LET ME RIDE
A young boy fixes a broken bond by accepting the help of a grizzly looking man.
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Juliette Joy ANQUETILDirectorFatima's not fucking retraining
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Benjamin WOLFINWriter
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Edgar VAZQUEZProducer
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Jonah PAULLKey Cast"Boy"Best Young Actor, The One Survivor of Conifer
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Rob TRENDKey Cast"Old Man"
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Kirsten SHAWKey Cast"Mother"The Poetess, in the tour of Ali to Karil
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Justine NASSEF MAGDYDirector Of Photography
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Aimee ROBINSONFirst Assitant Director
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Jake BYROMOriginal Music
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Project Type:Short, Student
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Runtime:7 minutes 31 seconds
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Completion Date:November 26, 2021
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Production Budget:2,000 GBP
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Country of Origin:United Kingdom
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Country of Filming:United Kingdom
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Language:English
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Shooting Format:ARRI Alexa Mini
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:Yes - London Film Academy
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Student World Impact Film Festival SWIFF 2023
United States
June 21, 2023
Official Selection and Nominated for the Best Short film award at SWIFF 2023 -
Northeast Pennsylvania Film Festival 2023Waverly
United States
February 4, 2023
Official Selection Shorts Narrative -
Capri, Hollywood - The International Film Festival 2022Capri
Italy
February 12, 2022
Italy Premiere
Official selection Capri Special Contest -
London Independent Film Festival 2022London
United Kingdom
April 1, 2022
UK
Official Selection UK Short Film -
Concours de Courts Toulouse 2022Toulouse
France
April 15, 2022
France Première
BEST INTERNATIONAL SHORT FILM 2022 -
Austin Film Festival 2022Austin, Texas
United States
October 29, 2022
North America Premiere
Official Selection Narrative Student Short 2022 -
SHORT to the Point 2022Bucharest
Romania
November 2, 2022
Official Selection Student Short -
First-Time Filmmaker Sessions Hosted by @LiftOffGlobalNetwork
February 12, 2022
Official Selection -
London International Monthly Film FestivalLondon
United Kingdom
October 6, 2023
Honorable Mention
Attracted by unconventional universes, Juliette Joy ANQUETIL, born in Paris, France, likes to develop sensitive stories dealing with committed, sometimes heavy subjects revealing our consciences and souls.
After working on various productions since her early days, she started her artistic studies at the Cours Florent (French Acting School) in 2018.
Juliette officially began her career in front of the camera, alongside Gaspard ULLIEL and Freya MAVOR, in the role of Gwenn, a young woman who will reborn from the ashes, in the mini-series "Twice Upon A Time" directed by Guillaume NICLOUX for ARTE and broadcasted on NETFLIX in 2019. This experience on set reinforced her desire for cinema and her intention to explore the other side of the stage.
In 2019, she moved to London to pursue her film studies and enroll in the Filmmaking Bachelor at the London Film Academy to acquire in 2021 her diploma with honors and the solid knowledge and practical skills necessary for her future career as a director.
After exploring different positions on student films and external productions like music videos, reality TV and features, she now focuses on writing and directing.
Directing LET ME RIDE, Juliette imprints her artistic fiber on-screen and deals with the sensitive subject of dysfunctional families through a modern tale about breaking generational curses.
The Boy and the Old Man are related but act like strangers at first, which shows how fragile their relationship is. We truly understand the situation when the mom comes back and tries to bring her child back inside, far from his grandad. I want this film to look simple, nothing more, nothing less than real life. The way it was written makes sense and does not call for artifices. We see this film as very observatory, going wide on wide lenses to emphasize the individual "isolation" of the characters and also symbolizing the wall between the old man and the boy by not having them in the frame at the same time until he takes his grandson's defense, to emphasize the evolution of their relationship.
This film is interesting because it treats the consequences of alcoholism and dysfunctional families outside of the central conflict. We do not see any abuse, just reactions to a situation caused by the abuse, which is a way to send a message without spilling out trauma on the screen. It is refreshing to see a new take on things. Situations like that happen every day, in all kinds of families across the world. Its strength is in its underlying message about the importance of good role models in a family. We hear a lot about "breaking generational curses" and positive growth lately. Everyone is very focused on healing, it is a good trend, and I feel that film is a real example of a healing situation. The past year and a half have been tough on social ties, making it a relevant way to carry a positive message.