I Was a Spiritual Medium
Young, powerless princesses grew up in despair, neglected and abused by their own families. Yearning for power and control over their lives, they enter into the world of magic and spirits. Witchcraft promises them with more than what they have—an escape from cruelty or life in a different world. This power to manipulate reality, however, seems to be at odds with finding their true love. Knights in shining armor suddenly arrive and demand the princesses to make an impossible choice between feeling accepted and preserving their only means of control.
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Yunjin La-mei WooDirector
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Project Type:Experimental
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Runtime:10 minutes 26 seconds
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Completion Date:May 1, 2019
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Country of Origin:United States
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Language:English
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Female Filmmakers Festival BerlinBerlin
Germany
October 7, 2020
German Premiere
Official Selection
Yunjin La-mei Woo is an interdisciplinary artist and writer who examines what it means to be human or otherwise through allegories of contagion, haunting, and conjuring. Born as a granddaughter of a Korean shaman, Woo is interested in summoning a different image of who we may become by dealing with who we have been. She investigates how images of the infectious, insane, or supernatural intersect with issues of power, gender, class, and ethnicity. To this end, Woo pays special attention to the everyday as a politically charged site where the dominant ideology is not only affectively felt and but also infected by unexpected aberrations and creative ruses. Her research-based work encompasses video, performance, drawing, sound, installation, writing, and social interventions.
In various discourses, women are portrayed to possess a natural affinity with the supernatural and witchcraft that go against the male-centered and colonial notions of religious authority, legitimacy, and purity. These fixed tales of patriarchal fantasy seem to accelerate their absorbing influence, especially when women seek power through channels that give them direct access to spiritual power without the mediation of male priests. It is all too common to find stories of women seeking mastery and self-possession of their life that end by showing how they are ultimately saved from spells and curses by paternal male saviors, whether they are princes or godly figures. When juxtaposed, such parables reveal their mirrored images. This video fuses the audio testimonies of women receiving redemption from Jesus by converting from witchcraft and the visual fairy tales of damned Disney princesses rescued by heroic men strangely, as these seemingly disparate discourses strangely coincide and resonate.