Home and Hatred
Home and Hatred is a juxtaposition of field recordings and documented moving images that attempt to unveil the socio-economic reality of the fringes of our semi-urban hometown. It is an artistic expression of a palpable weakening of conscience around us, marked also by a lack of solidarity between classes and also within classes. Most of all, it is a reflection on our reconciliation of our place in a desensitized society.
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Dimple MishraDirector
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Praagya AryaDirector
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Praagya AryaCinematographer
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Praagya AryaEditors
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Dimple MishraEditors
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Dimple MishraSound Recordist
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Praagya AryaColorist
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iridos filmsFilm Collective
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Project Type:Documentary, Experimental
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Genres:Experimental, Poetic, Observational, Socio-Political
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Runtime:5 minutes 15 seconds
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Completion Date:January 20, 2024
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Production Budget:0 USD
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Country of Origin:India
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Country of Filming:India
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Language:Hindi
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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Experimenta 2024 - International ProgramBangalore
India
December 5, 2024
India Premiere
Special Jury Mention -
Fabrica Research Centre - sein und zeitTreviso
Italy
April 12, 2024
Exhibition -
Digital Disruptions Film FestivalMumbai
India
March 27, 2024
Official Selection -
Kerala Short Film FestivalKochi
India
March 29, 2025
Official Selection
Dimple is a multidisciplinary artist from India. She writes Hindi poetry, essays and criticism on literature, cinema, and socio-political themes . As an independent filmmaker, she has also written and directed short narrative and documentaries.
Praagya is a filmmaker, cinematographer, and editor from India. His practice exists in the interstices of the craft of image making, visual arts, and storytelling, and driven passionately by his understanding of world cinema, politics, art and music.
The motivation behind the making of this film was to try and unveil the disregarded and dejected existence of the majority of Indian populace.
Our institutions have become increasingly hostile and hollow. Public spaces around us are polluted with regressive ideological symbols of power that territorialize and instill fear. Amidst all of this, the quieter existence of the aforementioned subaltern class tells a loud chaotic tale.
This short documentary is a juxtaposition of field recordings and moving images that attempts to unveil the socio-economic reality of the fringes of our semi-urban hometown.