Fugetsu-Do
"We had to live the American Dream twice."
An intimate portrait of a sweet shop that has been an anchor for the Japanese-American community in Little Tokyo since 1903. The ingredients of the brightly-colored pieces of mochi-gashi that line Fugetsu-Do's wood-paneled cases include so much more than rice flour and sweet bean paste. Mixed inside are stories of joy and pain, tradition and racism, legacy and loss. Survival is never easy; it’s complicated and messy, full of contradictions and surprises. In the three generations that the Kito Family has been running Fugetsu-Do, the store has become a memory bank for the community and the stories that line its walls could not be more relevant in today's America.
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Kaia RoseDirectorClimate Countdown
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Kaia RoseProducerClimate Countdown
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Eric MannCinematography
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Jasmin KlingerSound Design / Mixing
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Kaia RoseEditor
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Michele ZarbafianColorist
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Dominic PittCompositor
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Project Type:Documentary, Short
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Genres:japanese-american, food, asian-american, american history
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Runtime:12 minutes 31 seconds
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Completion Date:June 30, 2020
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Production Budget:5,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:RED
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Aspect Ratio:1.9:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Boston Asian American Film FestivalBoston
United States
October 21, 2020
World Premiere -
Oregon Documentary Film FestivalThe Dalles, Oregon
United States
February 28, 2021
Oregon Premiere
Best Picture -
Short. Sweet. Film FestivalCleveland, Ohio
United States
February 24, 2021 -
Ogeechee International History Film FestivalStatesboro, Georgia
United States
February 26, 2021 -
Nevada Short Film FestivalReno, Nevada
United States
March 27, 2021 -
DisOrient Asian American Film FestivalEugene, Oregon
United States
March 19, 2021
DisOrient Heritage Award -
Seoul Short Film FestivalSeoul
Korea, Republic of
March 8, 2021
Finalist: Short Documentary -
New Wave Film FestivalMunich
Germany
March 4, 2021
Best Short Documentary -
New York Tri-State Film FestivalNew York, NY
United States
February 27, 2021 -
Lonely Wolf London International Film FestivalLondon
United Kingdom
March 27, 2021
Nominated for Best Short Doc, Best Doc Director, Best Doc Cinematography -
Houston Asian American Pacific Islander Film FestivalHouston, Texas
United States
June 3, 2021 -
Birmingham Film & Television FestivalBirmingham
United Kingdom
March 14, 2021
Semi-Finalist: Short Documentary -
Kalakari Film FestivalDewas
India
May 1, 2021
Indian Premiere -
Carolina Short Film and Screenwriting ShowcaseAsheville, NC
United States
June 1, 2021
Best Documentary -
LA Shorts AwardsLos Angeles, CA
United States
May 15, 2021
Best Documentary -
Love Wins Film FestivalRoslyn, NY
United States
April 30, 2021
Best Short Documentary -
British Documentary Film FestivalLondon
United Kingdom
May 14, 2021
Best International Short -
Fastnet Film FestivalSchull
Ireland
May 26, 2021
Honorable Mention: Best Documentary -
Birmingham Film & Television FestivalBirmingham
United Kingdom
May 14, 2021
Semi-Finalist: Short Documentary -
DC Asian Pacific American Film FestivalWashington DC
United States
July 15, 2021
Semi-Finalist -
Blue Whiskey Independent Film FestivalChicago, IL
United States
July 24, 2021 -
FFF - Food Film FestBergamo
Italy
August 25, 2021
Finalist -
Brazil International Monthly Independent Film FestivalRio de Janeiro
Brazil
June 1, 2021
Nomination: Best Documentary -
Austin Asian American Film FestivalAustin, TX
United States
June 4, 2021 -
Houston Asian American Pacific Islander Film FestivalHouston, TX
United States
June 11, 2021
Kaia is a director and producer best known for Climate Countdown, an award-winning webseries that maps out the ecology of climate solutions. As a freelance filmmaker, Kaia has filmed and edited videos for such organizations as the United Nations, The Juilliard School, 350.org, and the World Bank. She has edited numerous independent short narrative and documentary films and was an editor and archive manager on the PBS documentary "Power to Heal", exploring how Medicare helped desegregate American hospitals in the 1960s. For many years she was the lead producer and studio manager at the BAFTA-winning production company ArthurCox in the UK, where she produced animated commercials, shorts, TV shows and feature films for such companies as Disney Jr, Aardman Animations, the BBC, the UK Film Council and 20th Century Fox TV. Kaia is a graduate of the University of Bristol and currently the Multimedia Content Lead at Connect4Climate, World Bank Group. For more, visit kaiarose.com.
In the years since I moved away from California, stopping by Fugetsu-Do to pick up some fresh mochi-gashi is usually the first thing my mom and I do after she picks me up from the airport on a visit home. I guess I fell in love with the shop through my mom, who is a native Angeleno like Brian Kito. It's not just the bright colors and delicious flavors that brought me back time and time again, the shop itself drew me in. It feels like walking into a time capsule; in fact, Brian tells a story that once when he was considering renovating the store, an old woman opened the door and began crying because the shop looked exactly as it did when she was a child. Everything else in Little Tokyo had changed - except for Fugetsu-Do. So Brian left the shop as it was.
The same feeling that drew me into the shop drew me to this project. I had no idea when I started filming the breadth and depth of Brian's stories and how, in telling the history of Fugetsu-Do, we would be resonating with so many similar experiences, both past and present, across America. To me, Fugetsu-Do represents the importance of memory. Inside each vibrant, colorful, sweet piece of mochi is a bitesized bittersweet piece of history. We didn't learn about the atrocities of Japanese-American internment camps at my high school, despite growing up only 4 hours south of Manzanar. These stories need to be told. It is only by telling and retelling these stories that we can internalize them and take a piece with us to ensure that we don't repeat these experiences in the future.