Private Project

First We Bombed New Mexico


'First We Bombed New Mexico" follows the intimate journey of indomitable Hispanic cancer survivor Tina Cordova who has catalyzed a movement seeking justice for the forgotten residents of southern New Mexico – mostly Hispanic and Native – who suffer multigenerational cancers they tie to the secret poisoning of their land by the Trinity Bomb.

This is the story that "Oppenheimer" doesn’t tell. And it is a s-hero’s journey.

When Tina was diagnosed with thyroid cancer 18 years ago, the doctor asked when she was exposed to radiation. Tina already knew the answer. Tina knew that the multigenerational cancers afflicting her town of Tularosa, and the cancer that killed her father – were tied to radiated fallout that had covered her town following Trinity's secret explosion in 1945. "First We Bombed New Mexico" follows Tina's journey for justice for her people and exposes the tragic and continuing legacy of the Trinity Bomb.

In her digging, Tina learns that Manhattan Project physicians had urged General Groves to evacuate residents before the Trinity test to save them from catastrophic levels of radiation. But Grove's concerns for secrecy and the need to prevent litigation trumped concern for citizen health.

Tina also discovers that baby deaths in New Mexico spiked directly after the blast. “New Mexico babies were the first victims of Trinity”. This also was covered up.

Tina learns that downwinder victims of the later Nevada Cold War nuclear tests have received reparations from Congress since 1990.

This then becomes Tina’s goal – to have Congress extend RECA (Radiation Exposure Compensation Act) legislation so New Mexicans who lost family members to cancers tied to the Trinity blast also receive compensation.

Tina travels to Laguna Pueblo where the world’s largest open pit uranium mine scars its earth. Drone shots witness the still open pit, adjacent to the town of Paguate where former mining families are sick and dying. These families are also unsuccessful in getting the government‘s attention. Tina forms a coalition with the Native miners, saying “If we speak with one voice, it will be harder for Congress to turn its back on us”.

Finally, in 2018, Tina and her close band of downwinder mothers are invited to Washington to tell their story. Tina is certain that once Congress hears them speak, it will help them. In marbled rooms on Capitol Hill, verité filming shows famous legislators enthusiastically applauding the women from New Mexico. However, Tina and the mothers are sorely disappointed to learn one year later that no concessions or help was approved.

Woven into our film are insights by renowned nuclear experts, including MIT professor and author Kate Brown. Brown says efforts by the Downwinders to get justice from the government is like “the fox guarding the henhouse”.

Prof. Josh Wheeler author of "Acid West" and a 5th-generation New Mexican, observes that New Mexico is the only state in the United States with a cradle-to-grave nuclear industry – where the uranium for the weapons was mined, the nuclear weapons are built and the nuclear waste is stored. Professor Myrriah Gomez uses the term “nuclear colonialism” to describe the relationship between local residents and the powerful and rich nuclear industry in New Mexico.

This beautiful and compelling film celebrates resilient people in a remote part of our country that the government falsely claimed was ‘uninhabited’.

The clock is ticking, the Downwinders only have until June 2024 to get Congress to extend RECA. Thanks, in part, to "Oppenheimer" and sudden interest in Trinity, the Senate recently voted overwhelmingly to extend RECA and include it in the NDAA, something Tina had been trying unsuccessfully to accomplish for 18 years. So hopes were high of getting RECA extended. However, the RECA compensation was recently removed from the NDAA by House leaders in a closed-door session.

With its release, the film will be used by an impact campaign to finally tell Americans this story and to gain public support to put pressure on Congress to extend RECA before it expires in June 2024.

Attached is a letter From New Mexico Governor Michelle Lujan Grisham expressing her desire that this important film is seen widely.

  • Lois Lipman
    Director
    A Place to Belong
  • Joel Marcus
    Writer
    As I am The Life & Times of DJAM, Bad Reputation, 72, Music is my life, Joseph Shabalala and Ladysmith Black Mambazo.
  • Lois Lipman
    Writer
  • Lois Lipman
    Producer
    60 Minutes, Field Producer
  • Tina Cordova
    Key Cast
  • Paul Pino
    Key Cast
  • Doug Blush, ACE
    Executive Producer
    Elephant Whisperer, The Hunting Ground, The Invisible War
  • Joel Marcus
    Editor
    As I am the Life and Times of DJAM, Bad Reputation, Music is my life, Joseph Shabalala & Ladysmith Black Mambazo
  • Project Type:
    Documentary
  • Genres:
    investigative journalism, social justice, women's film, environmental discrimination and nuclear colonialism, some verite
  • Runtime:
    1 hour 35 minutes
  • Completion Date:
    October 20, 2023
  • Production Budget:
    750,000 USD
  • Country of Origin:
    United States, United States
  • Country of Filming:
    United States, United States
  • Language:
    English
  • Shooting Format:
    Multi-Format
  • Aspect Ratio:
    16:9
  • Film Color:
    Color
  • First-time Filmmaker:
    Yes
  • Student Project:
    No
  • many grant awards including Ploughshares New Mexico Film Institute, Con Alma Health - no screening awards because we have screened no where yet
Director Biography - Lois Lipman

Lois Lipman is an Emmy award-winning career documentary filmmaker who field produced 24 stories around the world for CBS News “60 Minutes”. Her expose “Til Death Do Us Part – Dowry Deaths in India” was awarded Best Documentary by American Women in Film and Television and led to system changes in India including first arrests, her film about BBC Radio 4 won an Emmy. Lois field produced 60 Minutes Peabody Award winning story: Arthur Mitchell & Dance Theatre Harlem: From Harlem to the Barcelona Opera House. While based in London, Lois later field produced documentaries for the BBC, Channel 4- UK, ITV and PBS in Cuba, Guantanamo Bay, Gaza, Israel, India, the Dominican Republic, Europe and countries in between.
Earning her MFA with a fellowship from American University in DC, Lois won her Department’s Capstone Award. She received her BA from University of Michigan – Ann Arbor and taught at Universities of Maryland and Toledo.

Add Director Biography
Director Statement

I was astonished to discover the untold tragedy of the Trinity Bomb, that communities mere miles from the world’s first nuclear explosion were exposed to dangerously high levels of radiation and not evacuated and that for 79 years the government has denied harm and continues to block help for those affected.

This propelled me to investigate further and after meeting the formidable Tina Cordova and the courageous women in her coalition who asked me to make this film to amplify their voices, I was inspired to bring this story to light.

I am making this film to witness the people’s narrative for voices not yet heard. We must not let the US Government’s scientific achievements and military might be the only picture in the history of Trinity.

As filming progressed, I have come to realize that this story has far wider implications, that of environmental racism and a prevailing attitude towards people of color who were once considered “unsophisticated, uneducated and unable to speak up for themselves.”

Hopefully by shining a lens on this tragic story, the affected communities will get the recognition and justice they deserve and be written into RECA (Radiation Exposure Compensation Act) that will provide partial reparations, healthcare and be transformative for communities that paid the ultimate price with their land, water, and bodies for America’s nuclear policy.

The Front-line Coalition’s efforts illustrate a powerful story about persevering in a dark time, fighting for one's narrative, engaging in the political process, and believing in oneself and each other.

Against the odds…

We stand on a nuclear precipice and Los Alamos National Lab prepares to modernize plutonium pit production. Testing will follow. This is our world's nuclear origin story. As a New Mexican who loves my state, her beauty and diverse cultures, I feel a responsibility to tell this story and use my craft to make a difference.