Dreams Of My Father
En route to an audition, aspiring actress Leila stops at a motel and hooks up with one of the locals. After swallowing a weed edible, she is flooded with paranoia and insecurity about her physical appearance as a transwoman. To make matters worse, everywhere she turns she sees the apparition of her biggest tormentor. Will she summon the courage to vanquish the demons of her past once and for all?
-
James BurkhalterDirectorKween For A Day, ♥ Love, Ava ♥, Your Inbox Is Full, There Will Be Glitter
-
James BurkhalterWriterLast Call
-
Imani LeighProducerWe Be The Same, Retrograde, Welcome To The Party, Prana, Beard Balm, Keep Me At Bay
-
James BurkhalterProducerF^¢K '€M R!GHT B@¢K
-
Gillian OmotosoKey Cast"Leila / Mariposa Smith"The Joke (Music Video)
-
Ryan SheehanKey Cast"Butch"The Stand, Yesterday
-
"Downtown" Kevin BrownKey Cast"Father"Charm City, Crybaby
-
Lamar MeachemKey Cast"Lionel (Child)"
-
Shireen RobinsonKey Cast"Mother (O.S.)"
-
Ava DeeKey Cast"Sister (O.S.)"♥ Love, Ava ♥, There Will Be Glitter
-
Justin Foreman1st Director of PhotographyTime & Temperature, Pixel Pulp, The Purgatory of Ghosts and Grief, Mylo Goes West, Woodshop
-
Tyler Grimes2nd Director of PhotographyToo Fast To Fast, From Farm To Table, I'm Dead/Haunted Church (Music Video)
-
Mohamed SultanSound MixerRug, The Secret History of Doors, The Purgatory of Ghosts and Grief
-
Joe CahillMusical ScoreFLICK, The Purgatory of Ghosts and Grief
-
Sylv MartinezArt Director
-
Yifan LuoPromotional Materials
-
Christine Fils AimeHair & Makeup
-
Terra BlissettDocumentarian
-
Rebecca MarimutuDocumentarian
-
Alex HendersonPublicity Photography
-
Zach DotsonPublicity Photography
-
James BurkhalterEditor / VFXKween For A Day, ♥ Love, Ava ♥, Your Inbox Is Full, There Will Be Glitter
-
Project Type:Short, Student
-
Genres:Thriller, LGBTQ, Revenge, Queer, Blaxploitation
-
Runtime:14 minutes 15 seconds
-
Completion Date:April 15, 2021
-
Production Budget:7,000 USD
-
Country of Origin:United States
-
Country of Filming:United States
-
Language:English
-
Shooting Format:Digital
-
Aspect Ratio:16:9
-
Film Color:Color
-
First-time Filmmaker:No
-
Student Project:Yes - Maryland Institute College of Art (MICA)
-
Digital Cinema Package:Unavailable
-
LGBTQ Unbordered International Film FestivalNassau, Delaware
United States
July 10, 2021
World Premiere
Award of Merit -
Baltimore International Black Film FestivalBaltimore, Maryland
United States
October 6, 2021
Maryland Premiere
Official Selection
James A. Burkhalter is a Baltimore-based filmmaker, screenwriter, and educator. His directorial credits include a feature-length poetic documentary entitled "There Will Be GLiTTER," as well as several shorts including "Dreams Of My Father," "Kween For A Day," "Love, Ava," and "Your Inbox Is Full." His films have been honored at the Baltimore International Black Film Festival, the Black Femme Supremacy Film Festival, and the LGBTQ Unbordered International Film Festival, among others.
In the summer of 2021, James produced the critically acclaimed comedic short film, "F^¢K 'EM R!GHT B@¢K" (2022 Sundance Official Selection), and his queer horror screenplay, "Last Call," won 2nd Place at the Baltimore Film Office's 16th Annual Screenwriters' Competition (hosted by the MDFF). In Spring 2023, he was awarded a $30K production grant through the Saul Zaentz Innovation Fund to produce his 2nd feature length documentary, tentatively titled "Guns 4 Gays; Or, My First Time."
James holds a dual Bachelor of Arts in Documentary Film Studies and English from Gettysburg College and a Master of Fine Arts in Filmmaking from the Maryland Institute College of Art (MICA). As of 2022, he is working as a Graduate Professor in MICA's Filmmaking department in Baltimore, MD.
To draw on the words of New Queer Cinema director Gregg Araki, my film, Dreams of My Father, is “not 100% autobiographical but it is 100% personal.” It employs horror and action movie tropes to channel the resentment and anger I harbored toward my father for decades.
After dodging mirrors and cameras for an entire year, I reached the breaking point where I surgically erased our striking family resemblance.
In telling this deeply personal story, I want to challenge society’s concept of binary oppositions and explore the grey areas between good and evil, love and hate, masculinity and femininity, and reality and dreams.
In a subversion of conventional filmmaking’s heteronormative, patriarchal gaze, the male lead character is treated as the sexual object of desire. The film’s nontraditional narrative deliberately withholds information, challenging audiences to fill in the blanks and interpret the material in complex ways.