Experiencing Interruptions?

In the natural apiary

'In the natural apiary', filmed together with natural beekeeper Danilo Colomela in the island of Sicily (Italy), is an immersive cinematic experience into the practice of natural beekeeping. Danilo is a practitioner of a form of beekeeping that acknowledges the superorganism hive and its worldmaking capacities. Through experimental aesthetics, the film aims to sensorially explore the landscape of the natural apiary and the human engagement with the more-than-human world of Apis Mellifera. 'In the natural apiary' forms an invitation to experience the intimate (and intense) interplay between bees and natural beekeeper with all your senses and from a first-person position. The film is a collaboration between more-than-human ethnographer Michał Krawczyk and the Italian beekeeper Danilo Colomela and is shot in a sensory slow cinema style that pulls you in to experience a world not defined by either of the species.

  • Michal Krawczyk
    Director
    Land/Scape, Yuyos
  • Michal Krawczyk
    Writer
    Land/Scape, Yuyos
  • Michal Krawczyk
    Producer
    Land/Scape, Yuyos
  • Project Type:
    Documentary, Experimental
  • Runtime:
    45 minutes
  • Completion Date:
    January 1, 2021
  • Country of Origin:
    Italy
  • Country of Filming:
    Italy
  • Shooting Format:
    Digital 1080p
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    Yes - Griffith University (Brisbane, Australia)
  • Crosscuts Film Festival for Environmental Humanities

    Sweden
    February 11, 2021
    Official Selection
  • Ariano Film Festival

    Italy
    July 30, 2021
    Best environmental documentary
  • Clorofilia Film Festival

    September 17, 2021
Director Biography - Michal Krawczyk

Michal Krawczyk is a PhD candidate at Griffith University (Brisbane, Australia) within the field of Environmental Humanities, combining ethnography with cinema.

His first film ‘Yuyos’ (2018) co-directed with Giulia Lepori (Griffith University), is an ethnographic inquiry into the ethnobotanical knowledge of one peasant family in Paraguay, was screened at film festivals and conferences worldwide through 2018-2019.

Their cinematic project ‘Land/Scape’, an experimental multispecies collaboration between humans and donkeys in the Mediterranean island of Sicily was screened worldwide in 2020.

'How does a bark feel like' (2020), slow ecomediation merging moving images with words, will be screened in 2021 at Vienna Biennale for Change dedicated to Climate Care: Reimagining Shared Planetary Futures.

His new slow and sensory ethnographic film 'In the natural apiary' (2021), made in collaboration with a natural beekeeper Danilo Colomela in the island of Sicily (Italy), is currently being submitted to film festivals.

For more information about Michal’s work please visit: https://vimeo.com/earthcare

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Director Statement

Humanity became the major geo-shifting force on the planet. The current epoch of the Anthropocene sadly affirms our disrupting engagement with the more-than-human world. The rates of endangerment among mammals, birds, reptiles, amphibians and insects, are overwhelming. Scientists have declared that we are living through the sixth mass extinction, although this piece of news is mostly unheard and unnoticed in our daily lives. Extinction as the backdrop to human life. Gradual and out of sight. A violence of delayed destruction that is dispersed across time and space. A violence that is typically not viewed as violence at all. Among the multitudes of agents enmeshed with us in multispecies relations, the position of Apis Mellifera, the honeybee, is instead highly visible. The honeybee is meaningful to us because our food production system is significantly dependent on their ecosystemic service of pollination. In my cinematic multispecies project, against the indifference of the sixth mass extinction’s slow violence, I imagined the bees as the sensorial protagonists of the film-world. I imagined them buzzing, flying in and out, filling the moving images with their life presence. I envisioned to be able to express their positive vitality through their own lively agency as it appears in the film-world.