Green Gazing: 360 Projection and Movement Experience / Installation
Green Gazing: An immersive multimedia participatory movement exchange using sound, image and botanicals. In a room of plants, the viewers / participants experience guided movement prompts from a pre-recording or with an guide amidst ambient sound and video rooted in ecological elements. Surround sound and multi walled projections are altered using bio data from plants in the room. The ambient electronic sound and videoscape becomes a co-creation between plant, participant and artist. Green Gazing seeks to bring eco-therapy to humans, especially humans that are underrepresented in having access to both technology, ‘curated arts’ and the ‘natural’ environment. Developing Green Gazing’s meditation and guided movements we seek to incorporate education from communities in the areas where the project is exhibited creating accessible movement workshops in-person and virtual, and incorporating teachings from those who are historical and present day caretakers of it. We are seeking to be critical of the ‘wellness space’ that we are creating for an immersive experience incorporating our fears about the environment eg. the effects of climate change and holding space for the trauma we have induced on each other and the land, to be mindful of the appropriation that takes place in studios and centres focused on mediation and healing in the North America. While studying outdoor education, addictions and mental health counseling; co-creator Ashley Bowa became interested in the role nature could play in achieving positive mental and physical health outcomes. As a woman of colour, the experiences of isolation in both outdoor and traditional “wellness” spaces (I.e yoga studios) was troubling. She then turned her attention to the question of how to balance this essential need for connection to nature with sustainability and perhaps more importantly access for underserved populations. Can we find a way to enjoy the benefits of being in relationship with nature in new and unique ways; from the mundane and everyday to more radical and intimate? What role, if any, can technology play in these relationships? Green Gazing also creates a site-specific zine for the area we are presenting.
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Lesley MarshallDirector
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Ashley BowaDirector
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Project Type:Installation, Other
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Minimum Runtime:30 minutes
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Variable Runtime Details:Can be presented as an installation or as an experience of guided movement in the installation - like a yoga class.
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Country of Origin:Canada
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Student Project:No
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Winter Arts Festival - Vancouver Create SocietyVictoria
Canada
February 16, 2024
Lesley Marshall is an intermedia artist currently working on independent audio visual projects in Ottawa. An award-winning filmmaker and graduate of the University of Ottawa, Lesley has worked as an independent curator (Available Light Screening Collective, Arboretum Festival); filmmaker, musician, and performance artist under the name LesleyDemon and Lesley 666; instructor and committee member of SAW Video Media Art Centre. In 2016, Lesley completed a residency at Artscape Gibralter Point to complete a 16mm film commission with the Windows Collective which later screened at the Artefact Film Festival in Calgary 2018. In 2017 Lesley was awarded a mentorship grant with the City of Ottawa to study large format intermedia work in Montreal. Projection art by Lesley has accompanied artist Flying Horses, the award-winning play Half Life, featured at Fashion Pop, and curation for projections at Arboretum Festival, One World Film Festival, Ottawa International Animation Festival, Ottawa Explosion, and Asinabka Film + Media Festival.
Ashley Bowa is an arts educator with a long history of involvement in community and artist run centres. She has worked as the Project coordinator for the Loyola Youth Development Centre documentary project in Montreal(2009), with Girls Rock Camp as a band coach and leadership program coordinator (2011-2016) and as Radio board technician for The Green Majority at CIUT FM in Toronto(2014). She is also trained as a yoga and Pilates instructor and in Outdoor education (Humber College). These practices have inspired an interest ecopsycology , looking at relationships between humans and the nonhuman world , specifically in the context of ecological destruction . As an artist or colour, representation both in subject and in the participants involved in the work is a essential, specifically to disrupt traditional narratives of who is and belongs in the certain spaces(like wellness spaces or the outdoors) by visually reclaiming them.
We developed Green Gazing as an experience for people to directly see their movement impact the growing plants around them. Paired with verbal guidance for movement and meditation, Green Gazing the experience, engages us to consider our anxieties of climate change, racial justice, wellness culture and give them space to be heard, released and shared with our plant world. We use a Green Gazing: Field Guide for participants to take home about the local flora and fauna of the presented area, land acknowledgements and considerations about everyday interactions with the plant world including our house plants and those plants we see on the side of the paths in urban areas. Green Gazing was funded from the research and creation programme of the Ontario Arts Council Inter-Arts.