Fig Jam (Film)
While on lockdown, Brenda invites Teddy over for a late night hookup. One of the two is a bit more apprehensive and paranoid than the other and is keeping more than one secret. Will carnal lust or fear win out?
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Frank J. AvellaDirector
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Frank J. AvellaWriterConsent, Lured, Screw The Cow, Fig Dude, Multitasking
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Ashley GarrettProducer
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Carlotta BrentanKey Cast"Brenda"The Giver
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Alex HaynesKey Cast"Teddy"Alex is Black
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Project Type:Short
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Genres:Romance, Comedy
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Runtime:21 minutes 35 seconds
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Completion Date:May 7, 2021
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Production Budget:20,000 USD
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Paris Independent Film FestivalParis, France
France
October 18, 2021
French Virtual Premiere
Winner, Best Short Film (Audience Award) -
Love Wins Film Festival, 2022Patchogue, Long Island
United States
June 24, 2022
Long Island
WINNER, Best Short Film -
Austin After Dark Film Festival, 2022Austin, Texas
United States
July 17, 2022
WINNER, Best Comedy Short -
Lonely Wolf: London International Film FestivalLondon
United Kingdom
July 31, 2021
Virtual World Premiere
Nominated for 7 Awards including Best Picture, Best Film (Medium Length), Outstanding Directorial Debut, Best Original Screenplay, Best Comedy, Best Pandemic Film, Outstanding Achievement in Costume Design -
International Shorts Film FestivalMelbourne
Australia
December 6, 2021
Australian Premiere
Finalist -
New York Shorts International Film FestivalNew York, NY
United States
October 29, 2021
World Premiere Theatrical Screening
Official Selection -
Peachtree Village International Film FestivalAtlanta, Georgia
United States
October 21, 2021
Southern U.S. Virtual Premiere
Finalist -
Austria International Film Festival
Austria
November 27, 2021
Austrian Premiere
Official Selection -
Portland Comedy Film FestivalPortland, Oregon
United States
June 12, 2022
West Coast Theatrical Premiere
Finalist -
Oregon Short Film Festival
United States
February 25, 2022
Finalist -
Unitaly International Film FestivalCastellabate
Italy
December 27, 2021
Italian
Official Selection -
Rome Prisma Film AwardsRome
Italy
Official Selection -
New York Neorealism AwardsRome
Italy
November 30, 2021
WINNER, Best Narrative Short -
Hang Onto Your Shorts Film FestivalAsbury Park, NJ
United States
April 23, 2022
New Jersey
WINNER, Best Actress -
Houston Comedy Film Festival Spring 2022Houston, TX
United States
April 16, 2022
Texas
Finalist, Best Romantic Comedy Film -
Madrid Arthouse Film Festival, 2022Madrid
Spain
Spanish Premiere
Semi-Finalist -
Georgia Shorts Film Festival, 2022Atlanta, Georgia
United States
May 1, 2022
Finalist, Best Comedy Film, Best Actor, Best Actress -
Austin Comedy Film Festival, 2022Austin, Texas
United States
May 22, 2022
Finalist -
Unitaly International Film Festival, 2021Castellabate
Italy
December 27, 2021
Official Selection -
ReelHeART International Film and Screenplay Festival, 2022Toronto
Canada
July 4, 2022
Canadian
Winner, Best Ensemble. Nominee, Best Short Film -
FLICKFAIR Film Festival, 2022Los Angeles, CA
United States
May 2, 2022
Official Selection -
LES Lower East Side Festival for the Arts, 2022New York, NY
United States
May 28, 2022 -
Texas Short Film Festival, 2022San Antonio
United States
July 30, 2022
Finalist, Best Director -
Lonely Seal International Film, Screenplay and Music Festival, 2022Boston, MA
United States
October 8, 2022
Massachusetts
Official Selection -
Reale Film Festival, 2022Milan,
Italy
Best Comedy Short -
Lit Laughs International Comedy Festival, 2022
United Kingdom
Semi-Finalist -
Lake Travis Film FestivalTexas
United States
September 15, 2022
Official Selection -
SoCal Film AwardsHuntington Beach, CA
United States
January 8, 2023
Honorable Mention
Frank J. Avella BIO
frankjavella@gmail.com 973-715-2356
Frank J. Avella is an award-winning screenwriter and playwright and the recipient of a 2019 International Writers Retreat Residency at Arte Studio Ginestrelle in Assisi, Italy and a 2018 Bogliasco Foundation Fellowship, a 2016 Helene Wurlitzer Residency Grant, the 2016 Chesley/Bumbalo Playwright and a 2015 NJ State Arts Council Fellowship Award (both for his play, CONSENT).
Frank’s screenplays have received 28 major awards at Film Festivals throughout the world (16 countries) and have been selected/winners/finalists in over 185 Fests/Comps to date.
He recently wrote and directed his first short film, FIG JAM, which won the Audience Award for Best Short Film at the 2021 Paris Independent Film Festival, the Best Short Film Award at the 2022 Love Wins Film Festival, the Best Comedy Award at the 2022 Austin After Dark Film Festival, the Best Comedy Short Film at the 2022 Reale Film Festival (Milan, Italy) and the Best Narrative Short Award at the 2021 New York Neorealism Film Festival. Frank is a Best Director Finalist for the 2022 Texas Short Film Festival and the film was a Best Short Film nominee at the 2022 ReelHeART International Film and Screenplay Festival, where it won the Best Ensemble Award. The film was a Finalist for the 2021 International Shorts Film Festival in Melbourne, Australia, the 2021 Peachtree Village International Film Festival, the 2021 Portland Comedy Film Festival, the 2021 Oregon Short Film Festival and the 2021 Big Apple Film Festival as well as a semi-finalist for the 2022 Madrid Arthouse Film Festival. FIG JAM was an Official Selection for the 2021 New York Shorts International Film Festival (big screen world premiere), the 2021 Austria International Film Festival, the 2021 Rome Independent Prisma Awards, the 2021 Unitaly International Film Festival and had its virtual World Premiere at the 2021 Lonely Wolf: London International Film Festival where it was nominated for 7 Awards including Best Picture, Best Film (Medium Length), Outstanding Directorial Debut, Best Original Screenplay, Best Comedy or Musical, Best Pandemic Film and Outstanding Achievement in Costume Design as well as being a finalist for Best Romantic Drama.
Also in 2022, FIG JAM was officially selected for the Georgia Shorts Film Festival where it received 3 nominations including Best Comedy Film. Fig Jam was also an Official Selection for the Lonely Seal International Film, Screenplay and Music Festival, the Lake Travis Film Festival, the Madrid Arthouse Film Festival (semi-finalist), the ReelHeART International Film and Screenplay Festival, the LES Lower East Side Festival for the Arts, the Lit Laughs International Comedy Festival (semifinalist), the FLICKFAIR Film Festival and the Hang on to Your Shorts Festival in Asbury Park, where it won the Best Actress Award. The film was a finalist in the Austin Comedy Film Festival (Best Actor nominee) and the Houston Comedy Film Festival.
VATICAN FALLS, a play set against the backdrop of the Catholic sex abuse scandal, is a 2021 Semi-Finalist for the O’Neill National Playwrights Festival. The play was selected for the 2017 Planet Connections Festivity and Frank was nominated for Outstanding Playwriting. VAT was a Semi-Finalist for the 2014 Newborn Festival and has had numerous staged readings and workshops in New York, Cincinnati and Rome, Italy. IL VATICANO CADE, the Italian translation, was scheduled to world premiere in Rome on May 10, 2011 at Teatro Vascello but was cancelled the night before opening amidst great controversy and claims of death threats. The play has now had 7 world premiere cancelations in 3 different countries in the last decade.
VATICAN FALLS will finally World Premiere at The Tank NYC in the Fall of 2022, first preview is set for October 27, 2022.
Frank recently completed the short screenplay, HAPPY BOY, which has won the Best Horror Script at the 2022 Hollywood Just4Shorts Fest, was a Best Short Screenplay Nominee in the 2022 Lonely Wolf London International Film Festival, is a semi-finalist for the Flickers’ Rhode Island International Film Festival, was a quarterfinalist for the 2022 HollyShorts Film Festival and is an official selection in the Austin After Dark Film Festival.
LURED, his play about the Russia persecution of gays, was a Semi-Finalist for the 2018 O’Neill Playwrights Conference and had its world premiere production at Theater for the New City in November, 2018 where it played to full houses and garnered critical acclaim. The play was featured in the OnStage! American Theater Festival in Rome, Italy in January 2019. LURED was chosen for the 2020 Dublin International Gay Theatre Festival which was canceled but the Fest invited the team back for 2021.
Upon completion in 2016, LURED was chosen to play the Dream Up Festival at Theater for the New City (6 sold-out performances) as well as the 36th Annual William Inge Theater Festival in 2017. The play was a 2017 Cimientos IATI Theater Playwright Semi-Finalist. Frank was awarded a 2018 Arch and Bruce Brown Foundation Grant for LURED. Visit Luredtheplay.com.
His play, CONSENT, which examines bullying and homophobia, was a 2019 & 2012 Semi-Finalist for the O’Neill. The play was awarded a finalist for the 2015 New Works of Merit Playwriting Award, a semifinalist for the 2016 Road Theatre’s Summer Playwrights Festival, a Semi-Finalist for the 2018 Hidden River Arts Playwriting Award and was workshopped at the Celebration Theatre in L.A., in October 2012. In 2013, CONSENT was selected for staged readings at the Identity Theater and Urban Stages in NYC. The play received honorable mention in the Stage Play category of the 85th Annual Writer’s Digest Writing Competition (2016) and had staged readings at Abingdon Theatre Company and the Leslie-Lohman Museum (2016).
In January of 2017, CONSENT was chosen for the 27th Annual Fullerton College Playwrights Festival from over 500 submissions from all over the world. CONSENT was also given a staged reading in October of 2018 at SUNY New Paltz and a TNC Scratch Night in April 2019.
In 2020 CONSENT was selected as a Semi-Finalist for the UP Theatre’s Renewal Reading Series.
The CONSENT screen adaptation won the Best Screenplay Award at the 2021 Madrid Art Film Festival (Spain), the Best Feature Screenplay Award at the 2021 Oz Indie Film Festival (Melbourne, Australia), the Best Feature Screenplay at the 18th Annual ReelHeART International Film and Screenplay Festival (2021), the Best Narrative Screenplay at the 2021 San Francisco Film Festival, the Platinum Scriptwriter Award at the 2021 Depth of Field International Film Festival, the 2021 Indo American International Festival of World Cinema (Mumbai) Screenplay Award, the Best Screenplay Award at the 2020 Austria International Film Festival, the Best LGBT Screenplay Award at the 2020 New Renaissance Film Festival in Amsterdam and the Best Drama Screenplay Award at the 2020 Los Angeles Motion Picture Festival. The script took 2nd place (Honorable Mention) at the 2020 Venice Film Awards (Venice, Italy) and was a finalist for the 2021 Switzerland International Film Festival, the 2021 Northeast Mountain Film Festival, the 2021 Catalina Film Festival, the 2021 Twister Alley Film Festival (OK), the 2021 Lonely Seal International Film, Screenplay and Music Festival, the 2020 Peachtree Village International Film Festival, the 2020 Page Turner Screenplay Genre Competition (Second Place), the 2020 Courage Film Festival (Berlin, Germany), the 2020 Beyond the Curve International Film Festival (Paris, France), the 2020 Best Script Award, the 2020 Flight Deck Film Festival (NYC) as well as a 2021 Nominee for Best Screenplay for the Independent Film Awards (London) and the 2021 International Diversity Film Festival.
CONSENT was a Semi-Finalist for the 2021 Flickers’ Rhode Island International Film Festival, the 2021 Atlanta Film Festival Screenplay Competition, the 2021 Sedona International Film Festival Screenplay Competition, the 2020 Austin Revolution Film Festival, the 2020 Hollywood International Golden Age Festival and the 2020 Fade-In Awards (Drama category). The script was a Quarterfinalist for the 2022 Emerging Writer’s Genre Screenplay Competition, the 2019 Creative Screenwriting Screenplay Contest, the 2020 WriteMovies Fall Screenwriting Contest, the 2021 London International Screenwriting Competition, the 2021 Page Turner Screenplay Competition, the 2021 Inroads Screenwriting Fellowship, the 2021 Filmmatic Drama Screenplay Awards and the 2021 Screencraft Film Fund Competition. The screenplay received Honorable Mention in the Movie Script category for the 88th Annual Writer’s Digest Writing Competition (2019) and the 2020 Finish Line Script Competition. It was nominated for Best Feature Script in the 8th Edition of the Paris Play Film Festival (2020) and nominated for the 2021 Love Wins Film Festival. CONSENT was an Official Selection for the 2021 Lonely Wolf: London International Film Festival, the 2021 Cannes Film Awards, the 2021 Marina Del Rey Film Festival, the 2022 NewBorn Short Film Festival (Berlin, Germany), the 2021 Macoproject Film Festival (Brooklyn), the 2021 Culver City Film Festival, the 2021 Orlando International Film Festival, the Golden State Film Festival (Los Angeles), the 2021 Catharsis International Film Festival (Belgium), the 2021 North Europe International Film Festival - London Edition, the 2021 Queer Global Arts Fest, the 2020 Rome Independent Prisma Awards and the 2020 Long Story Shorts International Film Festival (Romania). CONSENT received Honorable Mention in the 2021 Independent Film Association of Philadelphia Awards.
The CONSENT Pilot is a Quarter-finalist for the 2021 Outstanding Screenplays TV Pilot Competition and an Official Selection for the 2022 Santa Barbara International Screenplay Awards.
In 2022, CONSENT was a Quarter-finalist for the San Francisco International Screenwriting Competition and the Pitch Now Screenplay Competition.
The LURED screen adaptation won the Best Screenplay Award in the 2021 CORE International Film Festival, the Best LGBTQ Feature Screenplay Award in the 2020 Silicon Beach Film Festival, the Best Queer Feature Screenplay at the 2020 Bridge Fest, the Best Narrative Screenplay at the 2021 Austria International Film Festival and the Best Script (Gold Scriptwriting Award) at the 2021 LGBTQ Unbordered International Film Festival, the 2021 Indo American International Festival of World Cinema (Mumbai) Screenplay Award and the 2020 Depth of Field International Film Festival as well as a winner at the 2021 Colorado International Activism Film Festival (Most Thought-Provoking Script). The screenplay was a finalist for the Best LGBT Screenplay Award at the 2021 New Renaissance Film Festival in Amsterdam, a finalist (and Special Mention) for the 2020 London International Screenwriting Competition, a finalist for the 2021 London Independent Story Prize, the 2021 Peachtree Village International Film Festival, the 2021 European Film Festival (Mainstream and Underground) in Moscow, the 2020 Lonely Wolf: London International Film Festival, the 2020 QueerWrites Competition and the 2020 Beyond the Curve International Film Festival (Paris, France) as well as a Semi-Finalist for the 2020 Fade-In Awards (Thriller category) and the 2020 Cyrus International Monthly Festival of Toronto.
The script was a quarter-finalist for the 2022 Emerging Screenwriters Drama Competition, the 2022 Inroads Screenwriting Fellowship, the 2022 Screencraft Screenwriting Fellowship, the 2021 Page Turner Screenplay Drama Competition, a nominee for the kalakari film festival and an official selection for the 2022 Lonely Seal International Film, Screenplay and Music Festival, the 2021 Mediterranean Film Festival Cannes, the 2021 British Independent Film Festival, the 2020 LA LIVE Film Festival, the 2020 Rome Independent Prisma Awards, the 2020 Amsterdam World International Film Festival, the 2020 Hollywood International Golden Age Festival, the 2020 Golden Jury Film Festival, the 2021 Malta Film Festival, the 2021 Rome Film Awards, the 2021 Chicago Indie Film Awards, the 2021 New York True Venture Film Festival, the 2021 Queer Global Arts Fest and the 2021 White Nights Film Festival (Russia). The script received honorable mention in the 2021 Finish Line Script Competition.
His screenplay, SCREW THE COW, won the Best Comedy Screenplay Award at the 2020 Los Angeles Motion Picture and was a 2020 Best Screenplay Finalist/Nominee in the Best Dark Comedy Screenplay category for the Houston Comedy Film Festival, the Austin Comedy Film Festival, the Portland Comedy Film Festival, the 2021 Austin After Dark Film Festival, the 2021 Reno Comedy Film Festival and a Finalist for the 2021 Plot Point International Screenwriting Awards, the 2021 Chicago Comedy Film Festival, the 2021 Lonely Seal International Film, Screenplay and Music Festival and the 2020 European Cinematography Awards (ECA). The script was also a nominee (one of three) for Best Comedy Screenplay for the 2020 Georgia Shorts Film Festival a as well as a Semi-Finalist for the 2020 Page Turner Screenplay Genre Competition (top 15 scripts) and a Quarterfinalist for the 2020 Hollywood International Golden Age Festival. The script was also selected for the 2021 Sacramento International Film Festival, the 2021 Lit Laughs International Comedy Festival (England), the 2020 SoCal Film Awards and the 2020 Atlanta Comedy Festival.
Frank was commissioned to write an original audio play for the inaugural launch of “Fabler Files,” a collection of original short-form audio plays by Italian and American playwrights. His piece, FIG JAM was recorded in both Italian and English. It has since been adapted into a stage play as well as a short screenplay. The screenplay version of FIG JAM won the Best Romantic Comedy Short Screenplay Award at the 2021 Austin Comedy Film Festival and the 2021 Oregon Short Film Festival, the Best Short Script Award at the 2021 Lake Travis Film Festival, the Best Script Award at the 2020 Marino Short Film Festival (Italy) and was a finalist for the 2021 Houston Film Festival, the 2021 Portland Comedy Film Festival, the 2021 Sedona International Film Festival Screenplay Competition (2nd place), the 2021 New Renaissance Film Festival (London, England), the 2021 Atlanta Comedy Film Festival (Best Romantic Comedy Screenplay), the 2020 Madras Independent Film Festival, the 2020 Venice Film Awards, the 2020 Hollywood Gold Awards, the 2020 Rome Independent Prisma Awards, the 2020 Lit Laughs International Comedy Festival (England) and the 2020 New York Movie Awards. FIG JAM was also a Nominee/Finalist for the 2021 Festigious Los Angeles Film Competition and a semi-finalist for the 2020 Filmmatic Short Screenplay Awards in Los Angeles, the 2020 Phoenix International Short Film Festival, the 2020 Hollywood Just4Shorts Film and Screenplay Competition and the 2020 Red Flight Pictures Screenplay Awards as well as a Quarterfinalist for the 2021 Inroads Screenwriting Fellowship, the 2021 ScriptWrite Short Script Contest, the 2021 Creative World Awards, the 2020 Page Turner Screenplay Genre Competition.
The screenplay was also an Official Selection for the 2021 Sydney Indie Short Festival (Australia), the 2021 Phoenix International Genre Film Festival, and the 2020 Cyrus Monthly Short Festival of Toronto,. FIG JAM was a Semi-Finalist for the 2022 New York International Screenplay Awards, the 2021 Emerging Screenwriters Shoot Your Short Screenplay Competition and received Honorable Mention in the 90th Annual Writer’s Digest Writing Competition (Script Category, 2021).
FIG DUDE, the queer version of his short script FIG JAM, is a finalist for the 2021 New Wave International Short Festival (Munich, Germany), a nominee for the 2021 International Diversity Film Festival. a quarter-finalist for the 2021 BLASTOFF Festival (LA) and was an official selection for the 2021 Voices Rising Film Festival, the 2021 Paris International Short Festival and the 2020 Beyond the Curve International Film Festival (Paris, France).
Frank’s screenplay short, MULTITASKING, won the Best Unreleased Script Award for the 2021 Festival de Largos y Cortos de Santiago and was a Best Dark Drama Screenplay Finalist for the 2021 Oregon Short Film Festival, a Best Drama Short Screenplay Finalist for the 2021 Austin After Dark Film Festival, a nominee for the Best Short Screenplay at the 2021 Dark Arts Film Festival (Amsterdam), a Best Short Screenplay nominee for the 2021 Lonely Wolf: London International International Film Festival, 2021, a Semi-Finalist for the 2021 Page Turner Screenplays Writing Competition and the 2020 Nevada City Film Festival, a Quarterfinalist for the 2021 Outstanding Screenplay Shorts Competition and an Official Selection for the 2021 Santa Monica Shorts Festival.
Frank’s latest play, LOCKDOWN 2021, was given a live virtual presentation on the Theater for the New City Facebook Page in October of 2020 and can be seen on the TNC YouTube page. The play was an Official Selection for the 2021 Queer Global Arts Fest.
Frank’s short play, CATAMITUS, about a film director accused of sexual misconduct, was accepted into the Emerging Artists Theatre New Works Series in October of 2018 and was staged at the Five and Dime Drama Collective in Eureka Springs, Arkansas in November of 2019 where it won 4 awards including Best Play.
An expanded version of CATAMITUS, titled GANYMEDE REVISITED which features three plays about sexual power including the newly finished, GANYMEDE, was to receive a workshop residency at The Tank in NYC in June 2020. Because of the pandemic, it has been postponed but an ambitious iteration of the piece was presented as part of CyberTank and included 3 separate incarnations of the 3 plays plus Coda with a total of 18 actors. This can all be seen on The Tank YouTube page.
A Virtual Performance of his play, GODFORSAKEN, specifically tailored for Zoom premiered at CyberTank in June of 2020. This can also be seen on The Tank YouTube page.
The stage version of FIG DUDE made the 2021 British Theatre Challenge Long List.
THE DEAD BOY, a one-character play about suicide, was chosen for the Taboo! Festival at Actors Workout Studio in North Hollywood, California, in January 2020. A virtual version was done for TNC and can be seen on the Theater for the New City Facebook page.
Frank’s play, FOR MAMMA was chosen for a Scratch Night at TNC in 2017 and was featured in 2017 Healing Voices Onstage: Caregivers Stories presented by Writers Theater of NJ.
Frank has written 19 full-length plays; 10 have been produced (seven in NYC). ORVILLE STATION, was one of three finalists for the 2014 NJ Playwrights Contest, a finalist for the 2015 12 Years Theater New Play Podcast Series (Pittsburgh) and a finalist (final round) for the 2014 Kitchen Dog Theatre New Works Festival (Dallas) and has been presented in Los Angeles at the Echo Theater and in NYC at the Dramatists Guild via the Friday Night Footlights Series. ORVILLE STATION was given a live virtual presentation for the inaugural TNC Live On Air Reading Series via the Theater for the New City Facebook Page in April of 2020 and can be seen on the TNC YouTube page.
ORVILLE STATION has been published in the United Kingdom by Lazy Bee Scripts: http://www.lazybeescripts.co.uk/Scripts/script.aspx?iSS=2503
Frank has also written NEMESIS, MAD (B Street Theatre New Comedies Festival Semi-Finalist, 2019), LESS THAN 2 DEGREES, SCREW THE COW as well as many one-acts & monologues.
Frank wrote the book for BLUEBIRDS IN MY BELFRY, a musical about Hollywood star Betty Hutton, that bowed in Sanford, NC in January 2008 and sold out every performance.
Produced stage work include: GREENER, THE BUBBLE, IRIS, ABOUT CHRISTINE, LEXY, MICHAEL’S #1 FAN, 3 CAINS and UNHINGING.
Upon reviewing IRIS in 2005, the Cincinnati Post wrote: “Avella’s plays tend to send earthquakes through his audience's comfort zones.” Cincinnati Newswire: “IRIS is a powerful look at what we call a family, and what ethics govern what is considered acceptable in a private sexual relationship.” IRIS was updated in 2018 and received a staged reading at the Dramatists Guild.
Frank proudly served on the Advisory Board and Festival Committee for In Scena! Italian Theater Festival, produced by Kairos Italy Theater, in NYC in 2013 and 2014 and 2017.
He is a Certified Rotten Tomatoes Critic who writes for Edge Media Network and Awards Daily and is the East Coast Rep/Studio Liaison and Voting Member of GALECA—The Society of LGBTQ Entertainment Critics (Home of the DORIAN AWARDS for excellence in Film and Television) as well as a member of the New York Film Critics Online.
Frank did his grad work at NYU’s Tisch School of the Arts. He is a current member of the Playground Experiment and is a proud member of the Dramatists Guild.
https://newplayexchange.org/users/5582/frank-j-avella
https://filmfreeway.com/FrankAvella
https://blcklst.com/profile/frank-j-avella
https://linktr.ee/fjaklute
figjamfilm.com
FIG JAM began life when Fabler Audio asked me to write their inaugural audio play that would then be translated into Italian! Lockdown was still in its infancy but we were all beginning to feel the walls closing in. The last global pandemic was over 100 years ago so to say we were not equipped to deal with this is a gross understatement.
I had an idea whooshing around in my head about a COVID hookup. I wondered about the many singles out there who were living alone and, after speaking with friends, the germ of a play began to larval. We as a society, in large part thanks to social media, had already been on an isolation road when it comes to personal interaction. Lockdown was compounding this. I wanted to depict two people who were in dire need to connect with another human being but were also fearful to do so (for radically different reasons). And I wanted to explore notions of trust. Can we ever trust anyone when we can hardly trust ourselves?
I was incredibly happy with the FIG JAM Fabler experience. All of the creatives (in English and Italian) did wonderful work. And I rather quickly adapted the audio play into a stage play. And from there, adapted it into a short film.
Lockdown has enabled me the strange good fortune of re-directing my passion from stage to my first love, film, where my work is seemingly more appreciated. My full-length screenplays, CONSENT, LURED and SCREW THE COW as well as my short scripts, FIG JAM, FIG DUDE (the gay version of FIG JAM) and MULTITASKING have won numerous awards and many mentions in Festivals and Competitions throughout the world—just in this last year.
And now, FIG JAM is a film. And one I am very proud of!
I am tremendously grateful to Ashley Garrett for her unwavering support and for being such a vital part of this endeavor. Much gratitude to my uber-talented cast, keen DP and kick-ass crew and to Suzanne Guacci for all her help and guidance. And to Ms. Brentan, for the continued joyuous collaboration and inspiration.
The trek across mediums has been a most gratifying and incredibly collaborative journey. I hope you will enjoy FIG JAM as much as we enjoyed making it.