KARMA
Twenty years ago 5 out-of-work L.A. actors borrowed a camera, shot a short film, and then incredibly lost it all. From recently rediscovered footage comes a comedic romp about a young novelist, Todd, who believes that before he can propose to his true love, Debbie, he must confess his past affair with his free-spirited co-worker, Karma. Todd’s friends are on a mission to keep him quiet, so who will ultimately win out? True Love or Karma?
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Kent FaulconDirectorNaomi, Just A Phase, Bougie Dilemma, Sister's Keeper
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Kent FaulconWriterJust A Phase, Sister's Keeper
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Kent FaulconKey Cast"Todd"Selma, Men In Black, Blackish, For Better Or Worse
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Andre WareKey Cast"Smalls"FBI: Most Wanted, Bull, House of Cards, Gotham Knights
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Daryl C. BrownKey Cast"Rell"9-1-1, All American, NCIS
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Monti SharpKey Cast"Guy"Bosch, 9-1-1, How to Get Away With Murder
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Damon SaleemKey Cast"Bean"Law and Order, X-Files, Caught Up
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Project Type:Short
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Runtime:17 minutes 33 seconds
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Completion Date:October 14, 2024
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Aspect Ratio:3:4
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
Kent Faulcon is an award-winning director-writer-actor. His directing credits include the helming of episodes of the DC superhero series “Naomi” executive produced by Ava DuVernay for the CW, episodes of Amazon’s “Bougie Dilemma,” the half-hour, single-camera spec pilot “Brothers-In-Law” as well as the sci-fi mystery short film “Just A Phase.” His feature film “Sister’s Keeper”, which he wrote and directed, was selected by Black Filmmakers Magazine as part of its London International Film Festival and went on to be named Audience Choice Winner for both the Hollywood Black Film Festival and the Texas Black Film Festival. The film garnered nominations and recognitions for Best Drama, Best Overall Film, Best Actor, and Best Director in festivals across the country.
Kent earned his B.F.A. from U.N.C. School of the Arts and was recently named as a DGA African-American Steering Committee Learning Tree Fellow. The highly competitive DGA program was created with the goal to support, mentor, inspire and prepare emerging African-American Directors. He has also received many accolades as a screenwriter. His recent screenplay “And There is Fight,” chronicling current US Labor Secretary Julie Su’s fight as a young lawyer to free trafficked and enslaved Thai garment workers in L.A., was awarded First Prize in the 25th Annual Fade in Awards True Story competition, Semifinalist in WeScreenplay Diverse Voices Lab, and Quarterfinalist in the Emerging Screenwriters Genre Screenplay Competition. It is currently under option by Southland Pictures. Creative Screenwriting Unique Voices Screenplay Competition recognized Kent for his screenplay “ABNER”—a coming-of-age sci-fi story and his sci-fi script “Jumped” was honored as a Semifinalist in the Scriptapalooza screenplay competition.
In addition to directing Kent has also enjoyed a multi-decade acting career and has been featured and starred in memorable films and shows like “Selma”, “Men in Black”, “American Beauty”, “NCIS”, “Blackish”, “War of the Worlds”, “Die Hard: With A Vengeance”, “Criminal Minds”, and many others. Kent was a series regular for six seasons playing “Richard Ellington” on Tyler Perry’s adult themed comedy “For Better or Worse,” a spinoff of Perry’s box office hit film “Why Did I Get Married?”. www.KentFaulconDirects.com
Recently finding the lost footage of a short film, KARMA, I shot over 20 years ago has been a reaffirming and re-invigorating experience as well as a source of renewed inspiration. In 1998, we were five young, struggling, out-of-work actors. I was also a budding young filmmaker dreaming of ways to tell the stories I’d want to see on screen. This was a time before smartphones with cameras or computer laptops with the ability to edit video. The barrier to entry to visually tell stories was much, much higher. For us five, professionally and personally, it was a time before steady acting work, being series regulars on TV, roles in major blockbuster films, or even Emmy awards. It was a time before marriages and children. We were young artists dreaming of making a way and our mark in the entertainment industry. We didn’t have much beyond a burning desire to create. So we worked with what we had: a story, a Hi-8 camera, blank tapes, and each other. Thinking we had lost all our work was devastating at the time, but we had an appreciation of our creative efforts, the lessons learned, and what we poured into each other. We accepted the loss and continued moving forward. Having recovered the lost tapes, I wanted to honor the young artists we were 20 years ago by completing the project we started way back when. Viewing myself and my friends from decades ago, I am heartened that, to this day, I still hold the same beliefs and philosophies about the type of stories and images I want to put out in the world.
Back in the 90s, I wanted desperately to explore stories not centered in the “hood” or drugs or violence. I wanted to examine young black male characters who weren’t steeped in the fight against societal oppression or urban dysfunction. I wanted to showcase a group of guys just trying to make sense of their mundane, everyday world of love, life, and friendship. I wanted to push back against the roles we were being offered as young actors, like “Gang Banger#2” or “Lowlife #3.” (That last one is an actual movie role listed on my IMDB page.). Having a story about a young novelist who, against the wishes of his best friends, is convinced he must confess his past affairs before proposing to his true love, felt like a creative revolutionary act. Taking my cue from the likes of Spike Lee and Robert Townsend in making something by any means necessary, I ventured to make this short film. Who knew it would be over 20 years before the film would be completed. Its rediscovery has been a heartened reminder to never wait to create. Ya heard.