Hamlet
“Seems madam? Nay, it is. I know not seems”. An independent film adapted from Shakespeare’s Hamlet, exploring queer futurity and grief.
This bold NeuroQueer reimagining of Shakespeare’s Hamlet takes a femme, non-binary and neurodivergent lens to the iconic story’s themes of connection and grief, using surreal, comic-book style visuals and the text of Shakespeare’s Tragedy of Hamlet Act 5 Scene 2 to present a tender queer futurity to the relationship between Horatio and Hamlet and a reflection on “providence” that lays bare the uncomfortable proximity to mortality and exclusion faced by Neurodivergent women & non-binary people. In the scene, Hamlet prepares for a rigged boxing fight to settle a bet, at peace with their own mortality, while Horatio urges him not to go.
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Lorna McCoidDirectorFilm directing credits include "Titania" (2023) and "The Art Collector" (2018). She has directed 40 acting showreels for @lipaliverpool (2022-23). Her music video directing credits include "Nobody Loves You Like I Do" Rachel Newnham (2023), "No One Knows" Ben Gorb (2021), "Knew It Was" Mazed (2021), "Until the Wheels Stop Turning" Rob Crampton (2020) and "Goodbye" Ben Gorb (2020). Her theatre directing credits include three R&D performances of "Rosalie and Juliet" Etcetera Theatre (2023), "Silent Cicada" Liverpool Everyman and Playhouse (2022), "Almost Adult" @gildedballoon, Edinburgh Fringe Festival (2022), "Icing Sugar" Liverpool Everyman (2021) and "Down Came the Rain" Unity Theatre (2019). Currently Lorna is working as a Production Designer for a short film in Wales (2023) produced by Tedium Entertainment and Four Eyes Productions.
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William ShakespeareWriter
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Kate AndrewsProducerIn association with Mainspring Arts
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Kate AndrewsKey Cast"Hamlet "LilyPower (Royal Shakespeare Company), The Show Must Go Online, Mosquito (Best Horror Short - Tokyo International Festival), Much Ado About Nothing (Shakescene)
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Sojourner Hazelwood-ConnellKey Cast"Horatio "Romeo; Romeo and Juliet and Viola; Twelfth Night (@thesirrahsisters), Frankenstein; Shakespeare's Frankenstein (@somekindoftheatre, Nominated for best Digital Theatre, Scottish emerging theatre awards), Emilia; Two Noble Kinsmen and Dido; Dido Queen of Carthage (@theshowmustgoonline, Shortlisted for The Stage Award for Digital Project), Orpheus and Eurydice (Home Manchester)
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Project Type:Experimental, Short
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Genres:Shakespeare, Surreal, Thriller, Noir, LGBTQ+
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Runtime:2 minutes 33 seconds
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Completion Date:December 31, 2023
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Production Budget:400 GBP
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Country of Origin:United Kingdom
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Country of Filming:United Kingdom
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Digital Cinema Package:Unavailable
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Stratford on Avon Film FestivalStratford Upon Avon
United Kingdom
August 24, 2024
Best Shakespeare Film -
Shakespeare Shorts Festival
United Kingdom
June 18, 2024
Official Selection, Nominee: Best Short
Lorna McCoid (she/her) is a Writer/Director in film and theatre. She trained as a director at the Liverpool Everyman & Playhouse
(2019-22) and as a writer at the Royal Court Liverpool (2021). In 2023 she produced a sold-out queer reimagining of Shakespeare, Rosalie & Juliet, and is the founder of Little Attic Productions.
Kate Andrews (co-producer) is a neuroqueer creative who uses immediacy, listening and presence to reinvigorate and reframe 'classics' as a Trojan horse for contemporary considerations of marginalisation and othering. Described as "exciting and provocative, as culturally and politically relevant as it gets", her work combines aesthetics from cult classic film and theatre practice with contemporary poetics of access and inclusion to forge bold, innovative work with the audience at the centre of the action, innovating in ways that ensure nobody is left behind.
Little Attic Productions is an indie production company based in London and Liverpool & founded by Lorna McCoid, who make film, music videos and theatre.
Co-Creator Statement from Kate: As a late-discovered Neurodivergent artist growing up at a time where accurate representations of neuro- and gender-non-conforming individuals were scarce (and remain so), I (Kate) frequently found solace and saw myself represented with positivity and nuance in Shakespeare. Despite having no training, academia, family connection, or background in Shakespeare, I was drawn at a young age to his works, with a natural affinity for the heightened form and language perhaps stemming from the heightened sensitivity with which Neurodivergent people experience the world, and a feeling of kinship for characters like Beatrice and Mercutio who transgress expectations of their assigned gender and associated social norms in similar ways to me. Watching Hamlet years later as an adult, I was struck by the ways in which this “Everyman” figure who (like Autistic stereotypes) is conventionally cast and assumed to be cis, male - and described as a “universally human” archetype - chimes with contemporary traits labelled as Autistic, AuDHD or twice exceptional Neurodivergent - from the literal way he responds to the question of what he’s reading with “words, words, words” to his fast-paced wit and difficulties with family and hierarchies, in addition to “failing” his assigned gender through “unmanly”, non-normative self-expression, relationships & grief. I initially set out to create a project representing Hamlet explicitly as Neuroqueer as a solo artist, but found a community equally excited by the concept, and ended up devising a short as proof-of-concept for a feature film. This short ended up proving this concept so well that it stands alone as a short neuroqueer reimagining of Shakespeare, currently being considered for multiple UK and international festivals.