I am going to watch the Night until the Sun rises
Nature has no name, and at the same time has many names.
We are all the same: Species and Beings.
Nature tries to reassert itself, but as well destroys itself as part of the balance of its ecosystem.
Is that we all deserve for all unbalance we have been creating for milleniums?
Or is just the daily basis of Nature which we are never able to understand?
A poetic film in where nature, humans, war, peace, unknown soldiers have no names, or at the same time many names.
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YAMIL ANTONIO RODRIGUEZ VALVERDEDirector
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YAMIL ANTONIO RODRIGUEZ VALVERDEWriter
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YAMIL ANTONIO RODRIGUEZ VALVERDEProducer
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YAMIL ANTONIO RODRIGUEZ VALVERDEKey Cast
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Project Type:Documentary, Experimental, Short
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Genres:Creative documentary
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Runtime:30 minutes
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Completion Date:July 31, 2020
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Production Budget:1,000 USD
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Country of Origin:Nicaragua
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Country of Filming:Germany, Nicaragua, Türkiye
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Language:English, Spanish
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
Born: 28.09.1982
Nationality: Nicaraguan
Contact: Wintersteinstraße 18. 10587. Berlin, Germany.
+4915227538372 / yanrov@hotmail.com
rascapaila.films@gmail.com
Linkedin: https://www.linkedin.com/in/yamil-antonio-rodriguez-valverde-187575149/
Vimeo: https://vimeo.com/user70679013
Website: https://rascapaila.wixsite.com/films
Skills: Photography, Video, Sound Operator, Editing, Film
Archives Preservation, Cultural Management.
Languages: Spanish (Mother tongue) / English (Intermediate-
Advanced) / Portuguese (Basic Level).
I was introduced to the richness of images through a class of Photography, when I studied Graphic Design, around 2004 In Nicaragua. After that, every time I had a camera on my hands, I wanted to play with it like a child receiving a present for Christmas. From there, I decided that I wanted to study cinema. The dream was just possible via an internship on Film Archives in Spain, around 2009. I fell in love with documentaries made among 1910-1927, while inspecting a collection of nitrates, acetates and polyester in 35mm, frame by frame. By 2010, coming back to Nicaragua I had lots of learnings in The National Film Archive, inspecting, cataloguing and digitizing many collections of newsreels, documentaries, and other audio-visual materials of the history of Nicaragua from 1950s to the present.
Even though, I wanted to train myself to direct my own films. It was until 2015, after two attempts that I was approved to Docnomads, a joint master in documentary film directing, with a scholarship supported by Erasmus+ & EACEA, taking place in three different locations: Portugal, Hungary, and Belgium.
After my graduation in July 2017, I planned to serve as an intern in IDFAcademy in Netherlands, and Cinematek in Brussels, Belgium. I´m interested in developing my career as a filmmaker in many stages: production, direction, and distribution. Also, I love preservation and study of the historic memory. As we experience making documentaries, pure reality trends to be too different as expected, so would not be a surprise if I become a veterinarian, or I make documentaries about something that doesn´t exist yet. Anything is possible. Life is so open, and resourceful.
Life is strange, and beautiful.
I don´t really know how to make films. It´s just an excuse to get closer to human nature, and any other natures, and to kill my curiosity about their behaviors, which I never understand.