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Interview for "Robert Jordan Doesn't Teach English' by Christina Scheppelmann

Seattle General Director Christina Scheppelmann interviews creatives for the recording of "Robert Jordan Doesn't Teach English" from a new opera for Ernest Hemingway's "For Whom the Bell Tolls"

Hemingway was a larger-than-life personality.

In his popular novel, For Whom The Bell Tolls, he projects himself in the character of Robert Jordan - an idealistic young American in 1930's fascist Spain who accepts a doomed mission to blow up a bridge.

Through his lyrical melody-driven music, Brian Grundstrom brings out the emotional depth of the characters and brings new insight to this Hemmingway classic.

Using the full versatility of opera, Dorsen's libretto and Grundstrom's music are able to not only explore Hemmingway's themes of trust, loyalty, honor, love, betrayal, fear, pain, loss, and sacrifice but add modern insight into the toxic nature of Jordan's (Hemmingway's) masculinity as his notions of honor clash with the reality of his situation.

Robert Jordan Doesn't Teach English is a scene from Act I of a new opera for Ernest Hemingway's classic novel For Whom the Bell Tolls.

For Whom the Bell Tolls is set in the 1930s during the Spanish Civil War. In this early scene, the American Robert Jordan, who has travelled to Spain to fight against the fascists, is meeting a band of Guerrilla fighters for the first time. The leader of the band, Pablo, whose leadership is threatened by his wife Pilar, mocks Robert Jordan by attempting to undermine his credibility. Pablo questions Robert Jordan authenticity by insisting that he could not possibly be the American professor he says he is if he does not even have a beard. This introduces Pablo as the weak and flawed traitor he will become, only caring about his own personal safety. We also see Pilar emerging as the de facto leader, as the other men in the band side with her in her decision to help Robert Jordan blow up the bridge. In this tragic war-time story, with so much suffering, sacrifice and betrayal, this humorous scene allows for a much needed moment of levity.

Watch the music video here:
https://vimeo.com/brianwilbur/robertjordandoesntteachenglish

  • Christina Scheppelmann
    Interviewer
    Director, Seattle Opera
  • Brian Wilbur Grundstrom
    Director
    Composer/Director
  • Andy Wagner
    Producer
    WideAngle Productions
  • David M. Dorsen
    Libretto
  • Ernest Hemingway
    Story
  • Jeffrey Sean Dokken
    Music Director
    Rome Symphony (GA), Symphony Orchestra of Northern Virginia
  • Claudio Cohen
    Music Director
    Brazil's National Orchestra - Orquestra Sinfônica do Teatro Nacional Claudio Santoro
  • Lilian Raiol
    Key Cast
    "Concertmaster"
    Brazil's National Orchestra - Orquestra Sinfônica do Teatro Nacional Claudio Santoro
  • Alan Naylor
    Key Cast
    "Robert Jordan (tenor)"
  • Eliza Bonet
    Key Cast
    "Pilar (mezzo)"
  • Malte Roesner
    Key Cast
    "Pablo (bass)"
  • This project was supported by the DC Commission on the Arts & Humanities and its Sister Cities Grant Program.
    Funding
  • Project Title (Original Language):
    Por Quem Os Sinos Dobram
  • Project Type:
    Documentary, Music Video, Short
  • Runtime:
    11 minutes 25 seconds
  • Completion Date:
    July 20, 2021
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
Director Biography - Brian Wilbur Grundstrom

A composer equally accustomed to writing for orchestra, opera, film, theater, chorus, piano and chamber ensembles, Grundstrom’s voice includes a strong affinity for long melodic lines, distinctive tonal harmonic vocabulary, engaging rhythms, skillfully executed counterpoint, and dramatic imagery.
Audiences take to his compositions immediately, finding in his music traces of Copland and Puccini, along with a bit of film score.
Classically trained in piano from Gettysburg College, he continued studies with John David Earnest. His awards include Outstanding Emerging Artist in the 2013 DC Mayor’s Arts Awards, eight artist fellowships from the DC Commission on the Arts and Humanities, and a Gold Peer Award for Children of Zeus – a 46-minute work for chorus and orchestra. Maestro Erik E. Ochsner writes “Many audiences cringe at the thought of new music. We had such positive feedback from audiences on how much they enjoyed Grundstrom's work. It is modern, yet tonal.”
Brian is currently working on an opera for Ernest Hemingway’s For Whom The Bell Tolls. His compositions can be heard at www.brianwilbur.com.
 

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Director Statement

Three scenes from the opera have been recorded, and are accompanied by video - "Robert Jordan Doesn't Teach English" being one of them. In addition, the London Symphony has recorded the overture.

We are looking forward to a piano vocal reading of the entire opera soon, along with an upcoming concert premiere! Stay tuned!

Watch "Maria Meets Robert Jordan", the scene which immediately follows:
https://vimeo.com/brianwilbur/mariameetsrobertjordan

Seattle Opera Director Christina Scheppelmann interviews the creatives:
https://vimeo.com/brianwilbur/christinascheppelmanninterview