Ghost Train

This 100% iPhone movie asks: who are the mysterious riders of the morning train?

  • Martina Reese
    Director
    Pity
  • Project Type:
    Experimental, Short
  • Genres:
    Mystery, Drama, Experimental
  • Runtime:
    3 minutes 58 seconds
  • Completion Date:
    September 30, 2020
  • Production Budget:
    0 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    iPhone 6s
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
Director Biography - Martina Reese

At the midpoint of a satisfying career in graphic design, Martina Reese met filmmaking and fell in love--which derailed pretty much everything. And so, the one-time designer and soccer-mom emerged as a guerrilla filmmaker.
Since her 2010 debut shorts "Vicky Gets Dressed" and "One Boy" (starring her children and their friends), Ms. Reese has steadily expanded her body of work and fluency in the medium with sleeper hit shorts such as "The Swimmer" (2012); "Bathroom" (2016), "Move," "Pity," and "Trigger Point" (2017); and "Big Break," "Slow Me Down," and "Twins" (2018). Three new additions to the Reese catalog, "Floating Man," "The Librarians," and "Burn," were released in 2019. A super-busy summer of 2019 yielded a long-short anthology, titled "Four Short Films About America," composed of "The Jacksons," "First Date," "Ready To Go," and "Lucky."
Reese's first foray into feature-length filmmaking, "Exile," was cast in Spring 2020 and was scheduled to begin shooting in June. While the Covid-19 pandemic rages on, the production is on hold. In the meantime, please visit the Exile Facebook page @Exilemovie2020 to meet the stellar cast and production team that will bring the film to life when circumstances allow.

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Director Statement

I am drawn to use film as a medium in which I attempt to express the ineffable--sensations, experiences, and emotions that can't be fully articulated in words. I trust my viewers to bring their unique, subjective engagement to the experience. Propelling micro-budget productions in the service of that goal has allowed (forced) me to acquire skills in many aspects of the process: writing, casting, location scouting, directing, camera operation, lighting, field audio, editing, ADR and, most importantly, catering. Having created a credible body of work, I am excited to move toward working with skilled collaborators who share my passion for creating independent drama and comedy.