Heaven & Hell
In this film, a fraying flag becomes a living entity, gasping for significance amidst a cacophony of digital noise and political decay. Set against the indifferent majesty of a primordial world—where falling snow and rising oceans serve as a silent, planetary reckoning—the work explores the widening chasm between hollow power and a fractured social reality. Through a cavernous soundscape and haunting narration, the film acts as a cinematic elegy for the marginalized, reminding us that the cosmic weight of our collective choices is always borne by those least responsible for the crisis.
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TJ NorrisDirectorOcular, Elemental Studies
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TJ NorrisWriter
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VeryanScorehttps://www.electronicsound.co.uk/features/long-reads/veryan-go-wild/
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Liz HelmanVoice/Narratorhttps://lizhelmanworks.com/
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TJ NorrisProducer
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Project Type:Experimental, Music Video, Short, Other
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Genres:Ambient Film, Abstract, Poetry
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Completion Date:February 2, 2025
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Production Budget:1,000 USD
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Country of Origin:United Kingdom, United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Black & White and Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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East Village New York Film FestivalNew York, NY
United States
May 24, 2025
US Premiere
Honarable Mention
TJ Norris is an award-winning multidisciplinary conceptual artist and curator whose practice navigates the abstract psychology and social complexities of the urban environment. With a career defined by a "wabi-sabi" sensibility—an intentional focus on the beauty found within the fractured and ephemeral—Norris’s rigorous conceptual foundation was built at the Massachusetts College of Art and the Nova Scotia College of Art & Design.
His cinematic practice, which includes early highlights like the micro-short 'auto-porto-matic' (1993)—curated by Cheryl Dunye for DCTV (NY)—and the two-channel installation 'Infinitus'—recipient of the New American Art Union’s Couture Grant (2008)—has seen a prolific return since 2022. This recent work has earned international recognition, with screenings at the Absurd Film Festival (Best Arthouse Film), the I, Immigrant International Film Festival, the Los Angeles LGBTQ+ Film Festival (Best Short Film), the East Village Film Festival (Honorable Mention), and an upcoming Asian Premiere of 'Elemental Studies' 4-Channel AV Installation at the A4 Art Museum in China. These projects continue his long-term investigation into human dissonance and the indifferent majesty of the natural world.
Norris’s exhibition record spans global institutions and biennials, including the Tacoma Art Museum’s 10th Northwest Biennial, Gallery X (Dublin), and CoCA Seattle. His photographic vision was codified in the monograph 'Shooting Blanks' (2018), and his work has been reviewed in Art Ltd, The Boston Globe, and Leonardo (MIT Press). Founder of the gallery Soundvision, Norris has curated over thirty exhibitions for venues such as Tufts University and the Linnfield College Art Center. His work is held in prominent collections, including the Amon Carter Museum of American Art Library, the Vanhaerents Art Collection, Harvard University, Nike and the Fuller Museum of Art.
This work is an intentional, multi-sensory audit of a world tilting on its metaphysical axis—a cinematic descent into the liminal space where global hypocrisy bleeds into a fractured, collective consciousness. I sought to map the sub-perceptual gaps between the hollow pageantry of power and the raw, shivering reality of a society in dissolution.
By centering the motif of the flag not as a static emblem, but as a living entity gasping amidst the digital noise, I perform a ritualistic meditation on the terrifying fragility of our shared constructs. This process of disintegration serves as a meditation on entropy, where the parity of all human rights—particularly those of the queer and the "other"—is revealed to be a fragile surface tension, constantly threatened by the exclusionary machinery beneath. Ultimately, the film is a stark, poetic invocation of the "frozen hell" we have built, serving as a reminder that the "other" is not an outsider to this crisis, but its most profound and perceptive witness—a quiet anchor in our self-made storm.
Accolades & Recognition:
Best Short Film: LGBTQ+ Los Angeles Film Festival (2026)
Honorable Mention: East Village New York Film Festival (2025)
Official Selection: 2025 New York Movie Awards (2025)
Official Selection: 2025 Faba Film Festival (2025)
Official Selection: I, Immigrant Festival by CineEqual (2026)
Broadcast: Featured on the Short Film Show (2026)