Experiencing Interruptions?

Each Other

In a café, a couple sits facing each other in silence.
Smoke drifts slowly between them, suspended in the light.
A worn song rises, out of sync with the bodies, as if coming from another time.
In this fragile interval, love seems both absent and still present.

  • Christophe Schaeffer
    Director
  • Christophe Schaeffer
    Writer
  • Christophe Schaeffer
    Producer
  • Project Title (Original Language):
    L'un L'autre
  • Project Type:
    Experimental
  • Runtime:
    5 minutes 43 seconds
  • Country of Origin:
    France
  • Country of Filming:
    France
  • Shooting Format:
    Digital 4K
  • Aspect Ratio:
    16:9
  • Film Color:
    Black & White and Color
  • First-time Filmmaker:
    No
  • Student Project:
    No
Director Biography - Christophe Schaeffer

Christophe Schaeffer is a French multidisciplinary artist — writer, poet, philosopher (PhD), visual artist, and lighting designer. His work spans theatre, contemporary dance, visual arts, music, and cinema, exploring perception, time, and the fragile boundaries between image and presence.
Since 2022, he has developed a body of experimental films extending his research into moving images. His cinematic practice revolves around duration, slowness, and the vibration of reality, often using extreme slow motion, long focal lengths, and mobile phone cinematography.
His films have been presented in international festivals and artistic contexts, and pursue a form of poetic cinema of attention, where images remain inhabited by gesture, silence, and lived experience.

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Director Statement

Each Other observes a simple situation: a couple sitting together in a café, almost without speaking.
What interested me was this suspended moment where something continues to circulate between two beings even when words disappear. Smoke, light and music gradually transform the space, opening a fragile zone between reality, memory, and dream.
The song, worn and slightly out of sync, acts like an echo from another time — as if another life were still resonating within the present. Fragments from Annette by Leos Carax briefly appear in superimposition, not as a citation but as a distant resonance, another layer of cinema passing through the image.
Little by little, the film becomes less the portrait of a couple than the trace of a feeling: the persistence of a bond that survives beyond gestures, beyond speech, perhaps even beyond love.