Filmfestival, Cinédécouvertes Competition - Belgium, dfi-Symposium "Töne sehen - Bilder hören" - Köln, Italian American Institute - New York, European Film Days - Tokyo, Lume Int. Filmfestival, Int. Film Festival "A man`s shadow"- New Caledonia, Bildrausch Filmfestival Basel, Isola Cinema Int. Filmfestival, Festival du nouveau cinema - Montreal, Copenhagen architecture x film Festival, Shadow Filmfestival Amsterdam, Würzburger Filmwochenende, Int. Filmfestival Innsbruck, Filmschau Visionary - sixpackfilm, Walserherbst, Lessinia Filmfestival, Der Neue Heimatfilm - Freistadt, Riga Int. Filmfestival, Trento Filmfestival, Mirabile Dictu Int. Catholic Filmfestival - Rome, Human District Int. Filmfestival - Belgrade, A Film for Peace Int. Filmfestival - Udine, Indie International Film Festival Belo Horizonte - Brazil, Cinemigrante International Filmfestival - Buenos Aires, Argentina, Sose International Filmfestival - Armenia / International Filmfestival Carthago, Tunis, Tunisia / El Ojo Cojo International Film Festival, Madrid, Spain / Eindhoven International Film Festival, The Netherlands / This Human World Film Festival, Vienna, Austria / Philosophical Film Festival Skopje, Macedonia / Eunic-Project: Frontiers and their States, Zagreb, Rijeka, Croatia / Festival Internacional de Cine de Autor, Guadalajara, Mexico / Viennale - Vienna International Film Festival a. o.
television:
ORF (Kunststücke), OKTO (Oktoskop)
contact:
Peter Schreiner Filmproduktion
Grinzinger Allee 37a
A-‐1190 Vienna, Austria
E-‐mail: office@echtzeitfilm.at
Based on the experience that cinematic work is always connected to authenticity - considering that camera and microphone can, after all, even in the conventional movie only reproduce what is visible and audible at the moment of recording - it appears reasonable to make conscious use of this 'principle' and extend it over the whole of the project in all of its mental and physical aspects. This means that it is necessary to take note and advantage of all the given circumstances at any time during production. Apart from the mental states of both actors / actresses and the people behind the camera, as well as the relationships formed between them, this includes also spatial circumstances, the time, as well as lighting and weather conditions when recording. Consequently the specifications of content, dramaturgy and text need to be handled in a way as to leave them 'open' in some form.