Far From Heaven

In 1997 Australian Indigenous artist Tracey Moffatt released a short film entitled Heaven. It inverted the white male colonial gaze directed at Indigenous women since colonisation. Moffatt compiles home video footage of fit young male surfers posing, surfing, and changing into and out of wetsuits. We build upon this consideration from an older white male surfer perspective, one whose body is not hard but soft and vulnerable. For many such surfers the wetsuit is armour, advertised by companies through militaristic (its genesis) and cyborgian tropes. It is a ‘second-skin’ infused with histories of colonisation, a petrochemical industrial complex, and attendant wars. Polluted leisure is gendered, raced, colonial, and capitalist. White men-who-surf are ‘far from heaven’.

  • Clifton Evers
    Director
    A Toxic Love Affair
  • James Davoll
    Director
    Adlais, A Toxic Love Affair
  • Project Type:
    Experimental, Short
  • Runtime:
    7 minutes 28 seconds
  • Country of Origin:
    United Kingdom
  • Country of Filming:
    United Kingdom
  • Shooting Format:
    Digital, Sony FS5
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
  • Digital Cinema Package:
    Unavailable
  • 6mm Film Festival
    Tynemouth
    United Kingdom
    October 30, 2018
  • Canada Shorts
    Toronto
    Canada
    Honorable Mention
Director Biography - Clifton Evers, James Davoll

Clifton looks at digital media, men, masculinity, place, sport (particularly lifestyle / action sport). I also research relationships between pollution and Blue Spaces leisure - oceans, seas, rivers, etc. My work includes employing wearable technologies as a research method to conduct 'wet ethnography' e.g. in the sea. I am currently using experimental creative productions to explore 'polluted leisure' in the Anthropocene.

James seeks to investigate our complex and contradictory relationship with the natural world. Beginning his art career in analogue photography he has become more and more interested in the intersection of the visual and sonic landscape as well as bringing liveness into his work.

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