Finding Alaa
Brief: The father of an ISIS terrorist responsible for the 2015 Paris Attacks searches for his grand-daughter, Alaa (5y) believed to be in a refugee camp in Northern Syria. Desperate to save his granddaughter, the way he was unable to save his son, the film explores themes of guilt and innocence, identity and belonging, as we meet the ‘other victims of ISIS’ – the families torn apart in its wake, trying to atone for crimes they never committed.
Synopsis:
Azdyne Amimour, a modest Parisian husband, father and grandfather. After a long and varied working life, at 74 he should be contemplating a peaceful retirement. But his days are fuelled by one overriding goal to find his missing granddaughter and make reparations for his son’s crimes.
On 13th November 2015, Islamic State launched a series of coordinated attacks on the Bataclan Hall and other Paris venues, killing 130 people. Azdyne’s son, Samy Amimour, was one of the three Bataclan attackers; as police approached and fired at him, his suicide belt exploded. Samy left behind a daughter, Alaa, born in Syria just days after the terrible events. And now Azdyne feels he can’t move on with life until he finds her. He feels responsible for her fate, as an innocent child, caught up in the trail of harm caused by Samy’s actions.
As his life and family unravelled in the wake of the attacks, Azdyne struggled to deal with guilt and shame, and with understanding the path that led his “quiet and thoughtful” son to perpetrating France’s worst terrorist attack in modern history. In the face of public disgust and fear, he actively sought ways to contribute to the national attempt to understand the tragedy, and to heal society and himself. In the years since 2015, one objective has sustained him – a vow to find the granddaughter he has never met and bring her home.
We meet Azdyne in 2019 as he takes initial legal steps towards finding Alaa. Recounting the events of that night in November 2015, it is clear that the guilt and pain live with him and with Sami’s mother, Mouna, still. We see a fruit that has grown from the despair of the attacks, the deepening friendship with George Salines, whose daughter Lola was killed in the Bataclan. Together, the two engage with ex-prisoners to help counter Islamic State propaganda, and are instrumental in a group which brings together the families of victims and families of perpetrators of terrorism, equally determined, and united, in not wanting to allow terrorism to further divide France. Over the course of several years, Azdyne learns piecemeal information about Alaa, her whereabouts and wellbeing, which fuel his desire to head to Syria to help her. But the path to Syria is perilous and blocked at many turns. Suddenly, in July 2022, the bittersweet news breaks: Alaa has been repatriated to France. She is safe, but Azdyne will still, for an indeterminate length of time, be unable to finally meet her.
Finding Alaa is the story of one man’s search for his granddaughter – and the story of loss, guilt, of the shattering effects of terrorism on families and society and the search for reconciliation by those left behind.This is the story of the other victims of Isis - those whose stories we have yet to hear.
Synopsis: (500 words max)
Azdyne Amimour, a modest Parisian husband, father and grandfather. After a long and varied working life, at 74 he should be contemplating a peaceful retirement. But his days are fuelled by one overriding goal to find his missing granddaughter and make reparations for his son’s crimes.
On 13th November 2015, Islamic State launched a series of coordinated attacks on the Bataclan Hall and other Paris venues, killing 130 people. Azdyne’s son, Samy Amimour, was one of the three Bataclan attackers; as police approached and fired at him, his suicide belt exploded. Samy left behind a daughter, Alaa, born in Syria just days after the terrible events. And now Azdyne feels he can’t move on with life until he finds her. He feels responsible for her fate, as an innocent child, caught up in the trail of harm caused by Samy’s actions.
As his life and family unravelled in the wake of the attacks, Azdyne struggled to deal with guilt and shame, and with understanding the path that led his “quiet and thoughtful” son to perpetrating France’s worst terrorist attack in modern history. In the face of public disgust and fear, he actively sought ways to contribute to the national attempt to understand the tragedy, and to heal society and himself. In the years since 2015, one objective has sustained him – a vow to find the granddaughter he has never met and bring her home.
We meet Azdyne in 2019 as he takes initial legal steps towards finding Alaa. Recounting the events of that night in November 2015, it is clear that the guilt and pain live with him and with Sami’s mother, Mouna, still. We see a fruit that has grown from the despair of the attacks, the deepening friendship with George Salines, whose daughter Lola was killed in the Bataclan. Together, the two engage with ex-prisoners to help counter Islamic State propaganda, and are instrumental in a group which brings together the families of victims and families of perpetrators of terrorism, equally determined, and united, in not wanting to allow terrorism to further divide France. Over the course of several years, Azdyne learns piecemeal information about Aicha, her whereabouts and wellbeing, which fuel his desire to head to Syria to help her. But the path to Syria is perilous and blocked at many turns. Suddenly, in July 2022, the bittersweet news breaks: Alaa has been repatriated to France. She is safe, but Azdyne will still, for an indeterminate length of time, be unable to finally meet her.
Finding Alaa is the story of one man’s search for his granddaughter – and the story of loss, guilt, of the shattering effects of terrorism on families and society and the search for reconciliation by those left behind.This is the story of the other victims of Isis - those whose stories we have yet to hear.
Synopsis: (500 words max)
Azdyne Amimour, a modest Parisian husband, father and grandfather. After a long and varied working life, at 74 he should be contemplating a peaceful retirement. But his days are fuelled by one overriding goal to find his missing granddaughter and make reparations for his son’s crimes.
On 13th November 2015, Islamic State launched a series of coordinated attacks on the Bataclan Hall and other Paris venues, killing 130 people. Azdyne’s son, Samy Amimour, was one of the three Bataclan attackers; as police approached and fired at him, his suicide belt exploded. Samy left behind a daughter, Alaa, born in Syria just days after the terrible events. And now Azdyne feels he can’t move on with life until he finds her. He feels responsible for her fate, as an innocent child, caught up in the trail of harm caused by Samy’s actions.
As his life and family unravelled in the wake of the attacks, Azdyne struggled to deal with guilt and shame, and with understanding the path that led his “quiet and thoughtful” son to perpetrating France’s worst terrorist attack in modern history. In the face of public disgust and fear, he actively sought ways to contribute to the national attempt to understand the tragedy, and to heal society and himself. In the years since 2015, one objective has sustained him – a vow to find the granddaughter he has never met and bring her home.
We meet Azdyne in 2019 as he takes initial legal steps towards finding Alaa. Recounting the events of that night in November 2015, it is clear that the guilt and pain live with him and with Sami’s mother, Mouna, still. We see a fruit that has grown from the despair of the attacks, the deepening friendship with George Salines, whose daughter Lola was killed in the Bataclan. Together, the two engage with ex-prisoners to help counter Islamic State propaganda, and are instrumental in a group which brings together the families of victims and families of perpetrators of terrorism, equally determined, and united, in not wanting to allow terrorism to further divide France. Over the course of several years, Azdyne learns piecemeal information about Alaa, her whereabouts and wellbeing, which fuel his desire to head to Syria to help her. But the path to Syria is perilous and blocked at many turns. Suddenly, in July 2022, the bittersweet news breaks: Alaa has been repatriated to France. She is safe, but Azdyne will still, for an indeterminate length of time, be unable to finally meet her.
Finding Alaa is the story of one man’s search for his granddaughter – and the story of loss, guilt, of the shattering effects of terrorism on families and society and the search for reconciliation by those left behind.This is the story of the other victims of Isis - those whose stories we have yet to hear.
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Myriam FrancoisDirector
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Lesley BirchardExecutive producerCBC - Fast Horse
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Christopher MitchellExecutive producerBBC Arabic
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Adam GrimleyExecutive producerBBC Our World
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Dominique YoungExecutive producerAl Jazeera Witness
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Safy BoutellaComposer/ Soundtrackhe Magic Ram Composer 2019 Pluriel's composer TV Special 2017 Fadhma N'Soumer (2014) Fadhma N'Soumer Composer 2014 L'Héroïne composer 2013 Touria Alaoui in On the Edge (2012) On the Edge Composer Short 2012 Le Hublot (2012) Le Hublot Composer Short 2012 The 5th String (2011) The 5th String Composer 2011 Arranged Marriage Composer TV Movie 2010 Mostefa Ben Boulaid (2008) Mostefa Ben Boulaid Composer 2008 Il faut sauver Saïd Composer TV Movie 2008 Permis d'aimer (2005) Permis d'aimer Composer TV Movie 2005 Little Senegal (2000) Little Senegal Composer 2000 Juliette Lewis and Saïd Taghmaoui in Room to Rent (2000) Room to Rent Composer 2000 John Steinbeck in Un siècle d'écrivains (1995) Un siècle d'écrivains Composer TV Series 2000 Karim Benhadj in Mirka (2000) Mirka Composer 2000 Le gone du Chaâba (1997) Le gone du Chaâba Composer 1997 L'albero dei destini sospesi Composer TV Movie 1997 C'est l'homme de ma vie Composer TV Movie 1997 Les soeurs Hamlet (1996) Les soeurs Hamlet Composer 1996 D'amour et d'eau salée Composer TV Movie 1996 Salut cousin! (1996) Salut cousin! Composer 1996 Le mouton noir (1995) Le mouton noir Composer TV Movie 1995 Le Paradis des Infidèles (1995) Le Paradis des Infidèles Composer Short 1995 The School Teacher (1993) The School Teacher Composer TV Series 1995 Dust of Life (1995) Dust of Life Composer 1995 Un taxi pour Aouzou Composer Short 1994 Doudja Achaichi, Said Amrane, Ahmed Benaïssa, Fatiha Berber, Safy Boutella, Djamila Haddadi, Mustapha Kesdarli, Hafsa Zinaï Koudil, and A. Messaad in Le démon au féminin (1994) Le démon au féminin Composer 1994 La contredanse Composer Short 1993 Automne... Octobre à Alger (1993) Automne... Octobre à Alger Composer 1993 Cheb (1991) Cheb Composer 1991 Wandering Heart (1989) Wandering Heart Composer 1989 Le mariage de Moussa (1982) Le mariage de Moussa Composer (music by) 1982 Les Moineaux d'Algérie (1979) Les Moineaux d'Algérie Composer (music by) Short 1979
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Project Type:Documentary
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Runtime:25 minutes
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Completion Date:December 9, 2022
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Production Budget:89 GBP
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Country of Origin:United Kingdom
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Country of Filming:Belgium, France
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Language:French
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Shooting Format:digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Hot Docs FestivalToronto
Canada
May 2, 2023
World Premier -
The Nobel Peace CenterOslo
Norway
March 30, 2023
Sneak Peak -
Doc EdgeSydney
Australia
December 19, 2023
Australian Premier
Official selection -
Norwich Film festivalNorwich
United Kingdom
October 17, 2023
UK premier
Official selection
Distribution Information
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BBC Our WorldDistributorCountry: United KingdomRights: Internet, Video on Demand
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BBC ArabicDistributorCountry: United KingdomRights: Internet, Video on Demand
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CBCDistributorCountry: CanadaRights: Internet, Video on Demand
Dr Myriam Francois is a Franco-Irish journalist, filmmaker and writer from London.
DOCUMENTARY
Myriam completed her documentary directorial debut “Finding Alaa”, under her production company Mpwr productions in 2023. The film was shortlisted for the 2021Whickers Awards and the Cannes MIPDOC 2022. Myriam was nominated as one of only 14 “filmmakers to watch” in 2021 by One World Media.
Her most recent documentary for BBC World Service on the #dafadoy movement which changed rape laws in Senegal aired on 26/05/2022. Myriam is currently the host and producer of a new series on Al Jazeera English (2022), “The Trouble with France.”
In 2019, her documentary “City of Refuge” examined the plight of Syrian refugees in Lebanon, and aired on BBC Radio4 (April 2019) and BBC World service (May 2019).
Myriam is the presenter of BBC World Service documentaries on Brexit in Leave-voting town in Wales (Llanelli) (2019), and on #MeToo in the Muslim world (2018).
Her Channel 4 documentary “The Truth about Muslim marriage” (11/2017) was nominated for best investigative documentary in 2018 (AMA). She is also the presenter of two BBC One documentaries, “The Muslim Pound” (aired 07/ 2016) and “A Deadly Warning: Srebrenica Revisited”, (aired 07/2015) which was nominated for the Sandford St Martin religious programming award 2016.
Myriam also developed, produced and presented a monthly Arts and Culture documentary series “Compass” for TRT world, a global news network on Sky 519 (2017-2018).
REPORTER
Myriam is a seasoned reporter, having reported for BBC World Service (2018), BBC London News (2019), and TRTWorld where she was Europe Correspondent for from 2015-2017, covering French politics, the migrant issue and Brexit.
WRITER
A former columnist at the New Statesman, Myriam’s writing are featured widely in the British press, including the Guardian, TIME, Foreign Policy, the Telegraph, CNN online and Middle East Eye, among others.
Myriam is a former Senior Fellow at the Center for Global Policy (CGP think tank) 2019-2020, where she produced an in-depth report looking at the plight of European children of ISIS fighters in camps in Northern Syria, as well as an accompanying piece for Foreign Policy.
PODCAST
In 2019, Myriam started the “We need to talk about whiteness” Podcast (iTunes/Spotify/Soundcloud) to pioneer conversations around structural whiteness in the UK. She delivers regular talks to private companies and institutions on the topic and is due to deliver an upcoming Ted-talk (2022). In 2021, the podcast was shortlisted the BBC Audio labs.
PRESENTING
Myriam is invited to deliver talks and lectures internationally, she has spoken at universities including Oxford, McGill and Harvard university, is a regular speaker and presenter at the “How the lights gets in” Hay-on-Wye and London festivals, Bradford Literary festival, the Battle of Ideas festival, the Audacious women’s festival and more.
She is also a regular presenter at high profile events, including the Brooklyn book festival 2020, the Mayor of London’s Eid Festival 2019 and the glamorous London Modest Fashion Festival 2018, among others.
In 2019, Myriam was a judge on the Baillie Gifford Prize for literature – a prestigious award for non-fiction.
BACKGROUND
Myriam is a former Research Associate at the Centre of Islamic Studies (CIS) at SOAS University. She completed her PhD (DPhil) at Oxford University, focusing on Islamic movements in Morocco in 2017. She holds an MA from Georgetown University (USA) and a BA from Cambridge university (UK).
She was nominated as part of the “40 under 40” European Young Leaders (EYLs) class of 2017.
Myriam was awarded ‘Woman in Media Award’ at the Muslim Women Awards 2021.
She tweets @MyriamFrancoisC
Instagram – myzfrancois
www.myriamfrancois.com
She can be contacted at: info@myriamfrancois.com
Filmmaker’s essay – Finding Alaa – Myriam Francois
I first met Azdyne Amimour in 2019 through a colleague who was researching the repatriation of minors from Syria. I immediately recognised the name ‘Amimour’ through its association with Samy Amimour, notorious for his role in the 13 November 2015 Paris attacks, specifically the Bataclan theatre hall, where 90 people lost their lives and hundreds more were injured. The coordinated attacks across Paris that night were the worst in modern French history and a source of ongoing national trauma.
Azdyne had largely been in hiding, but he was trying to locate his then four-year-old granddaughter, Aicha, believed to be somewhere in Northern Syria. Sami had left for Syria in 2013 and cut contact with his family in 2014. The last news the family had from his then wife, was that she was pregnant and Aicha was due weeks after the attack. Then nothing.
When I first met Azdyne, he didn’t even know whether Aicha was alive.
After all, the Syrian conflict has led to the death of over 100, 000 civilians including many children. The Amimours had no birth certificate and the last news they’d had from Aicha’s then-expectant mother was in the immediate aftermath of the attacks, before a total blackout. As far as they knew, she might not even have been born. Over the course of three years, which included a global pandemic, I followed the family’s search for this missing child. Alongside this search, which often felt like trying to find a needle in a haystack, I watched Azdyne try and rebuild his life and repair as best he could the harm Samy had caused.
With Georges Salines, the father of one of the victim’s of the Bataclan attack, Azdyne co-wrote a book about their shared experience of losing a child, albeit from very different sides of an event they were both trying to understand. Through this, and through subsequent work with young offenders, the two men have sought to challenge the binaries which emerged after November 2015. Together with other relatives of perpetrators and victims, they have sought to show society that another way, that of reconciliation, is possible. I will forever remember how Sandrine, survivor of a terrorist attack in Belgium and a member of this group, told me: “It was hate that destroyed me. It could never be hate that rebuilt me.”
It was the courage shown by Azdyne and Georges, and their desire to challenge the societal schism caused by those attacks and the political response to them, which inspired much of this film.
Azdyne’s family is not alone in searching for a child in the embers of ISIS’s pseudo caliphate. There are in fact hundreds of others, in France and in other countries, desperately searching for vulnerable young children, often with little to no help from the authorities. It is their search which the film seeks to honour, as well the resilience of all victims of ISIS – in Syria and in France; those who died on 13 November and their families, and also the families whose children have been ripped from them, but whose suffering has hitherto been inaudible. This is the story of the other victims of ISIS – those we haven’t yet been able to hear.