Jahannam
A victim of administrative detention, a detainee goes on a hunger strike after being separated from his daughter and incarcerated without trial or charge.
Inspired by recent cases, "Jahannam" tackles the issue of administrative detention and it's practice to imprison thousands for lengthy periods of time. The film also explores the use of hunger strikes by detainees as a form of protest, and how the prison system punishes such resistance.
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Hamza PoolWriter / DirectorMagpie (winner of the Evcom FOCUS Award)
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Elena QueallyProducerSet PA on "Star Wars: The Rise of Skywalker" (2019), Production Runner on "Anatomy of a Scandal" (2021)
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Daisy WardProducerProducer of "Sweet Changeling" (2019)
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Ana CastanedoProduction DesignerProduction Design on "Liberté" (2020)
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Lorene DesportesCinematographer
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Ai HeCostume Designer
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Hamza PoolEditor
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Tyrone SmithEditor
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Ramzi DehaniKey Cast"The Prisoner"
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Syed MasoodKey Cast"The Warden"
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Damian Schedler CruzKey Cast"The Boy"
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Annie WallinKey Cast"The Daughter"
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Project Type:Short, Student
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Runtime:12 minutes
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Completion Date:January 7, 2021
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Production Budget:2,800 GBP
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Country of Origin:United Kingdom
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Country of Filming:United Kingdom
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Language:English
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Shooting Format:Digital (Sony FS7)
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Aspect Ratio:2.35 : 1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - London College of Communication (UAL)
Hamza Pool is an award-winning filmmaker with 6+ years of experience. Having worked on music videos and branded content, his true passion is narrative filmmaking.
As someone who has been influenced by various genres and national cinemas, he constantly experiments with different genre and narrative techniques, while maintaining a sense of drama and social commentary; constant throughout his directorial work. His films address political and social issues, with a strong emphasis on the disenfranchised, and those under systems of oppression.
He won the Evcom FOCUS Award 2020 for his short film Magpie. Along with writing and directing Jahannam, Hamza also co-edited and composed the films score.
For as long as I’ve been aware of administrative detention, I have wanted to make a film, whether narrative or documentary, on the topic. With administrative detention being representative of a larger issue; the effects legal systems have on the disenfranchised, I felt the topic was urgent. Along with it being completely ignored by news outlets, I saw an opportunity to expose audience to an issue that they may not be aware of. And so when it came time to make my final film at university, one that would have a bigger budget than my previous shorts, I knew what the topic of the film would be, and that I would have more resources to do it justice than I had before.
Growing up in a low-income household and as Muslim a POC, I have faced oppression; racially, religiously, and economically. And so many of my films come from a desire to shed light on issues of oppression and race that are either underreported, or ignored outright. Jahannam is the latest in my body of work to do this.