Evening Class
Martha, a housewife, arrives at community college for her first evening class in psychology. As the sun sets, she's joined by Rick, a friendly younger student. They wait for their instructor, growing increasingly certain that no one else is coming. When Martha decides to leave, what seemed like a scheduling error reveals itself as something far more calculated - and the empty classroom becomes a trap with no escape.
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Michael Clark HaneyDirectorExtensive theater credits earning numerous awards, including NAACP Image Awards Best Director. Development deals with Showtime, HBO, and New LIne.
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Tim ReillyWriter
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Jana Sue MemelProducer
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Jonathan SangerProducer
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Thom ColwellProducer
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Mariangela PinoKey Cast"Martha"
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Michael BeachKey Cast"Rick"
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Keith MacKechnieKey Cast"Albert"
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Greg GardinerDirector of Photography
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Mark Louis MitchellEditor
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Bobby MuzingoMusic Composed by
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Don DayProduction Designer
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Milton MangumCostume Designer
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Leslee DennisCasting Director
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Steve HewittSupervising Producer
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Laura StuartUnit Production Manager
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Csaba BollaFirst Assistant Director
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Project Type:Short
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Runtime:29 minutes 46 seconds
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Country of Origin:United States
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Country of Filming:United States
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Language:English
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Shooting Format:35mm
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Aspect Ratio:1.85:1
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Film Color:Color
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First-time Filmmaker:Yes
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Student Project:No
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Digital Cinema Package:Unavailable
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CableACE Awards
Winner - Best Actress, Nominated - Best Dramatic Series -
New York Festivals
Winner - Gold Medal -
Hollywood Reel Independent Film Festival
March 4, 2026
Nominated - Best Thriller Short -
Indie Short Fest
January 8, 2026
Nominated - Best Thriller Short -
Independent Shorts Awards
January 11, 2026
Winner - Silver Award, Best Thriller Short -
Rochester International Film Festival
April 30, 2026
Certificate of Merit - Acting -
Sweden Film Awards
January 4, 2026
Winner - Best Short Film -
The Dunwich Horror Fest
December 31, 2025
Winner - Best of the Fest -
Couch Film Festival
December 30, 2025
Winner - Best Drama, Nominated - Best Actress -
AltFF Alternative Film Festival
December 30, 2025
Winner - Best Writer, Nominated - Best Actress
Michael Clark Haney is an award-winning film and theater director. “Evening Class,” produced by Chanticleer Films’ Discovery Program for Showtime, was adapted from a critically acclaimed theater production which Michael directed. The film won the Gold Medal at the New York Festivals and the CableACE Award for Best Actress in a Dramatic Series. In theater, Michael worked with stars James Farentino and Len Lesser (Uncle Leo on Seinfeld) on the world premiere of “My Father’s House” by Jerry Mazza at the Seven Angels Theatre in Connecticut and directed a massive staged reading of Aristophanes' anti-war comedy “Lysistrata” featuring more than 80 actors, including stars Julie Christie, Alfre Woodard, Christine Lahti, Mary McDonnell, Eric Stoltz, and Roscoe Lee Browne, with music by John Densmore of the Doors. Performed live for 400 audience members, the production was streamed to an international audience. Michael’s production of “Up the Mountain” by Kevin Arkadie won four Los Angeles NAACP Theatre Awards (including Best Director). His previous short film “Art Lover,” starring Sally Kirkland and Allen Garfield, won the Silver Lone Star Award at the Houston International Film Festival. Michael had development deals at New Line, HBO, and Steven J. Cannell Productions. After raising twins and founding a successful private investigator agency, Michael is returning to directing with several projects currently in development, including the horror short story “Insatiable” which he optioned and is adapting as a terrifying feature film.
My work focuses on the actor and the story. As a directing member at the Actors Studio, I learned that given a strong script and the right casting, a director's job is to work with actors to bring out the truth in performance – pushing to the limits of human experience. I'm drawn to stories about real people surviving under extraordinary circumstances, especially the family unit because of the power of secrets and shared history. We all carry our past with us, and drama provides the shock to ignite the journey towards either destruction or survival. In “Evening Class,” a woman is pushed to her limit and, instead of breaking, she fights back, fueled by the trauma in her life. In “Up the Mountain,” three sisters return to their Appalachian cabin after their abusive father's death and must confront the past that still lives in the walls around them. In “Insatiable,” the horror comes from within - a teenager who must use her own monstrous secret to protect her family rather than destroy it. These are the stories that compel me: families in a pressure cooker, where trauma forces a reckoning - or a change.