GROUNDS OF HOPE
In a small rural town, Alex, a former professional boxer, lives as a worker for a concrete materials company. One night, chased by armed men, his twin sister breaks into his home with a migrant and his daughter. Alex, forced by the situation, helps to hide them, unaware that they are keenly sought. The spiral starts. With no choice and under financial pressure, he starts competing in illegal boxing fights.
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Lionel BERNARDINDirectorFinancial Confessions (shortfilm)
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Lionel BERNARDINWriterFinancial Confessions (shortfilm)
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Stéphanie SCHOONJANSProducer
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Stélion FilmsProducer
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Julien BARBIERKey Cast"Alex DUSSART"
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Julien KITITIKey Cast"Taïnawo NGoma"
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Sébastien CORONAKey Cast"Ivan AZARI"
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Stéphanie SCHOONJANSKey Cast"Eva DUSSART"
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Sorahya Pinville-AspilaireKey Cast"Aïda NGOMA"
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Jean-Pierre MesnardKey Cast"Jean-Marie"
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Clément Lagouarde (from the Natchitoches Tribe of Louisiana)Key Cast"Awan"
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Guillaume DelanoueKey Cast"Talleck"
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Michaël PannierKey Cast"Kurt"
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Hervé FontenyKey Cast"Joey"
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Mira DisicKey Cast"Sarah"
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Project Title (Original Language):A TERRE PROMISE
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Project Type:Feature
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Runtime:1 hour 32 minutes
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Completion Date:November 30, 2021
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Country of Origin:France
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Country of Filming:France
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Language:French
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Shooting Format:Digital Arri
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Aspect Ratio:2.39
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Close:Up Reykjavík Film FestivalReykjavík
Iceland
Best Feature (fiction) -
Festival del Cinema Città di SpelloSpello
Italy
March 17, 2023
International feature film selection -
Liverpool Film FestivalLiverpool
United Kingdom
November 5, 2022
Best Feature / International Narrative Feature -
St. Louis International Film FestivalSaint-Louis
United States
November 7, 2022
International Spotlight / Robert French and French-Language Focus -
Soho International Film FestivalNew York City
United States
October 12, 2022
EAST COAST Premiere
Best Acting Performance and Best World Feature nominees / World feature film -
Cinéfest Sudbury International Film FestivalGrand Sudbury
Canada
September 21, 2022
Official selection - World cinema -
Regina International Film Festival and AwardsRégina
Canada
August 9, 2022
Canadian Première
Official selection - International Feature -
Social World Film FestivalVico Equense
Italy
July 3, 2022
Italian Première
La notte del cinema -
Beverly Hills Film FestivalBeverly Hills
United States
June 8, 2022
United States première
Best actor / Official selection -
Martinique International Film Festival
France
February 10, 2023
Meilleur Film Francophone 2023 -
Montelupo Fiorentino Film FestivalMontelupo
Italy
July 18, 2022
Best Director Feature Film / Official selection -
Festival L'Europe autour de l'EuropeParis
France
March 26, 2022
Paris Première
Sélection officielle -
Festival Polar CognacCognac
France
October 16, 2021
France (country of production)
Official Selection, Grand prix long métrage cinéma -
Blow-Up Arthouse Filmfest · ChicagoChicago
United States
Feature Film semi-finalist -
World of Film International Festival GlasgowGlasgow
United Kingdom
Feature Film Competition semi-finalist -
Central Alberta Film FestivalRed Deer
Canada
October 3, 2023
Official selection
Distribution Information
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VC ConsultingSales AgentCountry: United StatesRights: All Rights
Lionel Bernardin was born in Angoulême, France, in 1981. Graduated in image and communication, he began as composer for shortfilms and worked with several Hip Hop artists from the New York scene during the early 2000’s. He started to direct some music videos and, attracted to fiction, he wrote and directed his first short movie in 2009. After that one, he had worked on 4 others shorts, including the original music, composed and played by himself.
His shortfilm, “Financial Confessions”, was awarded by the famous french director Cédric Klapisch, at the Sundance Channel Shorts in 2015 (Paris, France). This shortfilm will be selected at the International Film Festival of Sacramento, the European Short Film Festival of Bordeaux, the Francophone Film Festival of Angoulême, the International Short Film Festival Combat, then in screenings and debates on “the financial crisis seen by the cinema” at La Sorbonne University.
In 2018, Lionel Bernardin wrote his first feature film, “A Terre Promise / Grounds Of Hope » which will be shot during august and december of 2019. The editing process was done during the covid pandemy, forcing teams to adapt to the situation, rethinking the workflow to allow the creative process not to be stopped by the national containment in France.
The story is about a man who lives in a rural and working-class community, under economic pressure. Through the destiny of this man, the movie tells us about economic and social topics such as poverty in rural areas, but also the issue of those people who came in France, leaving everything behind to flee their country, and who are called “migrants”. I wanted to speak from the point of view of the welcoming in France, from the person who open his home and about the risk from this “crime of solidarity”. Something very intimate, very close to the real working class people.
This film is part of a naturalistic cinema movement, that centers its narrative on one destiny, on a personal and intimate history, a universal dramatic force. I wanted to express a vision of cinema with Nature as a real character, changing mood during the movie, by filming an agricultural region whose landscapes are crossed by a river. It was important for me to find the balance between the individual, his social context and his natural environment of life.
Part of the story came from the several trials in France, for “crimes of solidarity”, people who chose to help “migrants”, and who have been prosecuted for reaching out.
Before writing the script, I spoke with a journalist who had been investigating for months on a prostitution network of isolated minors, all from the recent wave of immigration. All this testimony touched me deeply. Just before writing « Grounds Of Hope », I co-wrote a biopic about the youth of a french naturalized boxing champion, from a middle Eastern country. I thought to associate these universes within a new ensemble, anchored in a rural and working class environment.
To start the story, I needed a set. The scouting took us to the north of the Charente (France). This region, which has experienced significant rural desertification, was the perfect place to put my history. When we arrived, I saw a strong visual potential and real possibilities to develop the universe I looked for this film. I went there, spent time with local people, I was able to understand the socio-economic mechanisms of the region. From there, I began to feed my characters and draw their contours. I created a dramaturgic link between all this material, and that link was Love. That one from a man who tries to face grief for the last four years, day by day. This is the very deep heart of the film, in this intimate, impossible to heal, this absolute pain and this bravery you must have for living with this. And then comes a new encounter, facing difficulties to open your mind again to another people, then finally, when the barriers have fallen, a link so natural, so universal.
It’s also important to talk about how I wanted to show the Nature, the link between Humanity, Animals and our natural environment. I am very close to mother Nature in my everyday life, conscious of this subtil and fragile balance. Nowadays, Humans being is the heart of the problem. I wanted to include that dimension in the movie, it’s my way to put this film in the footsteps of the incredible work of Jeff Nichols, Terrence Malick or David Lowery. The river that we see at the very beginning is everywhere in the story, it’s the blood of this luxurious Nature and this absolute calm. I took all that things, all that differents textures of sounds, and build a strong contrast, a strong opposition with Alex and his everyday life, the noise of the concrete plant, the cries of gamblers during boxing matches, his old noisy pickup. It’s something that I’ve included when I’ve worked on the soundtrack. During the musical working process, this raw material have contributed and enriched the soundtrack, clearly. I also managed to have on set my acoustic guitar, the main theme is born during a late production meeting, at the headquarter of the crew.