GEIMU - a live-action VR180 film

Emi and her pal Hiroshi hack together an AI device and gaming console and enter an AI generated virtual reality Japanese medieval game world. While it begins as a typical video game with sword action and a mission to save a princess, things quickly go awry, and Emi will be left on her own to take on a rampant AI.

23min, 5760x2880, Stereoscopic 3D VR180 with Ambisonic Audio + Head-lock Stereo

  • Dorian Goto Stone
    Director
  • Dorian Goto Stone
    Writer
  • Dorian Goto Stone
    Producer
  • Tomoaki Iwakura
    Producer
  • Kouken Sugiura
    Producer
  • Aimi Sekiguchi
    Key Cast
    "Emi"
  • Katsuyuki Miyake
    Key Cast
    "Hiroshi"
  • Natsuna Ihara
    Key Cast
    "Kunoichi"
  • Hirotaka Imanishi
    Key Cast
    "Daimyo"
  • Rina Oikawa
    Key Cast
    "Pixie"
  • Hideaki Miyajima
    Ninjas
  • Tomoharu Satou
    Ninjas
  • Hayato Saitou
    Ninjas
  • Tatsuya Wakabayashi
    Ninjas
  • Hidekazu Kitazaki
    Ninjas
  • Tatuya Kosuge
    Ninjas
  • Shiti Mayumi
    Ninjas
  • Akane Shiki
    Ninjas
  • Nabiki
    Ninjas
  • Tachiro Natsume
    Kappas
  • Yuta Kawasaki
    Kappas
  • Ayano Mienishi
    Kappas
  • Sueo Sugimoto (chara shanben)
    Kappas
  • Kouken Sugiura
    Emi Action Double
  • Dorian Goto Stone
    Casting
  • Masaki Komatsu
    Casting
  • Sueo Sugimoto (chara shanben)
    Casting
  • Tomoaki Iwakura JSC
    Director of Photography
    A Single Mom, Sorokin no mita sakura
  • Toshiyuki Kakihara
    Assistant Director
  • Ryota Sakakibara, Progresso Co., Ltd.
    Gaffer
  • Julian Jacques Rochon, Progresso Co., Ltd.
    Gaffer
  • Masaki Komatsu
    Sword Fighting Choreographer
  • Masato Ushijima
    Sound Department
  • FIRSTYGRAPHICS
    Game Icon Design
  • Castle
    Locations
    Sakasai Castle Ruins Park, Bando City, Ibaraki Prefecture, Japan, Courtesy of Bando Film Commission
  • Forest
    Locations
    Chuchan Bokujo, Susuno City, Shizuoka Prefecture, Japan
  • Living Room
    Locations
    Tokyo, Japan
  • Mari Idaka
    Special Effects Makeup
  • Anna Kakehi
    Special Effects Makeup
  • Hiromi Matsuoka (Tiss)
    Special Effects Makeup
  • Miyuka Tahara
    Special Effects Makeup
  • Katsuyuki Noguchi
    Horse Wrangler
  • Kouken Sugihara
    Horse Wrangler
  • Gotemba Culture Farm
    Horse Provider
  • Sueo Sugimoto (chara shanben)
    Kappa Wrangler
  • Jiro Ohashi
    Jib/Crane
  • Masao Yamagata
    Production Assistants
  • So Takashima
    Production Assistants
  • Yuki Nakamuta
    Production Assistants
  • Michiko Zentoh
    Production Assistants
  • Lise Hirooka
    Costume Designer, VR Suits
  • Tokyo Isho Co., Ltd.
    Wardrobe
  • MYST. - The Samurai Rock Band
    Wardrobe
  • Takatsu Sousyokubijutu Co., Ltd.
    Medieval Props
  • Masaki Komatsu
    Medieval Props
  • mahna mahna co., ltd.
    Wardrobe (Emi and Hiroshi)
  • Dorian Goto Stone
    Editor
  • Dorian Goto Stone
    VR Stitching
  • Dorian Goto Stone
    VFX Compositing and Animation
  • Sonologic-Design / Masato Ushijima
    Ambisonic Audio Post Production Sound Design & Mix
  • Masanori Otsuka
    Composer
  • Masaki Imanishi
    Colorist
  • 3umaleto motion design
    HUD Graphics
  • ITSUWARI NO DANZAI "Deceitful Conviction" by MYST. The Samurai Rock Band
    End Roll Song
  • Makoto Hirose
    Special Thanks
  • Naoto Somese
    Special Thanks
  • Sebastian Hagemeister
    Special Thanks
  • Keiya Ando
    Special Thanks
  • Mikuriya-san
    Special Thanks
  • VR Scout
    Special Thanks
  • Google / YouTube
    Special Thanks
  • Bando Film Commission
    Special Thanks
  • Gotemba Culture Farm
    Special Thanks
  • Asaikikaku
    Special Thanks
  • MYST. - The Samurai Rock Band
    Special Thanks
  • Yeager Film
    Warp Tunnel
  • Genres:
    Action, Scifi, Horror
  • Runtime:
    23 minutes 14 seconds
  • Completion Date:
    April 6, 2020
  • Production Budget:
    50,000 USD
  • Country of Origin:
    Japan
  • Language:
    Japanese
  • Student Project:
    No
  • Vancouver International Film Festival - Immersed
    Vancouver
    Canada
    September 24, 2020
    Festival World Premiere
    Finalist
  • Raindance Org's Japan Indies Film Festival (JIFF)
    Tokyo
    Japan
    November 16, 2020
    Winner - VR
  • 4K・VR Tokushima Film Festival
    Tokushima
    Japan
    October 1, 2020
    Winner - VR
  • Fantasy Film Festival FFF - Le Festival du Film du Fantasme
    Paris
    France
    June 15, 2021
    Official Selection
  • Five Flavours Film Festival
    Warsaw
    Poland
    November 17, 2020
    Official Selection
  • IMAGINE Film Festival
    Amsterdam
    Netherlands
    April 7, 2021
    Official Selection
  • Philip K. Dick Science Fiction and Supernatural Film Festival
    New York
    United States
    September 18, 2021
    Winner VR
Director Biography - Dorian Goto Stone

Dorian Goto Stone is a bilingual Japanese-American award winning writer, director, editor and producer working in film, video and live-action 180/360 virtual reality in both the US and Japan. Recent accolades include winning the short film category at Bondi International Screenplay Contest (2023) with sci-fi short Unknown and multiple award wins for VR180 film GEIMU (2021) including the Best VR Film Award at the Philip K. Dick Science Fiction and Supernatural Film Festival in NYC (2021).

Dorian was born and raised in NYC and is of Japanese and Eastern European descent. He has lived and worked in Japan cumulatively for over 15 years and is currently based there.

Add Director Biography
Director Statement

GEIMU seeks to provide its audience with the chance to be immersed in a live-action version of a fictional video game world set in medieval Japan. The game world itself including game icon design and game rules was designed from scratch. Particular care was taken to balance pacing, action and transitions to maximize immersion and create a thrilling and seamless narrative experience as the story progresses across multiple locations.

In order to make the game world feel truly expansive, it was important to have a diverse range of movement and action in the film. There is jumping high in the air, a ride on a galloping horse, sword fighting and more. These were all designed to avoid causing motion sickness in the viewer.

The film opens in the POV of the AI device that Emi is hacking. Afterwards, from the AI device's perspective we see Emi and Hiroshi in their full body VR suits. We occasionally cut back to them briefly throughout the film. Once Emi pulls her HMD visor over her eyes, we enter Emi's POV and see and experience everything that she does in virtual reality.

While there is no interactivity, the audio is first order ambisonics + headlock stereo, which means that while the game's score is stereo, all the sound effects and speech in the game have directionality that will reflect any changes in the position of the viewer's headset.

Additionally, as a filmmaker with a Japanese background, it was important to me to achieve faithful depictions of this world and its characters so that it would pass muster with a Japanese audience, while entertaining a global one. The medieval characters, language and mythical creatures all adhere to traditional Japanese period piece conventions.

VR is truly an exciting medium and I look forward to continuing to explore and innovate narrative storytelling in this format.