HATCH
“Hatch” is a collaboration with the Alan Watts Organization and Italian-American movement artist, Lavinia Vago. The film intertwines choreography with the late British philosopher’s spoken word on human existentialism. The film showcases Schick’s ability to use movement and dance to convey a story on the power of self-awareness.
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Jeffrey SchickDirectorJOSEPH, Swipe
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Jeffrey SchickWriterJOSEPH, Swipe
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Steven LaingProducerProspect, Redemption Man, No Exit: The Jean Paul Sarte Experience
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Lavinia VagoKey CastKate Wallich + The YC, Rubberbandance Group, Saint Genet
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Adam LaPineDirector of PhotographyProspect
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Amiya BrownLighting DesignerPat Graney - Girl Gods, Kate Wallich + The YC: Industrial Ballet, zoe|juniper: BeginAgain
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Jesslyn HowardProduction DesignerJacque Lacan
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Alex Park1st ACProspect
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Becca BlackwellLighting Technician
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Don SparrProduction Assistant
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Project Type:Short
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Genres:Sci-Fi, Inspirational, Motivational, Independent, Spoken Word
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Runtime:3 minutes 41 seconds
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Completion Date:May 6, 2018
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Production Budget:3,500 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Sony A7S ii/Steadicam 4K/Zeiss B
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Austin Dance FestivalAustin, Texas
United States
April 5, 2019
North American Premiere
Official Selection
Jeffrey is an award-winning filmmaker who writes and directs stories about underdogs who bend genres, challenge societal norms and provide glimpses into humanity’s potential. Founder of production company, Audio Video Room, his work includes Psyched, The Source, Halo, The Calling, Swipe, and Hatch.
Life as a queer artist helped me see the world through empathetic and compassionate eyes—a superpower I draw upon to help me transcend demographics and delve into universal human experience. Drawing inspiration from my own encounters with uncertainty, confusion, and curiosity, I infuse my storytelling with themes of futurism, the mysterious, and the supernatural. Whether writing drama, science fiction, or dark comedy, I aim to incorporate magical realism to enhance relevance and engagement with my work.
I tackle big, divisive questions such as -who are we? where do we come from? -where are we going? in containers that allow audiences to draw their own conclusions. The reality is that many versions of truth exist, but the only one that really matters—is theirs. As a filmmaker, my role is to guide the viewer as they navigate their own introspection. True success, for me, is only achieved when audiences explore their inner selves, subsequently gaining a profound perspective on their external reality.