Everything Unnerves Me
An experimental take on a nervous breakdown through a woman’s unconscious. Through an episodic storytelling, our character's unconscious is presented as a TV screen. She was bored of the conventional order. Creates another madness which prevents her from getting mad.
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Hazal BayarDirectorOrchid and the Wasp
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Çağıl SaydamDirector61 av. No.4
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Hazal BayarWriterOrchid and The Wasp, 61 av. No.4
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Hazal BayarProducerOrchid and The Wasp, 61 av. No.4
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Sezi SüerKey Cast
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Project Title (Original Language):Her Şey Sinirimi Bozuyor
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Project Type:Experimental, Short
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Runtime:8 minutes 50 seconds
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Completion Date:July 9, 2022
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Production Budget:500 USD
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Country of Origin:Türkiye
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Country of Filming:Türkiye
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Language:Turkish
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Shooting Format:Digital
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Aspect Ratio:4:3
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Film Color:Color
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First-time Filmmaker:No
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Student Project:No
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Monster Pool Horror FestivalOttawa, Ontario
Canada
October 20, 2022
Honorable Mention -
Stuff MX Film FestivalMexico
Mexico
Horror Short Film Competition -
Izmir International Short Film FestivalIzmir
Turkey
National Premiere
National Experimental Film Nominee -
Be Afraid Horror Film FestivalGorizia
Italy
Europe Premiere -
Seattle Turkish Film FestivalBellavue, WA
United States
December 3, 2022
Official Selection -
AFSAD Short Film FestivalAnkara
Turkey
December 17, 2022
Best Experimental Film -
TopShot International Film FestivalWarsawa
Poland
January 10, 2023
Best Experimental -
Sadique-Master Film FestivalParis
France
March 24, 2023
Hazal Bayar started her ‘‘horror movie lover’’ career with VHS tapes, watching slashers and giallo thrillers around age 7. After her BA on communication, she made her way up to academia and had her PhD with her dissertation, titled ‘‘Female Hysteria in Horror Cinema.’’ Her film approach is influenced by her academic background. She won Best Documentary Award at International Adana Golden Boll Film Festival with her documentary‘‘Four Walls One Window’’ and won Silver Award at Spotlight Horror Film Awards with ‘‘Orchid and the Wasp.’’ She’s been working as a part-time lecturer at Izmir University of Economics, Cinema and Digital Media department.
Çağıl Saydam was born in 1994. After her graduation from İzmir University of Economics, Cinema and Digital Media department, she won Best Experimental Film Award at International Adana Golden Boll Film Festival with her graduation project ‘‘61 av. No. 4’’ She‘s been interested in theatre during her university years. She
identifies herself as a filmmaker and a horror film enthusiast. She’s living in İzmir and working on experimental cinema.
There’s an argument as if the language has claimed its independence and speaking by itself. Within this independence, present folds upon itself as a repetition, beginnings merge
with endings, and, visa-versa, miscommunication becomes communication, or communication itself has been removed completely. Stories happen way beyond somewhere outside of spatiality, or go on. ‘‘You asked for this’’ says the poster on the wall, and she can only say ‘‘Yes.’’ Fatigue, ineffective, sick, latterly/infinite iterations, infinite conversations or monologues. Everything unnerves me.