Kamli
The story of Kamli revolves around two women, Sakina and Hina living in a remote village, bound together in a relationship through Saqlain, a man missing since 8 years. Sakina’s reluctance to accept that her brother is no longer with them and her rigid idea that their lives must continue in the same way forever conflicts with Hina’s quiet discontent with an unfulfilled marriage with Saqlain and her loneliness as her youth flies by. Alas, Hina has no home other than Sakina’s overprotective abode and she finds escape in the fascinating stories Sakina narrates to her and in a late night radio show they both listen to. On the other hand, Sakina, blind herself, finds in Hina, a companion to look after, control and depend on. Sakina uses her moral/religious superiority to defend her odd family dynamics in front of the society.
Hina often strolls off to a nearby forest for a break from the mundane stillness of her life, finding solace in solitude and nature. Her forest catharsis turns upside down when she meets Amaltas, a mysterious, wandering photographer. Amaltas brings a sudden bolt of passion and hope in Hina’s life.
On another front, Zeenat, a melancholic artist and her unsympathetic husband Malik Nadir are the rich landlords of this village. Zeenat’s inability to conceive, her frustration with her dysfunctional marriage and her creative self-contempt paralleled drives her to a point where she starts orchestrating her husband's second marriage with Hina. It is a plan she must execute and she must convince Sakina that its time to let Hina go.
An unsuspecting Hina begins imagining a life with Amaltas as they fall in love. She starts distancing herself from Sakina ever so little, who in turn, starts smelling lies and secrets on her. Sakina doesn’t react until Zeenat comes forward with her proposal. It is then that Sakina feels deceived and decides to punish Hina, accusing her of disobeying God and dishonoring the family.
However, once Sakina calms down, she realizes that the arrow has already been shot and that it may be difficult to keep Hina anchored anymore. She decides to tell Hina about Saqlain’s death, a secret she has kept hidden all these years. She declares that she would allow Hina to marry Malik Nadir but only after completing the traditional period of mourning for widows, during which she locks her up.
Hina is torn and driven mad by the despair of losing Amaltas, the grief of Saqlain’s death, Sakina’s betrayal and the fear of Zeenat's plan materializing. With the little resolve she has still left in her, she decides to fight destiny and the decisions imposed upon her but is met with the most unfortunate end.
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Sarmad Sultan KhoosatDirectorManto, Zindagi Tamasha (Circus of Life)
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Fatimah SattarWriter
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Sarmad Sultan KhoosatWriterZindagi Tamasha (Circus of Life)
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Kanwal KhoosatProducerZindagi Tamasha (Circus of Life)
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Sarmad Ali SultanProducerZindagi Tamasha (Circus of Life), Joyland
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Saba QamarKey Cast"Hina"Manto, Hindi Medium, Ghabrana Nahi Hai
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Sania SaeedKey Cast"Sakina"Manto, Joyland
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Nimra BuchaKey Cast"Zeenat"Manto, Ms Marvel, Ho Mann Jahaan, 3 Bahadur: Rise of the Warriors
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Omair RanaKey Cast"Malik Nadir"Chambaili, Tamanna, Dukhtar
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Project Type:Feature
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Genres:Drama, Romance, Mystery
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Runtime:2 hours 11 minutes 58 seconds
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Completion Date:May 25, 2022
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Production Budget:500,000 USD
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Country of Origin:Pakistan
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Country of Filming:Pakistan
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Language:English, Panjabi, Urdu
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Shooting Format:Digital, Arri Alexa
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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52nd International Film Festival Rotterdam - IFFRRotterdam
Netherlands
January 25, 2023
European
Official Selection
Distribution Information
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Khoosat FilmsDistributorCountry: WorldwideRights: All Rights
One rarely comes across an artist with as prolific a body of work as Sarmad Sultan Khoosat’s. With a career spanning over two decades, his name is synonymous with innovation, creativity and bravery in Pakistan and abroad.
Starting with television and radio, he has not left many areas of the performing arts unexplored. From successful mainstream television shows like “Humsafar” and “Shehr-e-Zaat” that made history and changed the face of the South Asian television industry, to the internationally acclaimed “Manto,” a feature film on the life and works of Saadat Hasan Manto, to the winner of the prestigious Kim Jiseok Award at Busan International Film Festival “Zindagi Tamasha (Circus of Life),” and the winner of the Jury Prize Un Certain Regard “Joyland” and his latest offering “Kamli”, he has not only created a wide and diverse audience for his work but has also proved that he is not scared of experimenting with the craft.
The last few years have witnessed a remarkable shift in his choice of subjects and themes. “Mor Mahal,” which was not a great commercial success, was a period fiction television series that dared to revive a genre that has been ignored for decades here. “No Time To Sleep” was a ground breaking mixed media performance that fused theatre with digital streaming - a 24 hours long uninterrupted live performance on the theme of capital punishment. We don’t find many precedents for a creative experiment even in the international arts scene. “Jhanjhar Di Pawaan Chankaar” was yet another bold attempt at tackling various sensitive issues through the medium of theatre.
His film “Zindagi Tamasha (Circus of Life)”, which was Pakistan’s official entry to the 93rd Academy awards, reflects his dedication and sense of responsibility towards his art. It was premiered at the prestigious Busan film festival in South Korea where it won the prestigious Kim Jiseok Award and made the entire nation proud. For whatever unfair reasons, the objections that arose around the theatrical release of the film in Pakistan, just went on to prove how important an artist’s work is in a society that lacks tolerance. Despite the fears and bullying that he had to face since then, he continues to create, act, make movies, teach and inspire.