GUM
With his future on the line, Nate races against the clock to uncover a lost file that could save his job. With a family depending on him and the walls closing in, he plunges into a chaotic maze of paperwork. As he frantically searches, he gorges on the strange, addictive gum, turning every rustle and creak into a ticking bomb.
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Carol FitzgeraldDirector
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Carol FitzgeraldWriter
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Thomas Paul JacksonProducerBespoke Dad, Snare
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Gwion WynKey Cast"Nate"
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Karis CrimsonKey Cast"Susan"
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Thomas Paul JacksonKey Cast"Boss"
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Max MacmillanCinematographerCall the Midwife
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Thomas JacksonAssistant DirectorBespoke Dad, Snare
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Scott DixonCamera Assistant
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Martina MajcenGafferBespoke Dad, Snare
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Finn NewtonSound Recordist
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Carol FitzgeraldSpecial Effects Artist
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Scott DixonColourist
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Carol FitzgeraldEditor
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Thomas JacksonSound EditorBespoke Dad, Snare
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Prickle ProductionsProduction CompanyBespoke Dad, Snare
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Project Type:Short
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Genres:Thiller, Drama, Body Horror
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Runtime:9 minutes 28 seconds
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Completion Date:September 16, 2025
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Production Budget:200 GBP
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Country of Origin:United Kingdom
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Country of Filming:United Kingdom
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Language:English
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
Carol Fitzgerald is a director and screenwriter from Chadderton in Manchester. After graduating with a Master’s in film production from the University of Salford, she went to work on various short films, serving as production assistant for Autumn and art director for The Night to Come and The Estrogen Gospel, which screened at Soho Horror Festival and Final Girls Berlin. She then went on to write, direct, edit and co-produce her debut short, Gum, inspired by seventies and eighties body horror cinema and satirical sci-fi short fiction.
As a writer, she specialises in characterdriven genre pictures centred around gender, sexuality and the body.
The idea for Gum first started to take shape when I was toiling through a busy schedule, balancing my Master’s degree and a part-time job in customer service. One day, while chewing on half a pack of Juicy Fruit to get through a particularly rough day, I was struck by the image of the sticky mass expanding in my mouth and choking me. For whatever reason, this picture then extended into one in which the hypothetical deadly substance was packaged in a prescription medication bottle. These were two images that I couldn’t concretely pin down the exact meaning of, but they were compelling, and I began to turn them over in my mind, trying to work out where they could be placed in a narrative.
I decided early on that the film should be set in a corporate workplace. A dull, mundane environment that remains incredibly stressful for those unfortunate enough to work there. I consumed a steady diet of classic workplace satires to strike that tone between satirical and horrifying (Modern Times, Brazil, Vampire’s Kiss, etc.). All the while considering the concept of ‘bullshit jobs,’ office work that does little except fill an employment slot at a company, and the modern circumstance of having your family, shelter and income dependent on this specific form of alienating work.
The final film came together through combining these ideas into the story of a man dependent on an addictive substance to get through the day at a crushing office job he relies on to survive, to the point that both of them are destroying his body.