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Dopes

Meet Archie – a proudly unmotivated slacker who wakes up in a post-party fog, only to realise he’s got a job interview at 2pm for a part-time school caretaker position. Naturally, he’s completely unprepared. Enter Weezer, his equally useless roommate and self-appointed pharmacist, who doses Archie with a chaotic mix of “pick-me-ups.” What follows is a delirious, chemically-fuelled dash across town as Archie attempts to pull himself together and make it to the interview. He arrives – barely – but his performance is a masterclass in cringe. This pilot episode kicks off a comedy series about lovable degenerates stumbling through adulthood one disaster at a time.

  • John Lukey
    Director
    Work Life, Ryder Calloway and the Bounty for Bill Creed
  • John Lukey
    Writer
    Work Life, Ryder Calloway and the Bounty for Bill Creed
  • John Lukey
    Producer
    Work Life, Ryder Calloway and the Bounty for Bill Creed
  • Daniel Woloszczuk
    Producer
    Work Life, Ryder Calloway and the Bounty for Bill Creed
  • Robert Griffiths
    Producer
    Ryder Calloway and the Bounty for Bill Creed
  • John Lukey
    Key Cast
    "Archie Cumming"
  • Robert Griffiths
    Key Cast
    "Weezer"
  • Daniel Woloszczuk
    Key Cast
    "Joseph Copeland"
  • Project Type:
    Short, Television
  • Runtime:
    18 minutes 11 seconds
  • Completion Date:
    August 1, 2025
  • Production Budget:
    0 GBP
  • Country of Origin:
    United Kingdom
  • Country of Filming:
    United Kingdom
  • Language:
    English
  • Shooting Format:
    Digital
  • Film Color:
    Color
  • First-time Filmmaker:
    No
  • Student Project:
    No

  • United Kingdom
Director Biography - John Lukey

John Lukey is a filmmaker and screenwriter based in the United Kingdom, whose creative spark was ignited at a young age after witnessing cinematic spectacles from directors such as Steven Spielberg and James Cameron. Some of his favourite films include Aliens, Terminator 2, and his all-time favourite movie, Jurassic Park - seeing it at the age of five in the cinema marked the beginning of a lifelong obsession with the art and craft of filmmaking, from the alchemy of storytelling to the technical choreography behind the lens.

John began his creative journey in acting, training in Los Angeles before returning to the UK to earn an Advanced Diploma in Acting from the London School of Dramatic Art. This foundation in character and narrative later evolved into a broader focus to include writing and directing.

His directorial debut, Work-Life, was a poignant short film that explored the emotional toll of remote working, blending authenticity - based on his experience working in Occupational Health - with cinematic nuance. It also served as a proving ground for John’s skills across the full spectrum of production, from concept development and scripting to editing and final cut. Work Life received a runner's up award and an honourable mention in its festival run.

John has recently completed two other projects - a comedy short / pilot episode called Dopes, and this Western titled Ryder Calloway and the Bounty for Bill Creed.

John is currently developing a slate of other projects, including another short film, a completed feature-length screenplay, and another feature in early conceptual stages. His ultimate ambition is to work in full-time filmmaking, where he can continue crafting stories that resonate, entertain, and reflect the human experience.

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Director Statement

Dopes is a celebration of the gloriously unqualified. This comedy short / TV pilot introduces Archie and Weezer - two lovable slackers whose greatest skill is surviving their own bad decisions - and the currently-put-together Joseph whose life is about to get turned upside down as Archie comes for an interview at his school... It’s a comedy about stumbling through adulthood with nothing but misplaced confidence and a questionable stash of “performance enhancers.”

Stylistically, we leaned into handheld energy and fast-paced editing to mirror Archie’s spiralling state. The tone is irreverent, the humour is slapstick, and the heart lies in the friendship between two guys who are hopeless, but never heartless.

This pilot sets the tone for a series that doesn’t glorify failure, but embraces it with open arms and a half-eaten kebab. Dopes is for anyone who’s ever tried to pull it together and arrived... just barely. It’s messy, it’s manic, and it’s exactly the kind of disaster we love to watch unfold!