K's GAZE - Sailing in the wind
When Franz Kafka and his friend Max Brod, go on a train journey from Prague to Zurich, they keep parallel diaries, each describing the experience from a different angle, that of their personality, culture, place in society. The novel written this way, was never completed and the journey was the last time they travelled together. This film is the result of a parallel development of fragments of texts by Franz Kafka, landscapes agitated by the wind, imprints of ropes and roots sublimated into paintings, binaural sound, early twentieth century music recordings and re-sampled mixes. The shadow of silent movies, contemporary with Kafka's work, floats like a memory of cinema in and out of the frame, blown-up, slowed-down to a still or accelerated to 24 frames per second. The film invites a second reading, just as Camus wrote about Kafka's art, or rather a second viewing that allows the images the time to develop their language.
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Ron KenleyDirectorK's GAZE - Moving in the Air, Time Being, They think we are ghosts, En Atelier, What can we say?, Terra Cotta, Without here and there, Les Danseuses
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Franz KafkaWriter
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Ron Kenley (adaptation)Writer
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Ron KenleyImage, sound and post-productionK's GAZE - Moving in the Air, Time Being, They think we are ghosts, En Atelier, What can we say?, Terra Cotta, Without here and there, Les Danseuses
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Essay StreetProducerTime Being, They think we are ghosts, En Atelier, What can we say?, Terra Cotta, Without here and there, Les Danseuses
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Project Title (Original Language):K's GAZE (Le regard de K) - Voguer dans le vent
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Project Type:Experimental
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Genres:Diary, Fiction, History
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Runtime:28 minutes 25 seconds
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Completion Date:August 6, 2021
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Production Budget:7,000 EUR
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Country of Origin:France
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Country of Filming:France, Romania
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Language:English, French
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Shooting Format:Digital
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Aspect Ratio:2.39:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
Ron Kenley
Trained as an architect with a long career in teaching, he has been making multi-media works and videos since 1998. A collaboration with the philosopher Jean Attali for Le Fresnoy, Studio d'Art Contemporain, resulted in a number of visual works as film analysis (2001-2003). Over the years, he developed the capacity for handling all the aspects of film-making more or less single-handed. This resulted in a diverse and independent work of various lengths and subjects.
Whether documentary or fictional, my films are always an exploration of the space of the images that make them up, of their voices and words, of the sounds of nature - making up the soul of the characters that inhabit them.
Jean-Luc Godard said: “It’s not where you take things from—it’s where you take them to.”