Experiencing Interruptions?

Heavy Petting

An eerie bifurcated character drama about a queer encounter between two lonely cat enthusiasts, and a macabre test of one’s social obscurity.

  • Brendan Prost
    Director
    Loretta's Flowers, Main Squeeze, Bellingham
  • Brendan Prost
    Writer
  • Brendan Whelton
    Producer
    Vertical Lines, Destruction Makes the World Brighter, Sebastian
  • Brendan Prost
    Producer
  • Haley Midgette
    Key Cast
    "Marina"
  • Sam Calleja
    Key Cast
    "Jordan"
  • Gayle Ye
    Director of Photography
  • Chris Reineck
    Composer
  • P.H. Bergeron
    Production Design
  • Project Type:
    Short, Student
  • Genres:
    Drama, Queer, LGBTQ, Horror, Romance, Suspense, Mystery
  • Runtime:
    17 minutes 30 seconds
  • Completion Date:
    August 1, 2021
  • Production Budget:
    10,000 USD
  • Country of Origin:
    Canada
  • Country of Filming:
    Canada
  • Language:
    English
  • Shooting Format:
    RED Gemini 5K
  • Aspect Ratio:
    1.66
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    Yes - University of British Columbia
  • Digital Cinema Package:
    Unavailable
  • Nashville Film Festival
    Nashville, TN
    United States
    September 30, 2021
    World Premiere
    Official Selection
  • Vancouver International Film Festival
    Vancouver, BC
    Canada
    October 1, 2021
    Canadian Premiere
    Official Selection
  • Indie Memphis Film Festival
    Memphis
    United States
    October 20, 2021
    Official Selection
  • Manchester Film Festival
    Manchester
    United Kingdom
    March 12, 2022
    UK Premiere
    Official Selection
  • Reel Pride Film Festival
    Winnipeg
    Canada
    October 30, 2021
    Official Selection
  • ReelOut Queer Film Festival
    Kingston
    Canada
    January 10, 2022
    Official Selection
  • Fairy Tales Queer Film Festival
    Calgary
    Canada
    June 17, 2022
    Official Selection
  • Award This!
    FilmThreat.com
    United States
    May 21, 2022
    Nominee - Short Film of the Year
  • Durham Region International Film Festival
    Durham
    Canada
    October 1, 2022
  • Queer North Film Festival
    Sudbury
    Canada
    June 11, 2022
    Best Short Film
  • Southport Film Festival
    Nottingham
    United Kingdom
    July 1, 2022
    Official Selection
  • PrideArts Film Festival
    Chicago
    United States
    July 1, 2022
    Illinois Premiere
    Official Selection
  • Red Cedar Film Festival
    Menomonie
    United States
    August 1, 2022
    Wisconsin Premiere
    Official Selection
  • Chain NYC Film Festival
    New York City
    United States
    August 1, 2022
    New York Premiere
    Official Selection
  • Royal Starr Film Festival
    Royal Oak
    United States
    August 20, 2022
    Michigan Premiere
    Official Selection
Director Biography - Brendan Prost

In the last decade, Brendan Prost has been quietly emerging as one of the most prolific young filmmakers in Canada, with an impassioned and eclectic body of work that includes four features and a dozen shorts. His character-driven work is characterized by powerful performances, a uniquely earnest spirit, and a thematic interest in alienation and longing.

Brendan’s films have screened at major international and Oscar-qualifying film festivals like the Edinburgh International Film Festival, Nashville Film Festival, Rhode Island International Film Festival, Vancouver International Film Festival, Ashland Independent Film Festival, Indie Memphis, Inside Out - Toronto LGBT Film Festival, and Telefilm Canada’s Not Short on Talent Program at Cannes. And, been broadcast on networks like CBC and Hulu.

Brendan graduated with distinction from Simon Fraser University’s School for the Contemporary Arts, is an alumni of the Directors’ Lab at the Canadian Film Centre, and is about to complete his Master of Fine Arts in Film and Creative Writing at the University of British Columbia.

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Director Statement

Heavy Petting explores the distinction and degeneration between loneliness and desolation through a bifurcated character study. It tells the story of two women that seem initially to be sharing a symbiotic longing for companionship, but who upon closer examination are experiencing something separate and gravely dissimilar.

Although longing is a natural feature of the human spirit, as someone who has descended into the aberrant solitude of mental illness, I know that it’s vital to develop an understanding of the difference between these two experiences, and how easily it is to slip from one to the other without support.

Using a gradual tonal shift, the film aims to lull an audience into the expectation of an off-beat erotic journey, before pivoting at the midpoint and thrusting them into a bleaker world, with subtle callbacks that reconfigure their understanding of what came earlier to create a stark compare and contrast experience.

Heavy Petting is a film for people who feel invisible or disposable, and have been driven to despair because of it. It is primarily for young adults, whose experiences of alienation are especially acute, and especially for queer folks who know the sting of fetishization better than most. It is particularly for bisexual identifying people, whose suffering often goes unnoticed or is dismissed entirely.

The morbidity and creeping horror of Heavy Petting is a way to express that the stakes are higher than people think. Although mental health issues may initially present as modest, and be disregarded as frivolous, they are an insidious force that needed to be confronted. I hope that the revulsion of the film’s conclusion will shock people out of complacency, and inspire empathy and intervention in the lives of folks yearning to have their pain acknowledged.