Gravel Road
Erin, quirky, Manhattanite who holds down four jobs just to pay her rent, has had it with her "waif-like" existence and vows to give it all up to make a road-trip across the country. She escapes in her Honda Civic, but not before her Mother dumps upon her the job of delivering her Great Aunt Lucy's ashes to her 95 year old Great Aunt Helen on a mountain top in Montana. Her reasoning, "Well, it's on your way isn't it?" Erin's trek as "Urn-Carrier, agent of death" for her family gets more complicated with each mile, intertwining, yoga, paranormal activity, Amber alerts, foster-care rescues via mad quiltmakers, all through the gravel roads and BIG skies of Montana. A tour de force role for Aubrey Plaza, Amy Schumer, or Sandra Bullock, this story brings women from all classes in conflict with each other, and ultimately lifts up their tribulations into triumph.
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Arden Teresa LewisWriterLeveling Lincoln (feature documentary), CASSATT (immersive play experience), Breaking In, Trellis & Vine, Monday's Child, Walking In Space, A Thorn in the Family Paw, The Night Forlorn (or Waitin' on Godsford)
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Project Type:Screenplay
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Genres:Romantic Comedy, Road Trip Dramady, Drama, female driven story
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Number of Pages:89
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Country of Origin:United States
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Language:English
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First-time Screenwriter:No
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Student Project:No
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Ojai Film Festival 2022 - Semi Finalist - Gravel Road ScreenplayOjai, CA
September 24, 2022
Semi-Finalist -
Lady Filmmakers Festival - Finalist - Gravel Road ScreenplayBeverly Hills, CA
September 22, 2018
Finalist Script Competition -
Hollywood International Moving Pictures Film Fest HIMPFFHollywood, CA
January 1, 2020
First Place Best Screenplay -
Big Apple Film Festival 2020NYC, New York
February 1, 2020
Finalist - Screenplay -
Manhattan Film Fest 2020NYC, NY
March 9, 2020
Finalist -
Sene Film Fest 2019Providence, RI
March 20, 2019
Second Place and Finalist Screenplay -
Golden Script Competition 2019Hollywood, CA
May 15, 2019
Semi-Finalist -
Circus Road Screenplay Competition 2019Hollywood, CA
April 1, 2019
Semi-Finalist
Arden Teresa Lewis – Writer - has worked as a playwright and director in NYC, and LA. Her first documentary film, Leveling Lincoln - A Civil Rights integration story - is currently streaming on the PBS APP and available through NETA and FILMS MEDIA GROUP. See www.levelinglincoln.com for more info.Her feature length screenplay, Gravel Road has been selected for 10 festivals. She earned 3 Semi-Finalist spots, 4 Finalist spots, a Second Place award and a First Place award. She directed to great reviews, Walking In Space plus The Night Forlorn, or Waitin' on Godsford by Steve Nevil, starring Jim Beaver of Supernatural, J. Downing of Viper, and Leslie Caveny of "Penelope" at theatrewest.org. She received the Lilian Nesburn Award from the Beverly Hills Theatre Guild for her play, Grandma Good and was a semi-finalist for the Jane Chambers Award with her play, Baby Dreams. Baby Dreams starred Veanne Cox and was published in Theatre Communications Guild Magazine. Her play, Little Rhonda, was produced at Theatre Geo and is part of the Audrey Skirbal Kenis Theatre Archives at the Los Angeles Central Library. Her work appears in two anthologies: Scenes For Women By Women and Even More Monologues For Women By Women – Tori Haring Smith/Heinemann Press. She holds a BA in theatre from UCLA and teaches kindergarten for LAUSD. She co-produced Jim Beaver’s acclaimed VERDIGRIS at TW in 2015. She has directed several of Garry Michael Kluger’s plays in WESTFEST 2014 and 2015 and has been chosen by Theatre West to direct their Writers in Residence Production and Best of Workshop productions. Her first short fiction films, "Breaking In"(screenwriter) "Monday's Child"(writer, director, producer) and "Trellis & Vine" (Writer, director, producer) have earned numerous Laurels from London to Long Beach and may be viewed on youtube at Arden Teresa Lewis.
I had the waif-like character of Erin in my brain for several years. I wanted to place her in a film where her resolution and enlightenment did not depend on her finding romance or a life partner. Basically, a ROM-COM without the "ROM". I had the character of Naomi in my head for decades. She was a real girl who could charm every person in a restaurant and make them tell her their life stories and want to take her home with them. I decided to have these two females meet while trying to escape their lives and find each other on the road to a new horizon. I needed these two prodigal girls, one just past her first decade of life, and one just past her fourth, meet and struggle with the same need for their families to accept them and to let them go. An almost impossible goal, it takes a leap of faith, a jumping from the cliff, an unplanned flight to who knows where. But families need to save their prodigals, they can't resist, they need their adventurers to enlighten their own lives and heal them. So they react, they jump to the alert of danger and the rescue either tears them apart, or brings them all together. This script is cross generational, cross faiths, cross states, lifestyles and class. It has a city mouse, country mouse feel to it, but it ends on a mountain top, off a gravel road. A road stripped of asphalt, cement and support. A road laid bare to its origins, like the characters are by the time this road trip ends.