Human Beings Are Amazing
The "trance blues" combo Tolyqyn questions if men are really cleverer than dogs, and appeals to people for being more emphatic and politically engaged. The categorical imperative appears in the shape of a raven-black BDSM parable: Free your mind from its self-caused captivity!
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Clemens GrünDirector
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Clemens GrünWriter
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Clemens GrünProducer
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Roland SatterwhiteKey CastSinger, Songwriter
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Tal ArditiKey CastGuitar
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Kuba GudzKey CastDrums
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Victoria PriesterKey CastDominatrix
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Edda FlexKey CastGolden Dancer
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Lino SeyfriedDirector of PhotgraphyBerlin
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Jan KleinDirector of PhotgraphySaxony
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Sergey KirschFirst Camera AssistantBerlin
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Efrain Antonio Eibenberger-AriasFirst Camera AssistantSaxony
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Raúl GonzalezAssistant Director
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Melanie BennaMake UpBerlin
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Alice BlackMake UpSaxony
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Elias HammanSound Design
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Rosali QuietschinskyGoPro Assistant
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Clemens GrünEditor
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Clemens GrünProps
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Tarik KocyilmazGrip
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TolyqynMusic
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Project Type:Music Video, Short, Student
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Runtime:5 minutes 52 seconds
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Completion Date:June 22, 2019
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Production Budget:2,000 EUR
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Country of Origin:Germany
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Country of Filming:Germany
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Language:English
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Shooting Format:RED
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Aspect Ratio:2,35:1
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:Yes - SAE Berlin
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NukhuFestNew York
United States
October 1, 2019
11th place in the audience voting -
Košice International Monthly Film FestivalKošice
Slovakia
October 17, 2019
European Premiere
Official Selection -
First-Time Filmmaker SessionsPinewood Studios
United Kingdom
October 20, 2019
Official Selection -
Take it Easy Film FestivalNew York
United States
November 22, 2019
North American Premiere
Awarded as Best Music Video -
malabo international music & film festivalMalabo
Equatorial Guinea
December 14, 2019
African Premiere
Nominated in the category "Best Music Video International" -
Erotic&Bizarre Art Film FestivalAlicante
Spain
December 13, 2019
Official Selection -
Catharsis International Film FestivalBeerse
Belgium
February 29, 2020
Nominated in the category of "Best Music Video" -
Cine-Maniacs FilmfestTürkheim
Germany
March 21, 2020
Official Selection -
End of Days Film FestivalOrlando
United States
May 9, 2020
Official Selection -
Monthly Indie ShortsOnline Festival
June 1, 2020
Official Selection -
Honor Film FestivalLakeland
United States
July 17, 2020
Winner in the categories of "Best Music Video" & "Best Music" -
Amsterdam Lift-Off FestivalAmsterdam
Netherlands
October 11, 2020
Nominated in the category of "Best Music Video" -
London International Motion Picture Awards - L.I.M.P.ALondon
United Kingdom
December 1, 2020
Official Selection -
Aphrodite Film AwardsNew York City
United States
January 8, 2021
Official Selection -
International Music Video AwardsLondon
United Kingdom
August 27, 2021
Semi-Finalist -
Rome Music Video AwardsRome
Italy
November 7, 2021
Semi-Finalist -
Euro Music Video Song AwardsParis
France
December 10, 2021
Semi-Finalist -
Cannes ShortsCannes
France
April 4, 2022
Nominee
Born in Berlin. Social anthropology, theater and communication studies at Free University & Humboldt University Berlin. Scholarships at Zelig School for Documentary, Television & New Media, Bolzano (European Social Documentary), and at SAE Berlin (Digital Film Production). Since 15 years working as a music journalist, photographer, project, band, artist & tour manager in Europe and Latin America.
Roland Satterwhite is an internationally renowned classically trained violinist, whose arts were most recently heard on the "Babylon Berlin" soundtrack. Here, he left the violin bow in the suitcase. Instead, he virtuously plucks the strings of an electric viola and conveys, with full physical effort, powerful philosophical and political insights.
And they have it all: In a Guantanamo outfit, on the dog leash in the wake of a dominatrix, he sings of the dog's life of man, his plundering in a world falling bombs, crying mothers and workers exploited by unscrupulous bosses.
The atmosphere is somber, and the video leads its protagonist from one ordeal to the next: from his own funeral to a pillory, cages in all conceivable forms, to an electric chair. He fights against snowstorms and flying newspapers, gets stoned, tarred and feathered.
Is he a messiah, or rather a Don Quixote? Representing the suffering of the people he takes all the hardships and us to utopian dream worlds: As a superhero with laser glasses he races down an imaginery slide, he frees himself head-banging from a steaming egg, and his coffin transforms into a canoe in an azure blue cave.
His hopes, however, prove to be deceptive: his supposed key to freedom - a glossy gold-clad Eve, posing as a crucifix right from the beginning - conspires with those dark forces that are nipping in the bud any of his efforts to emancipate Mankind.
And also the fighting attitude of the protagonist seems to dissolve in the end in resignation: "You better stick to the rules of this tyrannical world; otherwise you will perish on her!" But just in the denied catharsis lies also the seed of rebellion.