First Date

For Helen and Francis, two 60+ singles who met online, their first date is off to a great start–except perhaps for having overindulged on chianti and tiramisu. Not ready to either say goodbye or "hook up" as a younger couple might do, they go to a park bench to admire the night sky and get to know each other better.

  • Martina Reese
    Director
  • Martina Reese
    Writer
  • Joette Waters
    Key Cast
    "Helen"
    Scutly, Killer Piñata
  • Walt Sloan
    Key Cast
    "Francis"
    Day 1, Fait Accompli
  • Project Type:
    Short
  • Genres:
    Drama, Comedy
  • Runtime:
    17 minutes 53 seconds
  • Completion Date:
    August 29, 2020
  • Production Budget:
    1,200 USD
  • Country of Origin:
    United States
  • Country of Filming:
    United States
  • Language:
    English
  • Shooting Format:
    Digital
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
Director Biography - Martina Reese

At the midpoint of a satisfying career in graphic design, Martina Reese met filmmaking and fell in love--which derailed pretty much everything. And so, the one-time designer and soccer-mom emerged as a guerrilla filmmaker. Since her 2010 debut shorts "Vicky Gets Dressed" and "One Boy" (starring her children and their friends), Ms. Reese has steadily expanded her body of work and fluency in the medium with sleeper hit shorts such as "The Swimmer" (2012); "Bathroom" (2016), "Move," "Pity," and "Trigger Point" (2017); and "Big Break," "Slow Me Down," and "Twins" (2018). Three new additions to the Reese catalog, "Floating Man," "The Librarians," and "Burn," were released in 2019. A super-busy summer of 2019 yielded a long-short anthology, titled "Four Short Films About America," composed of "The Jacksons," "First Date," "Ready To Go," and "Lucky."
Reese's first foray into feature-length filmmaking, "Exile," was cast in Spring 2020 and was scheduled to begin shooting in June. While the Covid-19 pandemic rages on, the production is on hold. In the meantime, please visit the Exile Facebook page @Exilemovie2020 to meet the stellar cast and production team that will bring the film to life when circumstances allow.
Propelling micro-budget productions to completion has allowed (or, rather, forced) Ms. Reese to acquire skills in many aspects of the process. Having created a credible body of work, she is excited to move toward building production teams with skilled collaborators who share her outsize passion for creating independent drama and comedy.

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Director Statement

Trained as a graphic designer but only partly fulfilled by my years of employment as a designer, film creation has been a breakthrough for me. It woke me up from a feeling of going through the motions. I love filmmaking because it is hard but not impossible. I love filmmaking because so much is out of my control, yet planning and organization are indispensable. I love it because it involves so much disappointment, yet there seems to always be a way to channel failure into growth. I have never been comfortable in a narrow discipline and film brings everything together. Everything.
Filmmaking changes the way I inhabit the world; I find myself paying more attention to places, faces, witnessed phenomena, chance encounters, overheard conversational fragments, light, sound, music, literature. And, of course, creating in the film medium changes the way I watch film. To me, at best, films are groping and imperfect attempts to express something elusive and ambiguous. I am drawn to films that find beauty in the ordinary, the un-beautiful. I relate to stories that don't have a tidy resolution.