Experiencing Interruptions?

In Our Care. The Keeper's Choice.

Nine security guards from the Museu Nacional de Arte Antiga, in Lisbon, invite us to appreciate works of their choice from the Museum's permanent exhibition, in a presentation that crosses art, everyday life and biography. Each episode is a first-person narrated documentary, lasting between 10 and 20 minutes, reflecting different themes evoked by the personalities, experiences and opinions of the protagonists.

  • Álvaro Costa
    Key Cast
  • António Machado
    Key Cast
  • Carla Pereira
    Key Cast
  • Dulce Gonzaga
    Key Cast
  • Jeanine Baptista
    Key Cast
  • Paulo Almeida
    Key Cast
  • Paulo Pinheiro
    Key Cast
  • Paulo Pires
    Key Cast
  • Pedro Miranda
    Key Cast
  • João Estrada
    Production, Directing & Editing
  • Bárbara Sales
    Cinematography & Colour Grading
  • Diogo Caetano
    Sound & Music
  • Anísio Franco
    Coordination
  • Joaquim Caetano
    Coordination
  • Adelaide Lopes
    Coordination Support
  • Project Title (Original Language):
    À Nossa Guarda. A Escolha de Quem Cuida.
  • Project Type:
    Documentary, Web / New Media
  • Completion Date:
    May 13, 2023
  • Country of Origin:
    Portugal
  • Country of Filming:
    Portugal
  • Language:
    Portuguese
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:09
  • Film Color:
    Black & White and Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
  • MNAA Museu Nacional de Arte Antiga - European Night of Museums 2022
    Lisbon
    Portugal
    May 14, 2022
    1st Episode Premiere
  • MNAA Museu Nacional de Arte Antiga - European Night of Museums 2023
    Lisbon
    Portugal
    May 13, 2023
    Last episode Premiere
  • Prémios APOM 2023 / APOM Awards 2023
    Sintra
    Portugal
    May 26, 2023
    Best Project and Digital Content
  • Prémios do Património Ibérico / Iberian Heritage Award 2023
    Angra do Heroísmo
    Portugal
    Best Communication Strategy Award
  • Rome International Documentary Festival 2023
    Rome
    Italy
    Short Doc Official Selection
  • Digital Media Fest 2023
    Rome
    Italy
    December 6, 2023
    Web Series Official Selection
  • T.O. WebFest 2024
    Toronto
    Canada
    September 18, 2024
    Best Documentary Series Nominee
  • Imagens no Tejo - Mostra de Cinema Português
    Vila Franca de Xira
    Portugal
    September 23, 2024
    Official Selection
  • Heritage in Motion Awards 2024
    Gabrovo
    Bulgaria
    September 26, 2024
    "Heritage Audiovisuals" Award Winner
  • Swindon Independent Film Festival 2024
    Swindon
    United Kingdom
    October 9, 2024
    "Best International Film" and "Best Edit" Award Winner / "Best Documentary" Nominee
  • Museums In Short
    Brescia
    Italy
    October 16, 2024
    Official Selection
  • Marseille Web Fest 2024
    Marseille
    France
    October 19, 2024
    Web-Documentaires - Sélection 2024
  • ART&TUR - International Tourism Film Festival
    Lousã
    Portugal
    October 22, 2024
    National Competition - 2nd Prize: "Cultural Tourism"
  • Bilbao Seriesland 2024
    Bilbao
    Spain
    November 6, 2024
    Best Documentary Series Award Winner
  • Rio Webfest 2024
    Rio de Janeiro
    Brazil
    November 29, 2024
    "Best Educational Series", "Best Original Idea", "Best Director (non fiction)" and "Best Script (non fiction)" Nominee
Director Biography

João Estrada was born in Coimbra, Portugal, in 1994. He works as a director and an editor, creating content for cinema, television and for institutions. Graduated from the Lisbon Film School in 2016, he directed the films “Alfred, the Corpse” (2013), “BUNKER or Tales I Heard When the World Fell” (2020), the web series “Bringing to Light” (2021) and “In Our Care” (2022-23), among other works.

Add Director Biography
Director Statement

As the title indicates, each episode of “In Our Care. The Keeper’s Choice” showcases a narrative driven by a first-person testimony from nine of MNAA’s employees who work in the Museum daily surveillance.

It is a project that aims to divulge and value art and those who everyday ensure its safety and the contact between visitors and museum collections.

The role of a museum guard stands in a crossroad between surveillance and costumer service, a strange duplicity that requires a balance between high-contrast scenarios - large crowds of visitors are opposed to long hours of emptiness and monotony, during which they are left with the company of the art pieces they guard. There is an emotional weight attached to this contrast; how do different people deal with this routine and how does the art all around them affect the passing of the days?

Several questions drove our production process:

What interactions are born from meeting visitors from all around the world? How does each one deal with the slow passing of time and with the peculiar scenario of an art museum? Do the pieces from the collection help them going through the long hours? Are those artworks companions that stir their imagination? Which contact is more enriching - the visitors or the works of art? Before being museum watchers, were they visitors themselves? What journey brought them there?

The project took off with an invitation from MNAA to all the surveillance team, with nine guards voluntarily stepping in and choosing their favourite pieces from the collection. After that, all participants took their approach making the research: for some, the everyday observation has already built a vast knowledge about the chosen piece; others have known it since they were children, when they visited the museum for the first time as visitors. Some opted for a more spontaneous route, talking about the feelings evoked by the artwork, and some made deep research within the museum bibliography.

Interviewed by the production team, they then shared stories, experiences, opinions and the outcome of the dialogue with each chosen piece, offering us precious testimonies that helped shape the structure of each episode. Then, for months, they hospitably allowed our cameras to follow their daily work routine.

Above everything else, “In Our Care” is a filmographic document about the purest forms of enjoying art, through casual, sensorial and deep personal appreciations. What makes each of these people, who look at these pieces every day, maintain such everlasting esteem about those paintings, sculptures and ceramic pieces?

Through our series, we want to share the many answers we got to that question.