FIAT LUX 5000
Devoted gay son Manuel Espinoza tests an experimental brain modulation device––the Fiat Lux 5000––to reconnect with his dementia-afflicted father, triggering a violent family legacy.
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Daniel Eduvijes CarreraDirector
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Daniel Eduvijes CarreraWriter
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Latino Film InstituteProducer
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NetflixProducer
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Atin MehraProducer
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Ashly DudelProducer
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Agusta ` EinarsdottirProducer
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Francisco Javier GómezKey Cast"Leonides"
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Jonathan De La TorreKey Cast"Manuel"
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Bryan MittelstadtKey Cast"Adam"
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Rocío LópezKey Cast"Nurse Blanca"
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Matthew SpencerKey Cast"Hologram"
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Project Type:Short
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Genres:SciFi, Drama
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Runtime:13 minutes 5 seconds
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Completion Date:March 26, 2025
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Production Budget:62,000 USD
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Country of Origin:Mexico, United States
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Country of Filming:Mexico, United States
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Language:English, Spanish
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Shooting Format:Digital
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Aspect Ratio:16:9
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Digital Cinema Package:Unavailable
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Netflix / Latino Film Institute Inclusion Fellowship, Funding Grant WinnerLos Angeles
United States -
Los Angeles Latino International Film FestivalLos Angeles
United States
May 30, 2025
North American Premiere -
Mexican American Film and Television FestivalLos Angeles
United States
April 26, 2025
Community Screening
Best Director; Best Actor (Francisco Javier Gómez) -
CineFestivalSan Antonio
United States
July 10, 2025
Southwest Premiere -
Imagen Award NomineeLos Angeles, CA
United States
August 22, 2025
Imagen Award -
Vancouver Latin American Film FestivalVancouver
Canada
September 12, 2025
Canadian Premiere -
Long Beach QFilm FestivalLong Beach
September 6, 2025
Long Beach
Jury Award for Best Short -
Cinema Diverse Film FestivalPalm Springs
United States
September 25, 2025
Palm Springs -
East Los Angeles Film FestivalLos Angeles, CA
United States
October 4, 2025
Best Screenplay -
Cine Mas - San Francisco Latino Film FestivalSan Francisco
United States
October 24, 2025
San Francisco -
Highland Park Independent Film FestivalLos Angeles, CA
United States
October 25, 2025
Audience Award for Best Film -
¡Mas! Film FestivalJoshua Tree, CA
United States
October 29, 2025
Joshua Tree -
South Central Film FestivalLos Angeles, CA
United States
Daniel Eduvijes Carrera is an accomplished voice in US Latino filmmaking. His work has screened at the Cannes, Tribeca, Guadalajara, Morelia and Palm Springs Film Festivals, at numerous art museums and at notable cultural institutions including the American Library in Paris and the Cineteca Nacional in Mexico City. He’s the winner of the Imagen Foundation Award, Top Prize winner in Ovation TV’s “Search for the Next Revolutionary Filmmaker” and was recognized as Best Latino Film Director by the Directors Guild of America Student Film Awards. Most recently, Daniel was awarded Best Short Film at the American Pavilion Emerging Filmmaker Showcase at the Cannes Film Festival.
Daniel is a recipient of the National Hispanic Foundation for Arts and National Association of Latino Arts and Culture film grants, won the Djerassi Artist Residency Award for screenwriting, is a fellow of the Produire au Sud Program in France and a fellow of Film Independent’s Project: Involve. He also received the California Arts Council Fellowship as a Los Angeles Established Artist. Daniel belongs to the elite group of Fulbright Scholars in Film (Mexico/USA) and was honored with the Rockefeller Foundation/Tribeca Film Institute Media Arts Fellowship.
Daniel’s two latest films, THE FIRES OF SOLEDAD and EL PAISA were granted the Latino Public Broadcasting Media Content Fund. THE FIRES OF SOLEDAD premiered at the Downtown Los Angeles Film Festival where it garnered the award for Best Foreign Language Short Film before airing on PBS channels. EL PAISA has screened at over 50 international festivals, has won numerous awards and is also airing nationwide on PBS. Daniel’s latest film, FIAT LUX 5000 received the Netflix/Latino Film Institute Inclusion Fellowship and was recognized with Best Director and Best Actor nods by the Mexican American Cultural Education Foundation.
On top of his directing work, Daniel was Creative Producer and Casting Director on the multiple award-winning documentary WILDNESS (Outfest, SXSW), which explores the Latine Transgender community of Los Angeles. He also serves as Screenplay Analyst for clients including ABC/ Disney, Starz, NBC/Universal and the Academy of Motion Picture Arts & Sciences’ Nicholl Fellowship for whom he has read and evaluated over 3,000 feature length scripts with an emphasis on Latine, Queer and Horror genre films. Daniel has taught film courses at Columbia University, led filmmaking workshops for the Robert F. Kennedy Human Rights organization and also mentored new generations of minority filmmakers as a Teaching Artist in Residence through the Tribeca Film Institute.
Driven by stories that reflect his Queer and Mexican immigrant heritage, Daniel achieved highest honors in Film Studies and English Literature from the University of California at Berkeley, studied Cinema and Mexican Culture at the National Autonomous University of Mexico and was awarded a Dean’s Fellowship for an MFA in Filmmaking from Columbia University’s Graduate School of the Arts.
My Mexican immigrant father was diagnosed with dementia 10 years ago. It has been harrowing to see our once proud apá stripped of his mental faculties, yet my siblings and I have banded together to care for him—a circumstance that has become increasingly challenging over time.
As a filmmaker committed to telling stories that reflect the unique cultural nuances of my first generation Mexican immigrant upbringing, I wrote FIAT LUX 5000 to explore notions of familial trauma and how these might resurface as part of the caregiving process. Care stories not only need to be told, they must be approached with honesty and rigorous introspection, reflecting even the most daunting aspects of the vulnerable commitment.
If caring for my father throughout his dementia has taught me anything, it is that life never ceases to have meaning and that relationships are never fully beyond repair. How we come together to care for one another and how we strive to heal from even the most seemingly distant wounds never ceases to be a possibility. While FIAT LUX 5000 takes a dark narrative turn, the story—in essence—reflects a certain optimism in Manuel’s ability to understand his father anew and with increased gratitude for his fraught, yet noble Mexican heritage. Through the film, I hope to underscore how dynamic and mutually beneficial the process of caring can be, revealing a never-ending quest for family, culture and personal redemption.
Relating my story by way of the sci-fi genre, moreover, allows me to not only address the particular struggle of dementia and aging in the Mexican American community, it also opens up the conversation to include experimental technology and shortcomings in the healthcare system. The film begs the question: in the near future, who will assume the work of attending to our most vulnerable—and at what cost?
Sadly, these are not questions reserved exclusively for science fiction. AARP reports that by the year 2030, the amount of caregivers for each elderly patient will drop sharply 4:1, necessitating the use of dubious new technology to fill in for increasingly absent families and underfunded government programs. This will result in distinctly negative repercussions for Mexican American families like my own, as well as other vulnerable communities of color.