Horseback

This film follows a young Palestinian boy (Ali) who has not spoken since the death of his mother.
He forms an unexpected bond with a horse, and finds connection with a traveller woman and
her tight-knit community. Through these new connections, Ali slowly begins to heal and
ultimately finds his voice again.The film also examines the struggles of Ali’s refugee family living
in asylum seeker accommodation in the West of Ireland. A place very far removed from where
they came from.

I wanted to make this film because it feels incredibly timely. These are people, not just statistics.
What is happening all around the world, and especially in Palestine the last few years can make
you feel helpless. But as an artist telling these stories feels like I am doing something
meaningful. Ireland's own history of immigration resonates deeply here, especially in a time of
rising anti-immigration rhetoric both at home and abroad. My dad always taught me that it is our
responsibility to help those who need it. It is our civic duty, our responsibility as good humans.

E.T was a reference film I used throughout the filmmaking process. Especially the magic of the
film, and the child’s perspective. The disconnect that can happen between adults and children.
In E.T., Elliot finds connection where no one else understands him. In Horseback, Ali finds that
connection with Brasso, the horse. I wanted to recreate a similar kind of ‘magic’ in our film. The
difference between the outside world where Ali is misunderstood and can’t connect, compared
to when he is with the horse. Animals are often used to help heal trauma. They never judge.

Casting children who speak Arabic was a major challenge. Finding Osman (Mohammed) and
taking a chance on a non-actor was a leap, but the right one. Directing in Arabic was new
territory for me, and I had never directed children before. The fact that Mohammed was also
from Palestine felt like fate stepping in. Our lead, Jeveen — who plays Ali — didn’t speak
Arabic, which added another layer. It is tricky directing in a language you don’t speak, but to act
in а film where the other actors are speaking a language you don’t understand is amazing. But
the actors speaking Arabic was essential. All the actors were amazing to work with. Ultimately,
this is the families’ story and it needs to feel authentic. Working with horses also brought its own
difficulties, but it was so worth it. Brasso has a big future in film.

I'm incredibly grateful for the opportunity to help tell such an important and powerful story
alongside a brilliant group of artists. The real reward was in doing the work.