LET ME RIDE

A young boy fixes a broken bond by accepting the help of a grizzly looking man.

  • Juliette Joy ANQUETIL
    Director
    Fatima's not fucking retraining
  • Benjamin WOLFIN
    Writer
  • Edgar VAZQUEZ
    Producer
  • Jonah PAULL
    Key Cast
    "Boy"
    Best Young Actor, The One Survivor of Conifer
  • Rob TREND
    Key Cast
    "Old Man"
  • Kirsten SHAW
    Key Cast
    "Mother"
    The Poetess, in the tour of Ali to Karil
  • Justine NASSEF MAGDY
    Director Of Photography
  • Aimee ROBINSON
    First Assitant Director
  • Jake BYROM
    Original Music
  • Project Type:
    Short, Student
  • Runtime:
    7 minutes 31 seconds
  • Completion Date:
    November 26, 2021
  • Production Budget:
    2,000 GBP
  • Country of Origin:
    United Kingdom
  • Country of Filming:
    United Kingdom
  • Language:
    English
  • Shooting Format:
    ARRI Alexa Mini
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    Yes - London Film Academy
  • Digital Cinema Package:
    Unavailable
  • Student World Impact Film Festival SWIFF 2023

    United States
    June 21, 2023
    Official Selection and Nominated for the Best Short film award at SWIFF 2023
  • Northeast Pennsylvania Film Festival 2023
    Waverly
    United States
    February 4, 2023
    Official Selection Shorts Narrative
  • Capri, Hollywood - The International Film Festival 2022
    Capri
    Italy
    February 12, 2022
    Italy Premiere
    Official selection Capri Special Contest
  • London Independent Film Festival 2022
    London
    United Kingdom
    April 1, 2022
    UK
    Official Selection UK Short Film
  • Concours de Courts Toulouse 2022
    Toulouse
    France
    April 15, 2022
    France Première
    BEST INTERNATIONAL SHORT FILM 2022
  • Austin Film Festival 2022
    Austin, Texas
    United States
    October 29, 2022
    North America Premiere
    Official Selection Narrative Student Short 2022
  • SHORT to the Point 2022
    Bucharest
    Romania
    November 2, 2022
    Official Selection Student Short
  • First-Time Filmmaker Sessions Hosted by @LiftOffGlobalNetwork

    February 12, 2022
    Official Selection
  • London International Monthly Film Festival
    London
    United Kingdom
    October 6, 2023
    Honorable Mention
Director Biography - Juliette Joy ANQUETIL

Attracted by unconventional yet hyperrealistic universes, Juliette Joy began her artistic studies at Cours Florent French acting school, and in front of the camera, playing Gwen alongside Gaspard Ulliel and Freya Mavor in the mini-series "Twice Upon a Time" directed by Guillaume Nicloux for Arte and Netflix.

After moving to London to pursue her film studies at the London Film Academy, Juliette Art Directed +15 features, shorts, commercials, music videos, and series - she now focuses on writing and directing.
In 2025 Juliette joined a strong legacy of filmmakers at the American Film Institute Conservatory, as a Directing Fellow.

Her directorial debut, Let Me Ride, premiered at Oscar qualifying Austin Film Festival and won Best International Film at Concours de courts in Toulouse introducing her work to the festival circuit. She is currently developing a slate of features as writer/director, continuing her exploration of intimate off-center narratives.

Juliette likes to examine themes such as mental health and disability, breaking generational curses, sex workers’ rights, and climate urgency—through character-driven stories that unearth their emotional and societal undercurrents. She sees filmmaking as an invitation to step into the lives of others with openness and sensitivity, and a chance for audiences to connect with characters they may never have expected to.

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Director Statement

The Boy and the Old Man are related but act like strangers at first, which shows how fragile their relationship is. We truly understand the situation when the mom comes back and tries to bring her child back inside, far from his grandad. I want this film to look simple, nothing more, nothing less than real life. The way it was written makes sense and does not call for artifices. We see this film as very observatory, going wide on wide lenses to emphasize the individual "isolation" of the characters and also symbolizing the wall between the old man and the boy by not having them in the frame at the same time until he takes his grandson's defense, to emphasize the evolution of their relationship.
This film is interesting because it treats the consequences of alcoholism and dysfunctional families outside of the central conflict. We do not see any abuse, just reactions to a situation caused by the abuse, which is a way to send a message without spilling out trauma on the screen. It is refreshing to see a new take on things. Situations like that happen every day, in all kinds of families across the world. Its strength is in its underlying message about the importance of good role models in a family. We hear a lot about "breaking generational curses" and positive growth lately. Everyone is very focused on healing, it is a good trend, and I feel that film is a real example of a healing situation. The past year and a half have been tough on social ties, making it a relevant way to carry a positive message.