Granite Highway
Set in a forgotten Western QLD town, Alice, a lonely motel receptionist has a strange encounter with a guest amidst the disappearance of a young woman.
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Rhys EllisDirectorThe Baga
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Rhys EllisWriterThe Baga
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Bradley VickeryProducer
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Mieka ThorogoodProducerGertrude
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Rhys EllisProducer
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Tori WebbKey Cast"Alice"The Portable Door, Young Rock, Perfect Messy Holiday, Stiffs
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Joel DrabbleKey Cast"Sam"Nautilus, Elvis, Danger Close, Chasing Lemons
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Roy BillingKey Cast"Officer Terry"Jack Irish, Underbelly, Austin, Nude Tuesday, The Dish, Rabbit-Proof Fence, Blue Heelers, Charlie & Boots, Mystery Road,
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Maria HarrisonKey Cast"Madeline"
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Danien BerendsCinematographer
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Demetry MalahoffComposer
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Adam Potts1st AC
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Sam Fairbank2nd AC
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Alex PurcellGaffer
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Michael MonacoSound Designer
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Danien BerendsColourist
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Nicholas DunnCompositor / Designer
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River WeepersBTS
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Harry HertrickBTS
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Holly Elizabeth Emma FloydCostume Designer
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Project Type:Short
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Genres:Thriller, Mystery, Outback Noir
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Runtime:17 minutes 12 seconds
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Completion Date:September 30, 2024
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Production Budget:7,000 AUD
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Country of Origin:Australia
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Country of Filming:Australia
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Language:English
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Shooting Format:RED, Digital
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Aspect Ratio:1:66:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
Rhys Ellis is a Director based in Brisbane, Australia. His award-winning work is recognised for its distinctive storytelling and focus on real-world characters.
Rhys is known for crafting striking cinematic imagery, while drawing out authentic and emotionally resonant performances at the heart of his stories. Having worked as a photographer before moving to film, his work combines a strong technical eye with a contemporary aesthetic that he is consistently evolving.
In his narrative projects, Rhys often explores themes of identity and place, informed by his own mixed-race background, his films aim to understand the world around us. With a career that includes shooting the indie feature film The Baga (2022) and recently his short film Granite Highway (2024), Rhys’s films have earned him multiple accolades across international film festivals.
With this film, I set out to explore themes of isolation and longing—particularly in these vast, rural Australian towns where connection can feel out of reach. These places, though seemingly quiet, carry a profound emotional weight, and I wanted to delve into that sense of loneliness that lingers beneath the surface.
The landscape itself was vital to this story, functioning almost like a second character. The stone formations and towering mountain ranges of the Granite Belt act as both a sanctuary and a force that shapes the lives of those within it.
Whilst the themes of the film are grounded in reality, I wanted to show 90's rural Australia in a dreamy way that feels more like someone's memory of a time and place rather than fact.
Ultimately, this film is my ode to a Queensland that isn’t often seen on screen, to the hidden desires people carry, and to the landscapes that hold their stories.