Footprints in the Sand
Footprints in the Sand is a mixed-media animated documentary that invites four lymphoma cancer patients from South Korea to share their stories—a collection of narratives inspired by my family member, who, despite her ongoing battle with lymphoma, continues to help other cancer patients anonymously through a Korean lymphoma community website by translating foreign medical research.
This film was produced with the financial assistance of the ASIFA-Hollywood’s Animation Educators Forum 2024 Scholarship and the Sachs Program for Arts Innovation from the University of the Pennsylvania.
contact information: ejunhong@sas.upenn.edu
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Ejun Mary HongDirector
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Ejun Mary HongAnimator
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Samaar DardenVisual Development Artist
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Deandre JacksonVisual Development Artist
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DonzelVisual Development Artist
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Candace SykesVisual Development Artist
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AzayaVisual Development Artist
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Maximo TejadaVisual Development Artist
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Justin Nam DuongComposer
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Hannah LeeViolin I
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Amy HongViolin I
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Bryan KimViolin I
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Darae KangViolin I
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Elliot KimViolin II
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Isaac YanViolin II
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Svanik JaikumarViolin II
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Prhust SalehViolin II
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Autumn CortrightViolas
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Nihar BallamudiViolas
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Henry Sywulak-HerrViolas
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Cecilia WrightViolas
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Ashvin SatwaniCelli
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Leo HuangCelli
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Michelle ShiCelli
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Christine LongCelli
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Jennifer RheeWinds
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Kyunghwan LimWinds
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Tristan LyWinds
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Daniel BronfmanPiano
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Min-Young KimElectric Violinst
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Meredith GloverAudio Engineer
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Project Type:Animation, Documentary, Experimental, Student
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Runtime:12 minutes 38 seconds
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Completion Date:May 16, 2025
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Production Budget:8,000 USD
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Country of Origin:Canada, South Korea, United States
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Country of Filming:United States, South Korea
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Language:Korean
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Film Color:Color
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First-time Filmmaker:No
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Student Project:Yes - University of Pennsylvania
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Digital Cinema Package:Unavailable
Ejun Mary Hong (born 2002 in Edmonton, Canada) is a storyteller who brings life to her dreams and lost stories of the world through her animations. Her love for animation began when she struggled with blurred vision due to multiple eye surgeries. Most of her childhood was spent in hospitals, where her dreams felt lost in darkness. Her only escape was the theater, where she discovered vibrant animated worlds painted by artists and their imaginations. Animation gave her hope—a way to bring her dreams out of the dark and onto a limitless canvas.
Since then, she has created four animated films that tell deeply personal yet universal stories: A Broken Star (2019), a 2D computer animation about rediscovering beauty through her eye disorder; Mother (2019), a tribute to her grandfather’s journey from losing his mother to building a loving family; 38th Parallel (2021), a hand-drawn animation sharing the sorrow of separated Korean families; and Echoing, it doesn’t stop (2023), a stop-motion puppet and sand animation based on a Ukrainian poem that reflects the resilience of war victims.
These films have earned 13 awards, over 40 official selections—including three Academy Award and BAFTA-qualifying festivals—and recognition through ASIFA-Hollywood 2024 and Women in Animation’s 2022–23 Scholarships. Her work has also been featured on live TV, radio, and in the international press.
For her capstone film project, she created Footprints in the Sand (2025), a mixed-media stop-motion documentary sharing the stories of four South Korean lymphoma patients—inspired by her family member, who, despite her own cancer, anonymously supports others by translating medical research from English to Korean. Six students she mentors through an after-school animation program she founded in an under-resourced West Philadelphia high school are contributing as visual development artists, creating a space where storytelling and care come together through animation.
Animation, once her escape from reality, has become the light that brings life to her dreams and the lost stories of the world. Each animation she created has shaped her identity, instilling resilience, empathy, and a commitment to the greater good. As a storyteller, she aims to continue to transcend personal and shared pain, transforming these experiences into something universal and beautiful—where individual struggles reflect the broader human condition, offering connection, meaning, and potential for healing.
Having witnessed my mother's struggles as a cancer patient in South Korea and through conducting research interviews with other patients, I have gained insight into significant issues within South Korea’s healthcare system, particularly the lack of supportive environments where patients can openly discuss their experiences and challenges. Therefore, through this film, I aim to create a space for sharing and listening that empowers those who are struggling.
The animation uses the recorded interviews of the four lymphoma patients—Kim Kye-Young, Kim Geon-Jun, Kim Jung-Eun, and Lim Seung-Wan—as the film’s narration. As a mixed-media animation, the film incorporates two distinct techniques: stop-motion puppet animation, which gives form to the patients' stories and voices, and hand-drawn animation on mulberry paper, which conveys their emotions and brings their voices to the forefront. Natural materials such as sand, flowers, plants, water, and mulberry paper are also incorporated to symbolize life and death, reflecting the beauty found in the patients' resilience.
The title of the animation is inspired by the poem Footprints in the Sand, which conveys the message that no one is ever truly alone and that God is always present, especially during the most difficult times. This message gave my family member, a devout Catholic, strength and hope. Through this animation, I hope to extend that same hope to her and other patients who are struggling, while also highlighting the power of art and animation as forms of care.