Script File
Hal, The Spud King of Japan
Three misfits and a Harvard dropout save a failing farm against corporate greed, international intrigue, and a risky business gamble.
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John ThibaultWriter
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Project Type:Screenplay
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Number of Pages:100
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Language:English
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First-time Screenwriter:No
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Student Project:No
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Digital Cinema Package:Unavailable
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Austin Revolution Film FestivalAustin, TX
August 23, 2016
Semifinalist -
Die Laughing Film FestivalHollywood, CA
May 12, 2017
Finalist -
Hollywood Screenplay ContestHollywood, CA
October 23, 2017
Official Finalist -
15th Annual Filmmakers International Screenwriting AwardsHollywood, CA
April 11, 2017
Semifinalist -
Shore Scripts FestivalSanta Monica, CA
October 25, 2017
Quarterfinalist -
WeScreenplayBeverly Hills, CA
January 24, 2019
Quarterfinalist -
Cinequest Screenwriting CompetitionSan Jose, CA
December 18, 2015
Round Two Top 100 Features -
Script SummitRoyal Oak, MI
February 6, 2020
Official Selection -
Toronto Comedy Film & Screenplay FestivalToronto
March 17, 2020
Semifinalist -
Houston Comedy Film FestivalHouston TX
March 29, 2020
Finalist, Best Feature Length Comedy Screenplay
A.J. Thibault is an award-winning screenwriter and novelist with over 200 professional accolades. His comedy Hal, The Spud King of Japan has won at the Houston Comedy Film Festival, Austin Comedy Film Festival, Rome Film Awards, Oxford Script Awards, and earned an Official Selection at the Festival International de Cannes.
His drama Crash Site has reached the Top 20% of the Academy Nicholl Fellowship — twice. His novel Ghost Town won the 2021 American Fiction Awards, and Identity earned the Literary Titan Gold Book Award (2026).
A UCLA MFA graduate who trained under Richard Walter and Danny Simon, Thibault spent years as a story analyst at MCA/Universal before devoting himself full-time to writing. He brings 21 original screenplays and a novelist's instinct for character to every project. Based in Northern California.
I was inspired by the comedic work of Preston Sturges, then Frank Capra, Francois Truffaut, Hitchcock, and Steven Spielberg. I loved the idea of taking what might seem like a complex topic and arena and humanizing it.
So the idea of a crazy and cocky business guy taking on the Japanese with an outlandish idea seemed to fit right in. It was a fine line walking between realism and outright ridiculous stuff, but it was fun anyway.