Heavy Petting
An eerie bifurcated character drama about a queer encounter between two lonely cat enthusiasts, and a macabre test of one’s social obscurity.
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Brendan ProstDirectorLoretta's Flowers, Main Squeeze, Bellingham
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Brendan ProstWriter
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Brendan WheltonProducerVertical Lines, Destruction Makes the World Brighter, Sebastian
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Brendan ProstProducer
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Haley MidgetteKey Cast"Marina"
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Sam CallejaKey Cast"Jordan"
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Gayle YeDirector of Photography
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Chris ReineckComposer
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P.H. BergeronProduction Design
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Project Type:Short, Student
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Genres:Drama, Queer, LGBTQ, Horror, Romance, Suspense, Mystery
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Runtime:17 minutes 30 seconds
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Completion Date:August 1, 2021
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Production Budget:10,000 USD
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Country of Origin:Canada
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Country of Filming:Canada
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Language:English
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Shooting Format:RED Gemini 5K
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Aspect Ratio:1.66
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - University of British Columbia
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Digital Cinema Package:Unavailable
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Nashville Film FestivalNashville, TN
United States
September 30, 2021
World Premiere
Official Selection -
Vancouver International Film FestivalVancouver, BC
Canada
October 1, 2021
Canadian Premiere
Official Selection -
Indie Memphis Film FestivalMemphis
United States
October 20, 2021
Official Selection -
Manchester Film FestivalManchester
United Kingdom
March 12, 2022
UK Premiere
Official Selection -
Reel Pride Film FestivalWinnipeg
Canada
October 30, 2021
Official Selection -
ReelOut Queer Film FestivalKingston
Canada
January 10, 2022
Official Selection -
Fairy Tales Queer Film FestivalCalgary
Canada
June 17, 2022
Official Selection -
Award This!FilmThreat.com
United States
May 21, 2022
Nominee - Short Film of the Year -
Durham Region International Film FestivalDurham
Canada
October 1, 2022 -
Queer North Film FestivalSudbury
Canada
June 11, 2022
Best Short Film -
Southport Film FestivalNottingham
United Kingdom
July 1, 2022
Official Selection -
PrideArts Film FestivalChicago
United States
July 1, 2022
Illinois Premiere
Official Selection -
Red Cedar Film FestivalMenomonie
United States
August 1, 2022
Wisconsin Premiere
Official Selection -
Chain NYC Film FestivalNew York City
United States
August 1, 2022
New York Premiere
Official Selection -
Royal Starr Film FestivalRoyal Oak
United States
August 20, 2022
Michigan Premiere
Official Selection
In the last decade, Brendan Prost has been quietly emerging as one of the most prolific young filmmakers in Canada, with an impassioned and eclectic body of work that includes four features and a dozen shorts. His character-driven work is characterized by powerful performances, a uniquely earnest spirit, and a thematic interest in alienation and longing.
Brendan’s films have screened at major international and Oscar-qualifying film festivals like the Edinburgh International Film Festival, Nashville Film Festival, Rhode Island International Film Festival, Vancouver International Film Festival, Ashland Independent Film Festival, Indie Memphis, Inside Out - Toronto LGBT Film Festival, and Telefilm Canada’s Not Short on Talent Program at Cannes. And, been broadcast on networks like CBC and Hulu.
Brendan graduated with distinction from Simon Fraser University’s School for the Contemporary Arts, is an alumni of the Directors’ Lab at the Canadian Film Centre, and is about to complete his Master of Fine Arts in Film and Creative Writing at the University of British Columbia.
Heavy Petting explores the distinction and degeneration between loneliness and desolation through a bifurcated character study. It tells the story of two women that seem initially to be sharing a symbiotic longing for companionship, but who upon closer examination are experiencing something separate and gravely dissimilar.
Although longing is a natural feature of the human spirit, as someone who has descended into the aberrant solitude of mental illness, I know that it’s vital to develop an understanding of the difference between these two experiences, and how easily it is to slip from one to the other without support.
Using a gradual tonal shift, the film aims to lull an audience into the expectation of an off-beat erotic journey, before pivoting at the midpoint and thrusting them into a bleaker world, with subtle callbacks that reconfigure their understanding of what came earlier to create a stark compare and contrast experience.
Heavy Petting is a film for people who feel invisible or disposable, and have been driven to despair because of it. It is primarily for young adults, whose experiences of alienation are especially acute, and especially for queer folks who know the sting of fetishization better than most. It is particularly for bisexual identifying people, whose suffering often goes unnoticed or is dismissed entirely.
The morbidity and creeping horror of Heavy Petting is a way to express that the stakes are higher than people think. Although mental health issues may initially present as modest, and be disregarded as frivolous, they are an insidious force that needed to be confronted. I hope that the revulsion of the film’s conclusion will shock people out of complacency, and inspire empathy and intervention in the lives of folks yearning to have their pain acknowledged.