For The Billionth Time Today
Driving recklessly away from a nightmarish encounter, a young man deeply rooted in his own self loathing loses his grip on reality and is confronted by his childhood demon.
“For The Billionth Time Today” is a multidisciplinary generational horror film combining several forms of media from live action to experimental animation and archival footage. This dreamlike coming of age epic uses deeply surreal imagery and atmospheres in order to bring a unique sense of closure to one’s adolescence. The project also touches heavily on grief, derealization and the critical importance for emotional vulnerability in young men.
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Jack ChisikDirector
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Jack ChisikWriter
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Jack ChisikEditor
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Emma LundgrenProducer
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Jaylen CorbinProducer
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Cole KamerickProducer
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Jaylen CorbinKey Cast"The Driver"
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Cole KamerickKey Cast"Ed"
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Cole KamerickKey Cast"The Demon"
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Hugo RogowskiAdditional Cast
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Trinity SutherlandAdditional Cast
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Jerome BurnsAdditional Cast
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Fred OsbornAdditional Cast
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Faith SerioAdditional Cast
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Emma LundgrenAdditional Cast
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CurranAdditional Cast
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Jack ChisikDirector of Photography
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Hannah ZimmermanChief Lighting Technician
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Mackenzie RickerTechnical Director
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Hailee McclellandForest Art Direction
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Emma LundgrenDance Choreography
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Raina YarbroughAssistant Acting Coach
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Brandon FecteauGaffer
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Cristian EliasBody Double
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Trinity SutherlandOn Set Videographer
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CurranProduction Assistants and Consultants
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JacketProduction Assistants and Consultants
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Nik LiguoriProduction Assistants and Consultants
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Oksana MirzoyanFaculty Advisor
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Luke RogowskiSound Technician
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Jasmine ChoiAnomalocaris Sound Effects
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Sid BostekADR Technician
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Jack ChisikSound Design
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Jack ChisikOriginal Soundtrack
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Kris MitchellCostuming
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Avis KernsCostuming
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Hailey HoweCostuming
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Cole KamerickCostuming
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Hailee McclellandAdditional Props
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Robby SimmsAdditional Props
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Whitney HockmanT-Shirt Coordinator
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Emma LundgrenSlime Coordinators
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Whitney HockmanSlime Coordinators
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Eve GeboskiSlime Coordinators
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Jack ChisikChief VFX Artist and Animator
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Zoe JakackiRough Creature Animation
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Jayden CorbinBusiness Angel TV Animation
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Eric LeDigital Hallway and Attic Technician
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Faith SerioJuice Box and T-Shirt Illustrations
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Danielle LyleSpecial Thanks
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Scott NorthrupSpecial Thanks
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John CarlsonSpecial Thanks
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David GazdowiczSpecial Thanks
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Daniel LandSpecial Thanks
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Josh HarrellSpecial Thanks
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Amon WatersSpecial Thanks
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Clayre ShaverSpecial Thanks
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Kamilla KostrubiecSpecial Thanks
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Elena RobertsonSpecial Thanks
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Alaina SmithSpecial Thanks
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Matti's Fresh MarketSpecial Thanks
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CCS AVCSpecial Thanks
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Mom and DadSpecial Thanks
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Project Type:Animation, Experimental, Short, Student
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Genres:Drama, Horror, Fantasy
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Runtime:38 minutes 16 seconds
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Completion Date:April 26, 2024
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Production Budget:1,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:Yes - College for Creative Studies
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Digital Cinema Package:Unavailable
Jack Chisik is an experimental independent filmmaker/animator residing in Detroit, MI recently graduated from the College For Creative Studies. Chisik finds inspiration from the intersection of normal and bizarre. He appreciates narratives that challenge viewers to analyze the abstract with "out of bounds" visuals that shock the senses while also leaving an impactful deep resonance, often tapping into 21st century nostalgia. Chisik is intricately involved in all processes of filmmaking from conception, direction, visual and practical effects, and original scoring, leaving his unique touch on every project he puts forth.
The earliest ideas of “For The Billionth Time Today” originated from a journal series I produced two summers ago- primarily focusing on spontaneity and channeling my emotions about my own upcoming college graduation, entrance to adulthood and long term self deprecation.
I became inspired to turn the words and images from my pages into a surrealist narrative piece, embracing the iterative process that helped the journals come to life in the beginning. Although so much of this film was heavily storyboarded, planned and scripted, another half was improvisational- embracing the authenticity of the actors’ real emotions and reactions, and utilizing it as a base for the dialogue.