Glowing Memory
After Tina’s death, Andro can’t move on. Instead of dealing with the loss, he keeps returning to a holographic simulation where she still exists. Every night, he visits an abandoned restaurant lit by broken neon signs - the place where they first met. and activates a device that recreates Tina from stored data: her voice, her face, her presence.
Their conversation is quiet, tense, and familiar. Andro treats the hologram as if she were still real, while Tina slowly pushes back. She knows what she is (a memory shaped by his need to escape the present). As they talk, Andro’s guilt surfaces: the accident, the years that passed, and the feeling that nothing in his life has truly changed since her death.
Tina forces him to face an uncomfortable truth. By holding onto the past, Andro has stopped living. The simulation doesn’t heal him, it keeps him frozen. What he calls love has become a way to avoid change.
As the night fades and morning arrives, Andro finally lets go. He turns off the device and walks out of the restaurant. The rain has stopped, the city is waking up, and for the first time in years, he steps forward without looking back.
Glowing Memory is a short animated film about grief, attachment, and the difficulty of moving on in a world where technology makes letting go almost impossible.
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Goga OsepashviliDirector
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Goga OsepashviliWriter
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Goga OsepashviliAnimator
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Giorgi TsereteliVoice Cast
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Mariam GiorgobianiVoice Cast
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Project Title (Original Language):მანათობელი მოგონება
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Project Type:Animation, Short
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Genres:Sci-Fi, Drama
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Runtime:7 minutes 20 seconds
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Completion Date:May 1, 2025
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Production Budget:0 USD
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Country of Origin:Georgia
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Country of Filming:Georgia
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Language:Georgian
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Shooting Format:35mm
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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Tlanchana FestToluca
Mexico
July 3, 2025
World Premiere
Honorable Mention -
L’ART EN CHEMINTrumilly
France
September 14, 2025
Official Selection -
Lift-Off FilmmakerEngland
United Kingdom
July 28, 2025
Official Selection -
Golden GrapeTelavi
Georgia
September 1, 2025
Official Selection -
Animation Film Festival NikoziNikozi
Georgia
September 1, 2025
Official Selection -
Secondigliano Film FestivalNapoli
Italy
October 21, 2025
Official Selection -
Animation Screenings Film Festival Striped TaleTbilisi
Georgia
October 3, 2025
Best Sci-Fi Animation -
9. Güzel Ordu Uluslararası Kısa Film Yarışmasıİstanbul
Turkey
October 18, 2025
Winner -
37 Girona Film FestivalGirona
Spain
November 3, 2025
Official Selection -
Toronto Global Film FestivalToronto
Canada
December 20, 2025
Nominee -
Midnight Monster Club Short Film FestivalTexas
United States
January 16, 2026
Official Selection
Goga Osepashvili was born on January 31, 1994.
He began his creative journey as a film director, developing narrative-driven films with a strong focus on mood, character, and visual storytelling. During this period, he worked as both director and cinematographer, and his films were selected for multiple film festivals, where they achieved notable success.
As his interests evolved, he moved into motion design and 3D art, bringing his filmmaking experience into the digital industry. Rather than leaving cinema behind, he continued to create festival-oriented works - now using animation, real-time graphics, and 3D tools as his primary medium.
Today, he works as a Motion Graphic Designer and 3D Artist, focusing on digital and animated projects that maintain a cinematic approach and are developed with international festival audiences in mind.
The idea for this film didn't come from a fascination with technology, but from the fear of being stuck.
we often talk about "letting go" as something that happens naturally over time, but in reality, we often fight to stay in the past. I wanted to show a man who uses technology to build a cage for himself, a neon-lit memory where he can pretend that nothing has changed. the hologram of Tina isn't a sci-fi gadget; it’s a physical manifestation of Andro’s grief and his refusal to face the morning light.
for me, the most painful part of the story is that the simulation is perfect, yet completely empty. It gives him her voice and her face, but it can't give him a future. I wanted the ending to feel like a heavy but necessary breath of air. turning off the device isn't about moving on, it's about finally stopping the cycle of self-torture and stepping out into a world that, for better or worse, is still moving...