Firing the Lighter Gun
In the not-too-distant future, a nuclear accident occurs in the countryside. However, life continues without change in the neighboring town. There, Tatsuya works for the yakuza and forces decontamination laborers to work in the exclusion zone.
He tries to get on the yakuza Otaki's good side, but it doesn't work out because of his lack of ruthlessness. Tatsuya’s best friend Ryo is released from prison, and Mari, a migrant sex worker, move into Tatsuya's house. With nowhere to go, this trio gradually opens up to each other, but their relationship changes due to a suicide.
Ryo awakens to violence and is favored by Otaki and given a job. Tatsuya must make a choice.
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Kohei SanadaDirectorShin Shin Shin, Sayonara Family
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Kohei SanadaWriterShinshinshin, Sayonara Family
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Yuya OkutsuKey Cast"Tatsuya"Shin Shin Shin
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Yu NakamuraKey Cast"Ryo"
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Anju KurosuKey Cast"Mari"Nunchak Soul
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Hiroki MatsuiDirector of Photography
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Gen TakahashiRecording
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Hiroyuki NagashimaMusic
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Norihiro IimoriArt
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Satoshi NoboriyamaAssistant Director
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KoriHair and Makeup
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Mami MiyagoProduction Manager
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Koichi KawanoFilm Festival Submission Coordinator
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Project Type:Feature
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Genres:Drama
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Runtime:1 hour 57 minutes 30 seconds
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Completion Date:March 31, 2022
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Production Budget:7,000,000 JPY
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Country of Origin:Japan
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Country of Filming:Japan
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Language:Japanese
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Shooting Format:Digital
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Aspect Ratio:2.35:1
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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CAMERA JAPAN FestivalRotterdam
Netherlands
September 22, 2023
INTERNATIONAL PREMIERE
Distribution Information
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CinemagoDistributorCountry: WorldwideRights: All Rights
Born in 1984. His hometown is Ishikawa Prefecture, where the nuclear power plant is located. Graduated from Tokyo University of the Arts, Graduate School of Film and Media. Director, script, editorial editor.
I grew up in a town next to a nuclear power plant. When the Fukushima nuclear accident occurred at the Great East Japan Earthquake, I felt that it might have happened in my hometown. Now in Japan, ordinary life goes on as if nothing has happened despite the accident, yet the lives, homes, and dignity of those who were left behind by society are sacrificed. I would like to explore the transience and horror of human beings by depicting the struggle of those who have been trampled upon, at the edges of the world.