Knitting Out
In a quiet suburban village where nothing ever happens, Tullah (Tallulah), a socially awkward but talented weaver, descends into obsession after losing her virginity to the wrong guy and becomes famous for knitting her heartbreak into her tapestries, with the blood, skin, hair and bones of all her ex-lovers.
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Catarina De CèzanneWriter
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Ana Maria SantosDesigner (Poster)
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Project Type:Screenplay
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Genres:folk horror, witchcraft, psychological, thriller
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Number of Pages:98
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Language:English
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First-time Screenwriter:Yes
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Student Project:No
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Digital Cinema Package:Unavailable
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Page Turner Screenplays
April 1, 2023
Quarter-Finalist -
HorrOriginsTucson, Arizona. USA
September 28, 2023
Official Selection -
A Night Of Horror International Film FestivalSydney, Australia
August 30, 2021
Winner -
Sasqwatch International Film FestivalVancouver BC, Canada
April 4, 2024
Winner -
Fortean Film FestivalStandish, England GL10 3DW
October 31, 2023
Silver Award -
LA International Horror Film FestivalLos Angeles, CA. USA
June 27, 2021 -
LA Under the StarsLos Angeles, USA
February 10, 2022
Winner Best Horror Script -
AFIN International Film FestivalBrisbane, Australia
September 30, 2021
Nominee -
Tagore International Film FestivalBirbhum, West Bengal
April 26, 2021
Winner Best Short Script -
Shockfest Film FestivalLas Vegas, United States
December 10, 2022
Official Selection -
Art Film AwardsНикола Русински, Скопје, Macedonia
April 29, 2021
Winner Best Short Script -
Prisma Rome Independent Film AwardsRoma, Italy
May 6, 2021
Finalist: Best Short Screenplay -
Golden Sparrow International Film FestivalTamil Nadu, India
May 17, 2021
Winner Best Short Script -
Prague International Monthly Film FestivalPrague, Czech Republic
May 19, 2021
Finalist: Best Short Screenplay -
Madras Independent Film FestivalChennai, India
June 9, 2021
Winner Best Woman Writer -
Independent Horror Movie AwardsOnline Event
May 7, 2021
Nominee -
London Film & Horror Film AwardsLondon, United Kingdom
July 30, 2021
Official Selection
Catarina César (also known as Catarina De Cèzanne) is a filmmaker and screenwriter born in a small village in Portugal and now based in the North East of England.
She is best known for her debut sci-fi short film After Link, as well as for her work as a PA, runner, and script supervisor across high-end television series, documentaries, BAFTA-selected short films, film festivals and major commercial productions. She holds a Master’s degree in Film and TV Production, speaks three languages, and frequently travels internationally.
Catarina has also worked full-time as an Office Manager for Film & Casting Temple at Fox/Disney Studios in Sydney, where she contributed to script development, pitch decks, and funding applications for local feature films in development.
Through her work, she aims to inspire those from geographically disadvantaged regions, small villages, and non-English-speaking backgrounds. She is particularly committed to raising awareness about modern slavery, discrimination, nepotism, misogyny, as well as the spiritual endangerment in our world.
Stephen King's "Carrie" meets "Suspiria" and "May".
Tullah is a suburban horror/romantic tale about a lonely girl with strong beliefs who grows up isolated from society.
It is a female-centred horror drama with supernatural elements, and it shows how far one can go for her/his beliefs and superstitions.
I hope this script can transport you to Tullah’s world, a nightmarish world. This is the short version of a feature. Her fractured state of mind uncovers many demons that personify real horrors that lurk inside us all. The virginity curse was, for some and for many years, a real belief, and it is not hard to imagine how trauma and superstition can affect the human mind, even nowadays.
You will find that the female main character Tullah, suffers from an unusual obsession. It starts with an innocent obsession over a man, and moreover, with an idea, a belief that she is cursed after she lost her virginity with this man, who then rejects her. And this idea is the true monster. This idea is the horror.
Because I believe that ideas can be metaphysical materialised in a sort of alternative plan of reality, and it is as powerful as a physical weapon. Although this is the idea I would like to transmit, it is also related to me personally because, just like Tullah, I live in a very small village in the south of Portugal, where people's mentalities and superstitions also got stuck in time.
This script was written to translate a feeling that has no name. The feeling that I’ve been holding almost my whole life, the feeling of being stuck, isolated, suffocating in a small village in the middle of nowhere, where everybody knows everyone and nothing ever happens, in Portugal, one of the poorest countries in Europe, without opportunities to thrive. We grow up to die here, love and reborn, and we live by our beliefs. Reaching fame through Art is rarely achievable. We remain invisible and never discovered, and it is a scary feeling.