GREAT LAKES
GREAT LAKES is a short French socio-economic documentary.
Things are always falling around us, sometimes dragging us down in their wake. November 9, 1989 : the Berlin Wall falls, the Soviet Empire disintegrates. September 11, 2001 : the Twin Towers collapse, shaking America to the core as Europe seeks to emerge. GREAT LAKES, both document and staging : the destruction of the GREAT LAKES CHEMICAL factory in Persan, Val d'Oise, and the fall, the demolition of its last bastion, the 52 m high chimney, the culmination of a local socio-economic tragedy.
12th Zagora International Documentary Film Festival, Morocco : https://youtu.be/I9bLowAHF6o
"All audiences" CNC Operating Licence : 161397
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Jordan DiowDirector
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Pascal DuthuinWriter
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Jordan DiowWriter
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Pascal DuthuinProducer
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Jordan DiowProducer
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Jacques RuisseauKey Cast"Le patron"Le Temps des Copains
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David VandammeKey Cast"L'ouvrier"
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Claude DebussyMusique
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Jordan DiowCamera
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Jordan DiowPostproduction
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Pascal DuthuinPostproduction
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Jordan DiowSound
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16/9 PRODUCTIONSProduction
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Project Title (Original Language):GREAT LAKES
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Project Type:Documentary, Experimental, Music Video, Short, Television, Web / New Media, Other
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Runtime:8 minutes 2 seconds
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Completion Date:October 20, 2023
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Country of Origin:France
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Country of Filming:France
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Shooting Format:HDV
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Film Color:Black & White
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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đđđ đ-đđ đ đ đđđđđđđđ đđđđđđđđ đđđđđđ đđ đđđ đ-đđ đ đđđđđđ đđđđđđđLondon
United Kingdom
October 25, 2023
World Premiere
Official Selection -
IFSAK SHORT FILM FESTIVALIstanbul
March 11, 2024
Asian Premiere
Official Selection -
KALAKARI FILM FESTDEWAS
India
June 21, 2024
INDIA PREMIERE
Official Selection -
FESTIVAL ARABO AFRICAIN DU FILM DOCUMENTAIRE DE ZAGORAZagora
Morocco
November 20, 2024
African Premiere
Official Selection + Invitation to a visit & face-to-face stay -
AHMEDABAD INTERNATIONAL FILM FESTIVAL (AIFF)AHMEDABAD
India
April 25, 2025
Official Selection -
FESTIVAL ANGAELICAPasadena
United States
October 21, 2025
USA Premiere
Official Selection -
AUTHENTIC GLOBAL FILM AWARDSEdmonton
Canada
June 12, 2025
Canadian Premiere
Official Selection -
JULOB INTERNATIONAL FILM FESTIVALOWERRI
Nigeria
March 5, 2026
West-African Premiere
Official Selection + Honorable Mention -
ICJ INTERNATIONAL FILM AWARDLviv
Ukraine
September 10, 2026
Ukrainian Premiere
Official Selection
Distribution Information
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Jordan DiowDistributorCountry: WorldwideRights: All Rights
Jordan Diow (Pascal Duthuin), high-tech entrepreneur (Lithium Espace Mobiles), president of the artistic association âÛâŠEdenâŠ16/9 ProductionsâŠÛâș, is an actor-director-producer, singer-songwriter, visual artist/photographer, performer and French poet/ novelist. Studied the technique of cinema at the CLCF (Conservatoire libre du cinĂ©ma français), as well as its more volatile data, history(s) and theory(s), at the University of Paris-VIII. Seasoned traveler he traces a very personal creative line through the enclaves of a video production nourished by multiple graphic, photographic, musical & literary experiences.
www.diow.fr
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Jordan Diow (Pascal Duthuin), ex-chef d'entreprise high-tech (Lithium Espace Mobiles), prĂ©sident de l'association artistique âÛâŠEdenâŠ16/9 ProductionsâŠÛâș, est un acteur-rĂ©alisateur-producteur, auteur-compositeur-interprĂšte, plasticien/photographe, performer et poĂšte/romancier français. A Ă©tudiĂ© la technique du cinĂ©ma au CLCF (Conservatoire libre du cinĂ©ma français), ainsi que ses donnĂ©es plus volatiles, histoire(s) et thĂ©orie(s), Ă l'universitĂ© de Paris-VIII. Voyageur aguerri il trace une ligne crĂ©atrice trĂšs personnelle au travers des enclaves d'une vidĂ©o-production nourrie de multiples expĂ©riences graphiques, photographiques, musicales & littĂ©raires.
www.diow.fr
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When I learned that the Great Lakes Chemical plant in Beaumont-sur-Oise was to be dismantled, I assumed that this would result in a few spectacular scenes, including the removal of the large chimney. There was a palpable sadness about the site, like a 'low, heavy lid', or the spirit of a Slavic soul, which I sought to show through the eyes of my actors, stuntman David Vandamme and Jacques Ruisseau, starring in the first French daily TV soap opera, Le Temps des Copains, 1961-1963. The volatile nature of the location is conveyed by a sensitive, fragile, "skin-deep" camera.
Film selected and director invited to the Zagora International Film Festival, Morocco, in 2024.
Between recreation, entertainment, stupefaction, exploitation of man by man, of the planet by man, of man by war on the one hand, and on the other hand a medium of anticipation in the primary sense (to know is to act), a medium of divination, of spiritualism, a true act of faith, a solid proof of love, an instrument of philosophical reflection, an introspective arsenal, or a factor of real progress through the transmission of knowledge and the elevation of consciousness it enables, the possibilities of cinema are more than immense, in fact infinite as is the case for any art form, but from AndreĂŻ Tarkovski to Leni Riefenstahl via Cocteau, Besson and Dupontel, there comes a time when you (really) have to choose.
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Lorsque j'ai appris qu'allait ĂȘtre dĂ©montĂ©e l'usine Great Lakes Chemical de Beaumont-sur-Oise, j'ai supposĂ© qu'il s'en dĂ©duirait quelques scĂšnes Ă caractĂšre spectaculaire dont la mise-Ă -bas de la grande cheminĂ©e. Il flottait sur ce site une tristesse palpable, comme un 'couvercle bas et lourd', ou l'esprit d'une Ăąme slave, que j'ai cherchĂ© Ă montrer au travers du regard de mes acteurs, le cascadeur David Vandamme et Jacques Ruisseau, rĂŽle principal dans le premier feuilleton tĂ©lĂ©visĂ© quotidien français, Le Temps des Copains, 1961-1963. Le caractĂšre devenu volatile du lieu est traduit par une camĂ©ra portĂ©e sensible, fragile, 'Ă fleur de peau'.
Film sélectionné et réalisateur invité au Festival International de Cinéma de Zagora, Maroc, en 2024.
Entre rĂ©crĂ©ation, divertissement, abrutissement, exploitation de l'homme par l'homme, de la planĂšte par l'homme, de l'homme par la guerre d'une part, et par ailleurs mĂ©dia d'anticipation au sens premier (savoir est agir), support de divination, de spiritisme, vĂ©ritable acte de foi, solide preuve d'amour, instrument de rĂ©flexion philosophique, arsenal introspectif ou encore facteur de rĂ©el progrĂšs par la transmission du savoir et l'Ă©lĂ©vation du niveau de conscience qu'il permet, les possibilitĂ©s du cinĂ©ma sont plus qu'immenses, en rĂ©alitĂ© infinies comme c'est d'ailleurs le cas pour toute forme d'art, mais d'AndreĂŻ Tarkovski Ă Leni Riefenstahl en passant par Cocteau, Besson et Dupontel, vient un moment oĂč il faut (vraiment) choisir.
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